Yahoo Forum Archive
This is an archive of the MEFA Yahoo Group, which was shut down by Yahoo in 2019. The archive can be sorted by month and by topic ID. You can use your browser to search by keyword within the month or topic you have open.
Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
2004 | - | - | - | 182 | 1042 | 655 | 89 | 25 | 263 | 362 | 316 | 285 |
2005 | 189 | 56 | 107 | 538 | 347 | 446 | 97 | 276 | 194 | 358 | 565 | 136 |
2006 | 231 | 66 | 27 | 76 | 117 | 139 | 127 | 56 | 67 | 66 | 159 | 79 |
2007 | 20 | 25 | 7 | - | 29 | 72 | 99 | 143 | 3 | 185 | 83 | 103 |
2008 | 56 | 13 | 3 | 54 | 240 | 141 | 274 | 77 | 51 | 60 | 90 | 106 |
2009 | 28 | 3 | - | 39 | 194 | 101 | 72 | 27 | 22 | 15 | 36 | 24 |
2010 | 67 | - | 1 | 4 | 103 | 138 | 129 | 32 | 13 | 16 | 3 | 30 |
2011 | 1 | - | 17 | 2 | 6 | 25 | 90 | 61 | 32 | 7 | 5 | 8 |
2012 | 30 | - | - | - | 8 | 122 | 76 | - | - | - | - | - |
2013 | - | - | - | - | - | - | - | - | - | - | - | - |
2014 | - | - | - | - | - | - | - | - | - | 1 | - | 2 |
2015 | - | - | - | - | - | - | - | - | - | - | - | - |
2016 | - | - | - | - | - | - | - | - | - | - | - | - |
2017 | - | - | - | - | - | - | - | - | - | - | - | - |
2018 | - | - | - | - | - | - | - | - | - | - | - | - |
2019 | - | - | - | - | - | - | - | - | - | 1 | - | - |
Msg# 6550
points and various voting matters Posted by Marta Layton January 01, 2006 - 23:42:30 Topic ID# 6550Hey guys,
This is the last issue that I think it's absolutely critical we discuss
before next year's awards. This post-mortem surely has stretched out! I
think we've covered a lot of good ground, and if I've started a topic
and we never reached a decision, please remind me.
Anyway... the topic is points and how votes will count. There are
several issues. And if I forget any on this topic, feel free to speak
up.
First, I think some people find it hard to write long reviews and so
feel that even stories they really like they can't give them the points
they're worth. I suggest that we have each review cap off at a lower
level (say, five points instead of ten). This effectively means that
those 1- and 2-point reviews have more weight. One such spread would
be:
1-50 1 point
51-250 2 point
251-500 3 point
501-1000 4 point
1001+ 5 point
I know that I tend to be pretty long-winded in my reviews, so I'm very
interested in hearing frm people who struggled to write longer ones.
Would this point spread work better?
Issue #2: honourable mentions. This year we awarded honourable mentions
to stories who scored within three points of second place. But it
occurs to me this may not be the best system because the larger
categories were a lot more competitive. Think about it, in a
sub-category with five stories the top 60% of stories received first,
second, or third place, whereas in a sub-category with ten stories only
the top 30% of stories received first, second, or third places. That
means there will be more competition for the third place position in a
larger category, and *that* means that the third place story will
likely have a higher score than in a smaller category - which means
stiffer competition for those honourable mention positions.
I can think of several possible solutions. One is to award an
honourable mention to all the stories that get a certain number of
points and aren't awarded 1st, 2nd, or 3rd place. For example, we could
set the threshold at 20 points; if your story gets 20 points but isn't
awarded 1st, 2nd, or 3rd place, it gets an honourable mention.
Another way to address this is to assign honourable mentions based on
the number of entries per category. For example, let's say we want to
have the top half of stories receive a place award or an honourable
mention. (Not that out-of-line when you consider 60% of the stories in
a five-story category get an award.) Then we could just give honourable
mentions to the top stories below the places until we reach this point.
So
5-6 entries 0 Honourable Mentions
7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
Etc.
I'd personally be happy with either one.
One more thing: the author awards. This one may be more strongly
dictated by technical concerns. Would it be a good idea to have an easy
way to enter the same author vote for all the categories where the
author has works entered. For instance, this year I had to enter votes
for Dreamflower for every one of the categories she had stories entered
in, but the votes were the same. It would have been much easier to be
able to go to vote for any one category, click a check-box of some sort
and have this vote automatically entered in the other categories.
Anthony, is this at all possible? If not it will be okay - it would be
nice but isn't strictly necessary. (And thanks for all your hard work.)
Barring that, can you guys think of any ways that we could make author
voting run more smoothly?
Cheers,
Marta
This is the last issue that I think it's absolutely critical we discuss
before next year's awards. This post-mortem surely has stretched out! I
think we've covered a lot of good ground, and if I've started a topic
and we never reached a decision, please remind me.
Anyway... the topic is points and how votes will count. There are
several issues. And if I forget any on this topic, feel free to speak
up.
First, I think some people find it hard to write long reviews and so
feel that even stories they really like they can't give them the points
they're worth. I suggest that we have each review cap off at a lower
level (say, five points instead of ten). This effectively means that
those 1- and 2-point reviews have more weight. One such spread would
be:
1-50 1 point
51-250 2 point
251-500 3 point
501-1000 4 point
1001+ 5 point
I know that I tend to be pretty long-winded in my reviews, so I'm very
interested in hearing frm people who struggled to write longer ones.
Would this point spread work better?
Issue #2: honourable mentions. This year we awarded honourable mentions
to stories who scored within three points of second place. But it
occurs to me this may not be the best system because the larger
categories were a lot more competitive. Think about it, in a
sub-category with five stories the top 60% of stories received first,
second, or third place, whereas in a sub-category with ten stories only
the top 30% of stories received first, second, or third places. That
means there will be more competition for the third place position in a
larger category, and *that* means that the third place story will
likely have a higher score than in a smaller category - which means
stiffer competition for those honourable mention positions.
I can think of several possible solutions. One is to award an
honourable mention to all the stories that get a certain number of
points and aren't awarded 1st, 2nd, or 3rd place. For example, we could
set the threshold at 20 points; if your story gets 20 points but isn't
awarded 1st, 2nd, or 3rd place, it gets an honourable mention.
Another way to address this is to assign honourable mentions based on
the number of entries per category. For example, let's say we want to
have the top half of stories receive a place award or an honourable
mention. (Not that out-of-line when you consider 60% of the stories in
a five-story category get an award.) Then we could just give honourable
mentions to the top stories below the places until we reach this point.
So
5-6 entries 0 Honourable Mentions
7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
Etc.
I'd personally be happy with either one.
One more thing: the author awards. This one may be more strongly
dictated by technical concerns. Would it be a good idea to have an easy
way to enter the same author vote for all the categories where the
author has works entered. For instance, this year I had to enter votes
for Dreamflower for every one of the categories she had stories entered
in, but the votes were the same. It would have been much easier to be
able to go to vote for any one category, click a check-box of some sort
and have this vote automatically entered in the other categories.
Anthony, is this at all possible? If not it will be okay - it would be
nice but isn't strictly necessary. (And thanks for all your hard work.)
Barring that, can you guys think of any ways that we could make author
voting run more smoothly?
Cheers,
Marta
Msg# 6551
Re: points and various voting matters Posted by aelfwina@cableone.net January 02, 2006 - 8:39:41 Topic ID# 6550----- Original Message -----
From: "Marta Layton" <melayton@gmail.com>
To: <MEFAwards@yahoogroups.com>
Sent: Sunday, January 01, 2006 11:47 PM
Subject: [MEFAwards] points and various voting matters
> Hey guys,
>
> This is the last issue that I think it's absolutely critical we discuss
> before next year's awards. This post-mortem surely has stretched out! I
> think we've covered a lot of good ground, and if I've started a topic
> and we never reached a decision, please remind me.
>
> Anyway... the topic is points and how votes will count. There are
> several issues. And if I forget any on this topic, feel free to speak
> up.
>
> First, I think some people find it hard to write long reviews and so
> feel that even stories they really like they can't give them the points
> they're worth. I suggest that we have each review cap off at a lower
> level (say, five points instead of ten). This effectively means that
> those 1- and 2-point reviews have more weight. One such spread would
> be:
>
> 1-50 1 point
> 51-250 2 point
> 251-500 3 point
> 501-1000 4 point
> 1001+ 5 point
>
> I know that I tend to be pretty long-winded in my reviews, so I'm very
> interested in hearing frm people who struggled to write longer ones.
> Would this point spread work better?
It's possible. I know that generally, I wrote my reviews at first with no
regards to how the points fell, but just said what I felt about the story.
Then, for certain stories that I felt had exceptional merit, I went back and
added to the reviews to get higher point counts. I didn't go back to any and
remove words to get less points. However, I often felt the longer reviews
were "padded" and had less impact than my original shorter and more
heartfelt reviews. With a smaller point spread, this problem could be
avoided. It would also make it easier to do more reviews in a shorter time
period.
>
> Issue #2: honourable mentions. This year we awarded honourable mentions
> to stories who scored within three points of second place. But it
> occurs to me this may not be the best system because the larger
> categories were a lot more competitive. Think about it, in a
> sub-category with five stories the top 60% of stories received first,
> second, or third place, whereas in a sub-category with ten stories only
> the top 30% of stories received first, second, or third places. That
> means there will be more competition for the third place position in a
> larger category, and *that* means that the third place story will
> likely have a higher score than in a smaller category - which means
> stiffer competition for those honourable mention positions.
>
> I can think of several possible solutions. One is to award an
> honourable mention to all the stories that get a certain number of
> points and aren't awarded 1st, 2nd, or 3rd place. For example, we could
> set the threshold at 20 points; if your story gets 20 points but isn't
> awarded 1st, 2nd, or 3rd place, it gets an honourable mention.
>
> Another way to address this is to assign honourable mentions based on
> the number of entries per category. For example, let's say we want to
> have the top half of stories receive a place award or an honourable
> mention. (Not that out-of-line when you consider 60% of the stories in
> a five-story category get an award.) Then we could just give honourable
> mentions to the top stories below the places until we reach this point.
> So
>
> 5-6 entries 0 Honourable Mentions
> 7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
> 9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
> 11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
I like this second formula better. It would be more fair than the current
system, yet not so complicated as your first suggestion. My only thing
would be an upward limit: say from 12 entries upwards, 4+3=7 and not go
beyond four honorable mentions, for I think that would dilute the value of
the award *too* much in the other direction.
Dreamflower
(Barbara)
>
> Etc.
>
> I'd personally be happy with either one.
>
> One more thing: the author awards. This one may be more strongly
> dictated by technical concerns. Would it be a good idea to have an easy
> way to enter the same author vote for all the categories where the
> author has works entered. For instance, this year I had to enter votes
> for Dreamflower for every one of the categories she had stories entered
> in, but the votes were the same. It would have been much easier to be
> able to go to vote for any one category, click a check-box of some sort
> and have this vote automatically entered in the other categories.
>
> Anthony, is this at all possible? If not it will be okay - it would be
> nice but isn't strictly necessary. (And thanks for all your hard work.)
>
> Barring that, can you guys think of any ways that we could make author
> voting run more smoothly?
>
> Cheers,
> Marta
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
>
Msg# 6552
Re: points and various voting matters Posted by sulriel January 02, 2006 - 9:12:45 Topic ID# 6550>>This is the last issue that I think it's absolutely critical wediscuss
before next year's awards. This post-mortem surely has stretched out!
I
think we've covered a lot of good ground, and if I've started a topic
and we never reached a decision, please remind me.
I can't think of any
Msg# 6553
Re: points and various voting matters Posted by sulriel January 02, 2006 - 9:15:17 Topic ID# 6550>>Anyway... the topic is points and how votes will count. There areseveral issues. And if I forget any on this topic, feel free to speak
up.First, I think some people find it hard to write long reviews and
so
feel that even stories they really like they can't give them the
points
they're worth. I suggest that we have each review cap off at a lower
level (say, five points instead of ten). This effectively means that
those 1- and 2-point reviews have more weight. One such spread would
be:1-50 1 point
51-250 2 point
251-500 3 point
501-1000 4 point
1001+ 5 point
I support this change. If I remember, we talked privately and my
suggestion was for an even more dramatic change. ... a point spread
of 1-3 points, or a 1-5 with a maximum counted character count of 500
instead of a 1000. (? it's been too long and I'm still on my first
coffee this morning) But I would be happy with the suggestion above.
Msg# 6554
Re: points and various voting matters Posted by sulriel January 02, 2006 - 9:15:50 Topic ID# 6550>>>Issue #2: honorable mentions. This year we awarded honorablementions
to stories who scored within three points of second place. But it
occurs to me this may not be the best system because the larger
categories were a lot more competitive. Think about it, in a
sub-category with five stories the top 60% of stories received first,
second, or third place, whereas in a sub-category with ten stories
only
the top 30% of stories received first, second, or third places. That
means there will be more competition for the third place position in
a
larger category, and *that* means that the third place story will
likely have a higher score than in a smaller category - which means
stiffer competition for those honorable mention positions.
I'm ok with the HMs being within a count or percent of the total
points because I feel like it rewards the 'likability' of the story
and correctly conveys the reader's votes. If there are 5 stories in
a cate or 20 .... if the point spread is so close, the HMs show what
a close race it was, and I like that.
What about making them be within a three points of first place
instead of second? or the top ? % of the point spread? or within ? %
points of first place?
>>I can think of several possible solutions. One is to award anhonorable mention to all the stories that get a certain number of
points and aren't awarded 1st, 2nd, or 3rd place. For example, we
could
set the threshold at 20 points; if your story gets 20 points but
isn't
awarded 1st, 2nd, or 3rd place, it gets an honorable mention.
I think this is an overall good idea and would be ok if it were
implemented, but I think it would be a difficult call to set that
number, especially if we change the point system.
>>>Another way to address this is to assign honorable mentions basedon
the number of entries per category. For example, let's say we want to
have the top half of stories receive a place award or an honorable
mention. (Not that out-of-line when you consider 60% of the stories
in
a five-story category get an award.) Then we could just give
honorable
mentions to the top stories below the places until we reach this
point.
I know that some judged contests do this and I highly support it in
those venues, and I would support it here, but I don't think that
it reflects the spirit of the awards as well as the first option,
especially if we reward those who place within a percent of points of
first place.
Msg# 6555
Re: points and various voting matters Posted by sulriel January 02, 2006 - 9:18:48 Topic ID# 6550>>>>>>>>One more thing: the author awards. This one may be morestrongly
dictated by technical concerns. Would it be a good idea to have an
easy way to enter the same author vote for all the categories where
the
author has works entered. For instance, this year I had to enter votes
for Dreamflower for every one of the categories she had stories
entered in, but the votes were the same. It would have been much
easier to be able to go to vote for any one category, click a check-
box of some sort and have this vote automatically entered in the other
categories.
I agree with entering one vote per author and having it automatically
go to them in all the categories in which they have stories entered.
I know there are arguments against this, and I agree with them in
part, - that someone may be stronger in some genre or elements than in
others, but I also know there has been a lot of confusion and
questions and problems with the readers understanding and voting in
the author review section and I think the simplification of the above
suggestion would outweigh the lack of flexibility.
Msg# 6556
Re: points and various voting matters Posted by dwimmer\_laik January 02, 2006 - 11:28:21 Topic ID# 6550> First, I think some people find it hard to write long reviews and soSomeone mentioned that this would help people write reviews more
> feel that even stories they really like they can't give them the points
> they're worth. I suggest that we have each review cap off at a lower
> level (say, five points instead of ten). This effectively means that
> those 1- and 2-point reviews have more weight. One such spread would
> be:
>
> 1-50 1 point
> 51-250 2 point
> 251-500 3 point
> 501-1000 4 point
> 1001+ 5 point
quickly (a good thing!) instead of having to worry over a review to
make it the points value they thought the story was worth. I think for
me that's probably the strongest argument for making it easier to
reach certain points values, but capping it at five to me is less
appealing. A 1000 characters is significantly more than 501, yet it
gives the same points value.
Also, I'm not sure why the 'step' has to be so short between points
levels one and two, 2 and a half times as much as the first step in
the next two categories, and then jump up by nearly the same amount
between levels four and five as the move from level 1 to level 2 in
the third. One of the nice things about this year's awards was that
there were no such skips in the points structure--nice even,
predictable intervals were, I thought, a good improvement on the first
year's table, which was missing some points levels actually.
Is the idea that the scoring levels are based on the average char
counts people turned in? What's the logic behind this? Because what
this seems to me to do is to make it easier to move out of level one,
but then it becomes harder to move out of any given level at any point
after that.
So, like driving a stick shift (a thing I'v not mastered but bear with
me here and correct the example where necessary), it's easy to get to
first gear (points level 2), but it's hard to get out of it and move
to any other level, and (ok, theoretically, altering reality to fit
with the analogy) harder to move from fourth to fifth gear than it is
even to move from second to third or third to fourth gear.
The result: there will probably be as few five point reviews as ten
point reviews last year, since that's exactly the same char threshold
as the ten point reviews was last year, while there will be a much
larger number of four point reviews and three point reviews, and
probably very few 2 pointers. I doubt there will be more than a
handful of one pointers, just like last year only more so. You can
hardly complete a thought in 50 chars. So you can easily get 2-3
points written, but it's hard to get 5 points written, and moderately
difficult to get 4 points written.
*At a guess* (please keep in mind that math is not my strong point,
here), there will be a lot more ties to break based on absolute
character counts because it'll be harder to vote proportionally--there
just won't be enough differentiation within the higher points
categories to make that possible.
> Another way to address this is to assign honourable mentions based onI rather like this more proportional system. Depending on how things
> the number of entries per category. For example, let's say we want to
> have the top half of stories receive a place award or an honourable
> mention. (Not that out-of-line when you consider 60% of the stories in
> a five-story category get an award.) Then we could just give honourable
> mentions to the top stories below the places until we reach this point.
go in fandom, the further we get from movie years, we may have fewer
entries or else more reviewers as word gets around and (ideally) more
people participate as reviewers. So this would avoid us being in a
situation where maybe very few stories make it to the threshold points
level, or else where nearly every story makes it that far. There'd be
no need to try and guess ahead of time or make a controversial
retroactive decision about that points threshold after the voting is
over. It'd be a simple decision, made once and for all, about a
percentage of stories that would get awards, and then a mathematical
formula would determine the actual number of honorable mentions.
> One more thing: the author awards. This one may be more stronglyI'd support anything that makes this an easier task. I ended up having
> dictated by technical concerns. Would it be a good idea to have an easy
> way to enter the same author vote for all the categories where the
> author has works entered. For instance, this year I had to enter votes
> for Dreamflower for every one of the categories she had stories entered
> in, but the votes were the same. It would have been much easier to be
> able to go to vote for any one category, click a check-box of some sort
> and have this vote automatically entered in the other categories.
to find all the author's stories that I had read, and then divide them
into stories I thought could be mentioned together as contributing
towards a coherent review of the author. So I might mention stories in
Horror, Drama, and Action/Adventure to write an author review, then
enter that review in three different categories. I'd then have a
different review written out for the author using her/his stories from
LOTR, Silm, and Humor.
So for me, having a single author review, where I could use all the
stories at once, without having to figure out how to carve them up and
write two reviews without being repetitive, would be a significant
improvement.
> Barring that, can you guys think of any ways that we could make authorBeing able to see all the author's stories and categories on a single
> voting run more smoothly?
page whenever one goes to write an author review would also be a huge
help. I got very tired of having to go dig through my review files to
find the person's stories, and determine categories and subcategories.
The filters were very problematic, because they weren't independent of
each other, but one governed the other. So:
Author: Name
Category: Romance
Would give you Romance, plus subcats, iirc, but then *because* it
*was* Romance as the main category, when you tried to select a
different one, you could only get the Romance subcats. And that would
result in an impossible filter combination like:
Author: Name
Category: Action/Adventure
Subcat options: Only romance subcats
You'd get a blank page, have to clear all filters, and then start
again instead of being able to use the filters to help you search out
the author's stories.
Topic we possibly have forgotten:
How do we treat quotes in reviews? What about quotes from sources that
are not from the fanfic under review, but which are either from
Tolkien's own writing or else from a different published author? Did
we decide how to treat these already? I'm afraid I can't recall.
Thanks for all your work, Marta. This has definitely dragged out a
bit, but you've persevered and kept pushing it forward.
Dwim
Msg# 6557
Re: points and various voting matters Posted by rabidsamfan January 02, 2006 - 17:34:48 Topic ID# 6550I wouldn't mess with the point system, unless it were to drop it in favor of
straight character counts.
As far as the author review goes, I thought it was silly repeating author
reviews over and over and over this year and scattering them willy-nilly
strikes me as sillier, because the way they were presented, they were to
award an author for having a particular strength in a particular subject
area.
I'd rather get an option to open up a second reply window after I've done a
story review, with a copy of the same review already entered, but editable,
which might be submitted as an author review.
Of course, if the purpose of author reviews isn't tied to the story
categories, you could approach it very differently.
straight character counts.
As far as the author review goes, I thought it was silly repeating author
reviews over and over and over this year and scattering them willy-nilly
strikes me as sillier, because the way they were presented, they were to
award an author for having a particular strength in a particular subject
area.
I'd rather get an option to open up a second reply window after I've done a
story review, with a copy of the same review already entered, but editable,
which might be submitted as an author review.
Of course, if the purpose of author reviews isn't tied to the story
categories, you could approach it very differently.
On 1/2/06, aelfwina@cableone.net <aelfwina@cableone.net> wrote:
>
>
> ----- Original Message -----
> From: "Marta Layton" <melayton@gmail.com>
> To: <MEFAwards@yahoogroups.com>
> Sent: Sunday, January 01, 2006 11:47 PM
> Subject: [MEFAwards] points and various voting matters
>
>
> > Hey guys,
> >
> > This is the last issue that I think it's absolutely critical we discuss
> > before next year's awards. This post-mortem surely has stretched out! I
> > think we've covered a lot of good ground, and if I've started a topic
> > and we never reached a decision, please remind me.
> >
> > Anyway... the topic is points and how votes will count. There are
> > several issues. And if I forget any on this topic, feel free to speak
> > up.
> >
> > First, I think some people find it hard to write long reviews and so
> > feel that even stories they really like they can't give them the points
> > they're worth. I suggest that we have each review cap off at a lower
> > level (say, five points instead of ten). This effectively means that
> > those 1- and 2-point reviews have more weight. One such spread would
> > be:
> >
> > 1-50 1 point
> > 51-250 2 point
> > 251-500 3 point
> > 501-1000 4 point
> > 1001+ 5 point
> >
> > I know that I tend to be pretty long-winded in my reviews, so I'm very
> > interested in hearing frm people who struggled to write longer ones.
> > Would this point spread work better?
>
> It's possible. I know that generally, I wrote my reviews at first with no
> regards to how the points fell, but just said what I felt about the story.
>
> Then, for certain stories that I felt had exceptional merit, I went back
> and
> added to the reviews to get higher point counts. I didn't go back to any
> and
> remove words to get less points. However, I often felt the longer reviews
>
> were "padded" and had less impact than my original shorter and more
> heartfelt reviews. With a smaller point spread, this problem could be
> avoided. It would also make it easier to do more reviews in a shorter
> time
> period.
>
> >
> > Issue #2: honourable mentions. This year we awarded honourable mentions
> > to stories who scored within three points of second place. But it
> > occurs to me this may not be the best system because the larger
> > categories were a lot more competitive. Think about it, in a
> > sub-category with five stories the top 60% of stories received first,
> > second, or third place, whereas in a sub-category with ten stories only
> > the top 30% of stories received first, second, or third places. That
> > means there will be more competition for the third place position in a
> > larger category, and *that* means that the third place story will
> > likely have a higher score than in a smaller category - which means
> > stiffer competition for those honourable mention positions.
> >
> > I can think of several possible solutions. One is to award an
> > honourable mention to all the stories that get a certain number of
> > points and aren't awarded 1st, 2nd, or 3rd place. For example, we could
> > set the threshold at 20 points; if your story gets 20 points but isn't
> > awarded 1st, 2nd, or 3rd place, it gets an honourable mention.
> >
> > Another way to address this is to assign honourable mentions based on
> > the number of entries per category. For example, let's say we want to
> > have the top half of stories receive a place award or an honourable
> > mention. (Not that out-of-line when you consider 60% of the stories in
> > a five-story category get an award.) Then we could just give honourable
> > mentions to the top stories below the places until we reach this point.
> > So
> >
> > 5-6 entries 0 Honourable Mentions
> > 7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
> > 9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
> > 11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
>
> I like this second formula better. It would be more fair than the current
> system, yet not so complicated as your first suggestion. My only thing
> would be an upward limit: say from 12 entries upwards, 4+3=7 and not go
> beyond four honorable mentions, for I think that would dilute the value of
>
> the award *too* much in the other direction.
>
> Dreamflower
> (Barbara)
> >
> > Etc.
> >
> > I'd personally be happy with either one.
> >
> > One more thing: the author awards. This one may be more strongly
> > dictated by technical concerns. Would it be a good idea to have an easy
> > way to enter the same author vote for all the categories where the
> > author has works entered. For instance, this year I had to enter votes
> > for Dreamflower for every one of the categories she had stories entered
> > in, but the votes were the same. It would have been much easier to be
> > able to go to vote for any one category, click a check-box of some sort
> > and have this vote automatically entered in the other categories.
> >
> > Anthony, is this at all possible? If not it will be okay - it would be
> > nice but isn't strictly necessary. (And thanks for all your hard work.)
> >
> > Barring that, can you guys think of any ways that we could make author
> > voting run more smoothly?
> >
> > Cheers,
> > Marta
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
> >
>
>
>
>
> SPONSORED LINKS
> Writing and publishing a book<http://groups.yahoo.com/gads?t=ms&k=Writing+and+publishing+a+book&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=5Hq4Nd6zG6tizNIjRcV4qg> Writing
> a book report<http://groups.yahoo.com/gads?t=ms&k=Writing+a+book+report&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=J8YBVYGqwgY19IiQISUUlQ> Writing
> child book<http://groups.yahoo.com/gads?t=ms&k=Writing+child+book&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=lS64yceBGcj-7GhYdDZdqg> Business
> writing book<http://groups.yahoo.com/gads?t=ms&k=Business+writing+book&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=VPTepuXG9KG3-fgf5jtmGw> Writing
> book<http://groups.yahoo.com/gads?t=ms&k=Writing+book&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=HW7rfgtNi5TpJGhv5V-ftQ> Book
> writing software<http://groups.yahoo.com/gads?t=ms&k=Book+writing+software&w1=Writing+and+publishing+a+book&w2=Writing+a+book+report&w3=Writing+child+book&w4=Business+writing+book&w5=Writing+book&w6=Book+writing+software&c=6&s=158&.sig=xnbyLvyteEB1nAnDA09ezQ>
> ------------------------------
> YAHOO! GROUPS LINKS
>
>
> - Visit your group "MEFAwards<http://groups.yahoo.com/group/MEFAwards>"
> on the web.
>
> - To unsubscribe from this group, send an email to:
> MEFAwards-unsubscribe@yahoogroups.com<MEFAwards-unsubscribe@yahoogroups.com?subject=Unsubscribe>
>
> - Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service <http://docs.yahoo.com/info/terms/>.
>
>
> ------------------------------
>
[Non-text portions of this message have been removed]
Msg# 6558
Re: points and various voting matters Posted by sulriel January 02, 2006 - 18:08:42 Topic ID# 6550--- In MEFAwards@yahoogroups.com, rabidsamfan <rabidsamfan@v...>
wrote:
I have to say that I wouldn't be in favor of using straight character
counts because one long glowing review could effectively keep the
other stories out of the running. I like the point system because
while it allows for more or less points, it also somewhat levels the
playing field. I think that using a straight character would would
have the effect of lessening the motivation of the readers leaving
the shorter reviews because (I'm guessing) they'd feel that it
wouldn't make any difference.
willy-nilly> strikes me as sillier, because the way they were
presented, they were to> award an author for having a particular
strength in a particular subject> area.
I'd be fine with having a single set of authors' awards without
having them by category. Their strengths could be commented on in
the text of the review/vote (great at drabbling, espcially Hobbits,
but also shows great talent in Elves, ...etc..)
entered, but editable,> which might be submitted as an author review.
prompt when the story review is opened.
wrote:
>favor of> straight character counts.
> I wouldn't mess with the point system, unless it were to drop it in
I have to say that I wouldn't be in favor of using straight character
counts because one long glowing review could effectively keep the
other stories out of the running. I like the point system because
while it allows for more or less points, it also somewhat levels the
playing field. I think that using a straight character would would
have the effect of lessening the motivation of the readers leaving
the shorter reviews because (I'm guessing) they'd feel that it
wouldn't make any difference.
>author> reviews over and over and over this year and scattering them
> As far as the author review goes, I thought it was silly repeating
willy-nilly> strikes me as sillier, because the way they were
presented, they were to> award an author for having a particular
strength in a particular subject> area.
I'd be fine with having a single set of authors' awards without
having them by category. Their strengths could be commented on in
the text of the review/vote (great at drabbling, espcially Hobbits,
but also shows great talent in Elves, ...etc..)
>I've done a> story review, with a copy of the same review already
> I'd rather get an option to open up a second reply window after
entered, but editable,> which might be submitted as an author review.
>Great idea to automatically open an author's review window as a
> Of course, if the purpose of author reviews isn't tied to the story
> categories, you could approach it very differently.
prompt when the story review is opened.
Msg# 6559
Re: points and various voting matters Posted by sulriel January 02, 2006 - 18:49:03 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:> >> Someone mentioned that this would help people write
reviews more> quickly (a good thing!) instead of having to worry over
a review to> make it the points value they thought the story was
worth. I think for> me that's probably the strongest argument for
making it easier to> reach certain points values, but capping it at
five to me is less> appealing. A 1000 characters is significantly
more than 501, yet it> gives the same points value.
I found it pretty easy to ramble on about my favorite stories and
some of the others I really liked, but I found it tended to be not
quite the 10 points in some cases and wanted to (and did in some
cases) go back and add enough to make the count because I felt like
they deserved the points and I wanted to (basically) publically thank
the author in the biggest way possible, for writing the story. ....
but also, as time passed, I had less time and felt bad that some
(most) of the ones I reviewed later in the process didn't get as much
attention/points.
I agree last year was better than the previous year. I'm not sure
why Marta divided the points the way she did and would like to hear
her reasoning before I decide if I agree or think it should be
changed from the proposal.
Sulriel
wrote:> >> Someone mentioned that this would help people write
reviews more> quickly (a good thing!) instead of having to worry over
a review to> make it the points value they thought the story was
worth. I think for> me that's probably the strongest argument for
making it easier to> reach certain points values, but capping it at
five to me is less> appealing. A 1000 characters is significantly
more than 501, yet it> gives the same points value.
I found it pretty easy to ramble on about my favorite stories and
some of the others I really liked, but I found it tended to be not
quite the 10 points in some cases and wanted to (and did in some
cases) go back and add enough to make the count because I felt like
they deserved the points and I wanted to (basically) publically thank
the author in the biggest way possible, for writing the story. ....
but also, as time passed, I had less time and felt bad that some
(most) of the ones I reviewed later in the process didn't get as much
attention/points.
>first> year's table, which was missing some points levels actually.
> Also, I'm not sure why the 'step' has to be so short between points
> levels one and two, 2 and a half times as much as the first step in
> the next two categories, and then jump up by nearly the same amount
> between levels four and five as the move from level 1 to level 2 in
> the third. One of the nice things about this year's awards was that
> there were no such skips in the points structure--nice even,
> predictable intervals were, I thought, a good improvement on the
I agree last year was better than the previous year. I'm not sure
why Marta divided the points the way she did and would like to hear
her reasoning before I decide if I agree or think it should be
changed from the proposal.
>>that
>
>
> Topic we possibly have forgotten:
>
> How do we treat quotes in reviews? What about quotes from sources
> are not from the fanfic under review, but which are either fromoh -yikes, yes... that's a biggie.
> Tolkien's own writing or else from a different published author? Did
> we decide how to treat these already? I'm afraid I can't recall.
> Thanks for all your work, Marta. This has definitely dragged out afrom me too!
> bit, but you've persevered and kept pushing it forward.
>
> Dwim
Sulriel
Msg# 6560
Re: points and various voting matters Posted by rabidsamfan January 02, 2006 - 19:26:42 Topic ID# 6550On 1/2/06, sulriel <Sulriel@htcomp.net> wrote:
review should be inside <blockquotes> tags, but for stuff from JRRT or other
sources... hmm. That's tougher. Might be a judgment call for the admins.
Is the quote filler, or pertinent to the review? I'd think it would be a
situation which wouldn't often arise, but I don't know. Did it happen this
year?
[Non-text portions of this message have been removed]
>Yes. I'd say anything and everything from within the story under
>
> >
> > Topic we possibly have forgotten:
> >
> > How do we treat quotes in reviews? What about quotes from sources
> that
> > are not from the fanfic under review, but which are either from
> > Tolkien's own writing or else from a different published author? Did
> > we decide how to treat these already? I'm afraid I can't recall.
>
>
> oh -yikes, yes... that's a biggie.
review should be inside <blockquotes> tags, but for stuff from JRRT or other
sources... hmm. That's tougher. Might be a judgment call for the admins.
Is the quote filler, or pertinent to the review? I'd think it would be a
situation which wouldn't often arise, but I don't know. Did it happen this
year?
[Non-text portions of this message have been removed]
Msg# 6561
Re: points and various voting matters Posted by dwimmer\_laik January 02, 2006 - 20:09:17 Topic ID# 6550--- In MEFAwards@yahoogroups.com, rabidsamfan <rabidsamfan@v...> wrote:
general, northerly direction. ;-) I don't recall if other reviewers
did this, but I imagine many people may think associatively and want
to incorporate useful phrases and quotes from other works as they
explain why story X is good reading.
Dwim
>or other
> On 1/2/06, sulriel <Sulriel@h...> wrote:
> >
> >
> > >
> > > Topic we possibly have forgotten:
> > >
> > > How do we treat quotes in reviews? What about quotes from sources
> > that
> > > are not from the fanfic under review, but which are either from
> > > Tolkien's own writing or else from a different published author? Did
> > > we decide how to treat these already? I'm afraid I can't recall.
> >
> >
> > oh -yikes, yes... that's a biggie.
>
>
>
> Yes. I'd say anything and everything from within the story under
> review should be inside <blockquotes> tags, but for stuff from JRRT
> sources... hmm. That's tougher. Might be a judgment call for theadmins.
> Is the quote filler, or pertinent to the review?I'm thinking of quotations that are pertinent to the review.
> I'd think it would be ahappen this
> situation which wouldn't often arise, but I don't know. Did it
> year?Yes. I did it at least twice, causing you to throw rocks in my
general, northerly direction. ;-) I don't recall if other reviewers
did this, but I imagine many people may think associatively and want
to incorporate useful phrases and quotes from other works as they
explain why story X is good reading.
Dwim
Msg# 6562
Re: points and various voting matters Posted by Kathy January 02, 2006 - 20:57:36 Topic ID# 6550Happy New Year, everyone! Marta, great job running the post-mortem.
Here's my two cents on the final topic issues...
Here's my two cents on the final topic issues...
--- In MEFAwards@yahoogroups.com, Marta Layton <melayton@g...> wrote:
>
> Anyway... the topic is points and how votes will count. There are
> several issues. And if I forget any on this topic, feel free to
> speak up.
>
> First, I think some people find it hard to write long reviews and
> so feel that even stories they really like they can't give them the
> points they're worth. I suggest that we have each review cap off at
> a lower level (say, five points instead of ten). This effectively
> means that those 1- and 2-point reviews have more weight. One such
> spread would be:
>
> 1-50 1 point
> 51-250 2 point
> 251-500 3 point
> 501-1000 4 point
> 1001+ 5 point
>
> I know that I tend to be pretty long-winded in my reviews, so I'm
> very interested in hearing frm people who struggled to write longer
> ones. Would this point spread work better?
Overall, this seems like a good idea, although I too wonder why the
point spread is so unevenly distributed. What about something like
this:
points characters
1 1-150
2 151-300
3 301-450
4 451-600
5 601+
I just took a look at my 2005 reviews and saw that in most cases I
was able to say what I wanted to say in about 300-500 characters. And
I didn't try to pad or manipulate my votes at all. If I find I want
to say more about a particular story, I have no problem with it
capping off at 5 points.
> Issue #2: honourable mentions. This year we awarded honourable
> mentions to stories who scored within three points of second place.
> But it occurs to me this may not be the best system because the
> larger categories were a lot more competitive.
> <snip>
> I can think of several possible solutions. One is to award an
> honourable mention to all the stories that get a certain number of
> points and aren't awarded 1st, 2nd, or 3rd place. For example, we
> could set the threshold at 20 points; if your story gets 20 points
> but isn't awarded 1st, 2nd, or 3rd place, it gets an honourable
> mention.
I have some reservations about this option. For one thing, in lightly
reviewed categories there might be NO stories that met the threshold
number, including 1st place. But as someone pointed out, adjusting
the threshold after the fact would surely be controversial.
> Another way to address this is to assign honourable mentions based
> on the number of entries per category. For example, let's say we
> want to have the top half of stories receive a place award or an
> honourable mention. (Not that out-of-line when you consider 60% of
> the stories in a five-story category get an award.) Then we could
> just give honourable mentions to the top stories below the places
> until we reach this point.
>
> 5-6 entries 0 Honourable Mentions
> 7-8 entries 1 Honourable Mention + 3 places = 4 awards = 50%
> 9-10 entries 2 Honourable Mentions + 3 places = 5 awards = 50%
> 11-12 entries 3 Honourable Mentions + 3 places = 6 awards = 50%
This approach seems good to me, although I agree with Dreamflower
that there should be a cutoff at 3 or 4 honorable mentions.
> One more thing: the author awards.
Truth to tell, I still don't understand these awards even though I've
read the explanations several times over. One problem is that
although in theory they are supposed to be different than story
awards, in practice I have read many author awards that seemed
virtually indistinguishable from story awards. And there are so many
of them! Is there some way to simplify these...like just having one
set of author awards per category rather than for every subcategory?
Or alternatively, having just one author award per subcategory rather
than 1st, 2nd, 3rd and HMs?
Kathy (Inkling)
Msg# 6563
Re: points and various voting matters Posted by rabidsamfan January 02, 2006 - 23:03:52 Topic ID# 6550Well, if it's pertinent, and it's not quoting the story under review, I'd
say count the characters. But leave the admins the option of
blocking questionable quotations if there's a complaint and general
agreement at the admin level that the complaint is valid.
say count the characters. But leave the admins the option of
blocking questionable quotations if there's a complaint and general
agreement at the admin level that the complaint is valid.
On 1/2/06, dwimmer_laik <dwimmer_laik@yahoo.com> wrote:
>
> I'm thinking of quotations that are pertinent to the review.
> > I'd think it would be a
> > situation which wouldn't often arise, but I don't know. Did it
> happen this
> > year?
>
> Yes. I did it at least twice, causing you to throw rocks in my
> general, northerly direction. ;-) I don't recall if other reviewers
> did this, but I imagine many people may think associatively and want
> to incorporate useful phrases and quotes from other works as they
> explain why story X is good reading.
>
> Dwim
>
>
>
[Non-text portions of this message have been removed]
Msg# 6564
Re: points and various voting matters Posted by Anthony Holder January 03, 2006 - 0:00:49 Topic ID# 6550>> I wouldn't mess with the point system, unless it were to drop it inStraight character counts, with a cap of 1000, would be very similar to
> favor of> straight character counts.
>
> I have to say that I wouldn't be in favor of using straight character
> counts because one long glowing review could effectively keep the
what is currently in place, and would be easy to code. The cap would
eliminate the problem with "one long glowing review" dominating the
voting.
Changing the number per point would also be easy to code.
Here are some stats to chew on: I binned the reviews by number of
characters (0 => 0-99, 100 => 100-199, ..., 3400 => 3400-3499)
Number of reviews | Number of Characters
| Num | CntBin |
| 795 | 0 |
| 1386 | 100 |
| 1192 | 200 |
| 817 | 300 |
| 539 | 400 |
| 364 | 500 |
| 247 | 600 |
| 157 | 700 |
| 114 | 800 |
| 77 | 900 |
| 67 | 1000 |
| 94 | 1100 |
| 52 | 1200 |
| 29 | 1300 |
| 24 | 1400 |
| 13 | 1500 |
| 12 | 1600 |
| 12 | 1700 |
| 11 | 1800 |
| 4 | 1900 |
| 1 | 2000 |
| 7 | 2100 |
| 2 | 2200 |
| 1 | 2300 |
| 1 | 2700 |
| 1 | 2800 |
| 1 | 2900 |
| 2 | 3100 |
| 1 | 3400 |
More detail for less than 500 characters, 25 character bins (0 => 0 to
24, 25 => 25 to 49, etc.)
Num | CntBin
| 53 | 0 |
| 149 | 25 |
| 272 | 50 |
| 321 | 75 |
| 370 | 100 |
| 372 | 125 |
| 331 | 150 |
| 313 | 175 |
| 364 | 200 |
| 322 | 225 |
| 271 | 250 |
| 235 | 275 |
| 243 | 300 |
| 230 | 325 |
| 190 | 350 |
| 154 | 375 |
| 153 | 400 |
| 149 | 425 |
| 119 | 450 |
| 118 | 475 |
Sort of a cumulative distribution function. This is number of reviews
larger than a certain threshold. Each one includes all the stories
larger than the higher thresholds, as well.
6023 > 0 chars >= 1 pt
5213 > 100 chars >= 2 pts
3823 > 200 chars >= 3 pts
2644 > 300 chars >= 4 pts
1823 > 400 chars >= 5 pts
1291 > 500 chars >= 6 pts
924 > 600 chars
796 > 650 chars >= 7 pts
682 > 700 chars
526 > 800 chars >= 8 pts
410 > 900 chars
371 > 950 chars >= 9 pts
330 > 1000 chars
267 > 1100 chars = 10 pts
Of the 6083 reviews, about 11% were more than 700 characters
Fewer than half were > 300 characters.
I don't know, from the goals, etc., of the awards, what the
benefits/drawbacks of limiting the impact of the longer reviews and
emphasizing the shorter reviews would be.
It does seem that maxing out the points on a review doesn't completely
inhibit people from writing longer ones.
The mode is 125, with a second peak at 200, showing how people would
write >100 to get a 2 point review, and some would write a bit more to
get to 200 characters, to be sure they got a 3 point review, then quit.
Question: If someone is reworking things to get that extra point, and
going from 180 to 200 characters, do you really think the extra 3-4
words is going to add significantly to the quality of the review?
I would suggest a more continuous scale, for that reason. That way,
people don't artificially inflate their reviews to get that next point,
they write what they think is a good review and quit when they're done.
You could come up with some added benefit to those extra long reviews,
like maybe counting 5% of the characters above 1000. That way, the 3468
character review would count 1123 points, rather than 1000. I do think
that one long glowing review shouldn't dominate the scoring, but I do
think that person should get some added benefit from all that extra
writing. This is especially true if you want to lower the cap to
emphasize the reviews with lower character counts.
It could be something a bit more complicated than that, like they do
with income taxes:
0 to 500 chars, 100% of chars
500 to 750 = 500 + 50% of chars > 500
750 to 1000 = 500 + 50% of chars between 500 and 750 + 25% of chars
> 750chars between 750 and 1000 + 5% of chars > 1000
> 1000 = 500 + 50% of chars between 500 and 750 + 25% of
The current system essentially does this, but uses 2/3 of chars > 500,
with a hard cap at 1100 chars, and has step discontinuities (where it
jumps from 1 point to 2 with a change of just one character), where
this would be a smoother system with no discontinuities.
We could even match the current system, but eliminate the
discontinuities.
0 to 500 = 100% of chars
500 to 1100, 500 + 2/3 of additional chars
> 1100 (either no additional, like present, or 5% of additional chars)As long as it is just math to determine the score from the valid
character count, I can do anything you want, and it's easy, so have fun
thinking of ways to count scores that will achieve the goals of the
MEFAs (lots of good reviews for your stories).
>> As far as the author review goes, I thought it was silly repeatingI've also thought the author reviews were strange.
> author> reviews over and over and over this year and scattering them
> willy-nilly> strikes me as sillier, because the way they were
> presented, they were to> award an author for having a particular
> strength in a particular subject> area.
>
>
> I'd be fine with having a single set of authors' awards without
> having them by category. Their strengths could be commented on in
> the text of the review/vote (great at drabbling, espcially Hobbits,
> but also shows great talent in Elves, ...etc..)
Making a single review by author would be relatively easy. That review
could count for all categories the author is in.
Allowing someone to write one review per author and someone else to do
one per category would be harder. It'll have to be all one way or the
other.
Merging the author reviews into larger categories (Main Categories
only, with no subcategories?) might make sense if you're planning to
use one review for all author voting. It would certainly reduce the
number of 'duplicates', but would reduce the number of awards (and
banners) as well. I don't know how much work that would be, but it
should be possible.
>>I should be able to do this. After you save, it goes to the author
>> I'd rather get an option to open up a second reply window after
> I've done a> story review, with a copy of the same review already
> entered, but editable,> which might be submitted as an author review.
>>
>> Of course, if the purpose of author reviews isn't tied to the story
>> categories, you could approach it very differently.
>
>
> Great idea to automatically open an author's review window as a
> prompt when the story review is opened.
review page, rather than the main page. If you've already
started/finished an author review, it shows you what it is.
About quoting, I believe I can add a second 'admin-added' quote type,
as well as changing the <blockquote> to whatever we discussed earlier
to offset quotes that would end up prettier, but even if I can't, you
can always use the standard method.
It's your call as to what you count and what you don't, and I think
RabidSamFan has it about right in her last reply.
Later,
Anthony
Msg# 6565
Re: points and various voting matters Posted by Laura January 03, 2006 - 0:04:24 Topic ID# 6550"Marta Layton" <melayton@gmail.com> wrote:
I'm honestly not trying to play devil's advocate. Really, I'm not! And I think we've had some excellent ideas out of the post-mortem. But I have to weigh in as _strongly_ opposed to a change in the point levels. At least, a change like the one proposed.
Granted, I'm probably among the long-winded reviewers, but be that as it may, if I rambled off a review and hit as many aspects of the story as I could, I only got up to about 5 points on average. On rare occasions, I could hit 6. But that was if I rambled, and I caught most of those when I went back through and edited the reviews. That being said, I know I gave out several 10-point reviews, quite a few 9-point reviews, and even more 8-pointers and 7-pointers. For all of them, I went back and put in enough effort to get the story that high because I felt that strongly about it. I think there should be a difference between a 2-point story and a 10-point story, and I think the margin between points should reflect that. Furthermore, if I go to the effort to get a 1001-character review, I want it to count. I want the author to get those ten points.
Granted again that one of the big appeals of these awards are the reviews rather than the points garnered by the reviews. But if the point cap is 5 and the difference between a 250-character review and a 1001-character review is 3 points, there's really not much of an incentive to go the extra mile and give the story you're reviewing those extra 3. Competition-wise, it doesn't make that much of a difference. But as far as the quality of the reviews is concerned, I think there is a difference. happen to think that the 1000+ reviews are good ego boosters. I like receiving them, and I like giving them. And I think there's more incentive to give them if it actually makes a difference in the competition.
In the end, I suppose it comes down to what our priorities are. In my opinion, a higher point cap (eg: the current 10 points) encourages longer reviews and rewards stories that deserve said reviews. A lower point cap (eg: the proposed 5 points) might encourage more reviews, but on average, they would be shorter as the competitive advantage gained by long reviews would be lost. I think someone once mentioned reviews that were quick blips. With a lower cap, I think we'd see a lot more of those. So do we want our focus on quality or on quantity? I vote for quality. I think it does more for writing. Personally, I would much rather have one in-depth 6- or 7-point review than five quick blips of "Thanks, that was great." I'm grateful for both, don't get me wrong. But I learn more from the former than I do for the latter.
Poetry vs Prose - There are fanfic authors out there who write primarily prose and some who write primarily poetry. There are even a few who do ONLY one or the other. And there are far more readers of prose than there are of poetry. Would we give the poets a disadvantage? Or is there still some way of dividing out the poets from the prose writers? Same thing with the drabbles. Can we filter them out? Or is that too complicated?
Categories - Would this effectively eliminate author awards within categories? Essentially, would we have one giant award for authors where every author entered competes? Because I see a problem with that, too. Let's say Author A writes great Nazgul stories and has one amazing story in the villains' category. But not a lot of people read the villains category, so Author A only gets one author vote. Now let's say that very prolific Author B has stories entered in drama, hobbits, elves, men, humor, adventure, Lord of the Rings, etc. Lots of people read those and they like this author, so Author B gets many author votes. Now, Author B also has a story entered in villains, but it's not as good as the one that Author A entered. So Author A's story wins villains, but Author A gets no author award because very few reviewers will ever read Author A's story.
Is this making any sense? Essentially, what I'm trying to say is that prolific authors who write in popular categories would have an unfair advantage in the author awards over less well-known authors who write in more obscure categories.
I think *something* has to change with the author awards, but I really don't know what or how. That's why I can't say no to this solution. It's the best one I've seen yet, and I have no alternatives to offer. But I think there are still things we need to work out. Either that or do away with author awards entirely. I wouldn't be happy with that, but I can't say that I'm completely happy with the system as it currently stands.
*crawling back under her rock*
Thundera
>> First, I think some people find it hard to write long reviews and*chiming in once more as the voice of dissent*
>> so feel that even stories they really like they can't give them the
>> points they're worth. I suggest that we have each review cap off at
>> a lower level (say, five points instead of ten). This effectively
>> means that those 1- and 2-point reviews have more weight. One such
>> spread would be:
>>
>> 1-50 1 point
>> 51-250 2 point
>> 251-500 3 point
>> 501-1000 4 point
>> 1001+ 5 point
>>
>> I know that I tend to be pretty long-winded in my reviews, so I'm
>> very interested in hearing frm people who struggled to write longer
>> ones.
>> Would this point spread work better?
I'm honestly not trying to play devil's advocate. Really, I'm not! And I think we've had some excellent ideas out of the post-mortem. But I have to weigh in as _strongly_ opposed to a change in the point levels. At least, a change like the one proposed.
Granted, I'm probably among the long-winded reviewers, but be that as it may, if I rambled off a review and hit as many aspects of the story as I could, I only got up to about 5 points on average. On rare occasions, I could hit 6. But that was if I rambled, and I caught most of those when I went back through and edited the reviews. That being said, I know I gave out several 10-point reviews, quite a few 9-point reviews, and even more 8-pointers and 7-pointers. For all of them, I went back and put in enough effort to get the story that high because I felt that strongly about it. I think there should be a difference between a 2-point story and a 10-point story, and I think the margin between points should reflect that. Furthermore, if I go to the effort to get a 1001-character review, I want it to count. I want the author to get those ten points.
Granted again that one of the big appeals of these awards are the reviews rather than the points garnered by the reviews. But if the point cap is 5 and the difference between a 250-character review and a 1001-character review is 3 points, there's really not much of an incentive to go the extra mile and give the story you're reviewing those extra 3. Competition-wise, it doesn't make that much of a difference. But as far as the quality of the reviews is concerned, I think there is a difference. happen to think that the 1000+ reviews are good ego boosters. I like receiving them, and I like giving them. And I think there's more incentive to give them if it actually makes a difference in the competition.
In the end, I suppose it comes down to what our priorities are. In my opinion, a higher point cap (eg: the current 10 points) encourages longer reviews and rewards stories that deserve said reviews. A lower point cap (eg: the proposed 5 points) might encourage more reviews, but on average, they would be shorter as the competitive advantage gained by long reviews would be lost. I think someone once mentioned reviews that were quick blips. With a lower cap, I think we'd see a lot more of those. So do we want our focus on quality or on quantity? I vote for quality. I think it does more for writing. Personally, I would much rather have one in-depth 6- or 7-point review than five quick blips of "Thanks, that was great." I'm grateful for both, don't get me wrong. But I learn more from the former than I do for the latter.
>> 5-6 entries 0 Honourable MentionsFor what it's worth, I like this formula for Honorable Mentions.
>> 7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
>> 9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
>> 11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
>> One more thing: the author awards. This one may be more stronglyIf this is possible, I'd be okay with it. But I have to point out a few questions/concerns:
>> dictated by technical concerns. Would it be a good idea to have an
>> easy way to enter the same author vote for all the categories where
>> the author has works entered. For instance, this year I had to
>> enter votes for Dreamflower for every one of the categories she had
>> stories entered in, but the votes were the same. It would have been
>> much easier to be able to go to vote for any one category, click a
>> check-box of some sort and have this vote automatically entered in
>> the other categories.
Poetry vs Prose - There are fanfic authors out there who write primarily prose and some who write primarily poetry. There are even a few who do ONLY one or the other. And there are far more readers of prose than there are of poetry. Would we give the poets a disadvantage? Or is there still some way of dividing out the poets from the prose writers? Same thing with the drabbles. Can we filter them out? Or is that too complicated?
Categories - Would this effectively eliminate author awards within categories? Essentially, would we have one giant award for authors where every author entered competes? Because I see a problem with that, too. Let's say Author A writes great Nazgul stories and has one amazing story in the villains' category. But not a lot of people read the villains category, so Author A only gets one author vote. Now let's say that very prolific Author B has stories entered in drama, hobbits, elves, men, humor, adventure, Lord of the Rings, etc. Lots of people read those and they like this author, so Author B gets many author votes. Now, Author B also has a story entered in villains, but it's not as good as the one that Author A entered. So Author A's story wins villains, but Author A gets no author award because very few reviewers will ever read Author A's story.
Is this making any sense? Essentially, what I'm trying to say is that prolific authors who write in popular categories would have an unfair advantage in the author awards over less well-known authors who write in more obscure categories.
I think *something* has to change with the author awards, but I really don't know what or how. That's why I can't say no to this solution. It's the best one I've seen yet, and I have no alternatives to offer. But I think there are still things we need to work out. Either that or do away with author awards entirely. I wouldn't be happy with that, but I can't say that I'm completely happy with the system as it currently stands.
*crawling back under her rock*
Thundera
Msg# 6566
Re: points and various voting matters Posted by aelfwina@cableone.net January 03, 2006 - 2:37:56 Topic ID# 6550----- Original Message -----
From: "Laura" <thunderalaura@juno.com>
To: <MEFAwards@yahoogroups.com>
Sent: Tuesday, January 03, 2006 12:00 AM
Subject: Re: [MEFAwards] points and various voting matters
(snip)
v> I'm honestly not trying to play devil's advocate. Really, I'm not! And I
think we've had some excellent ideas out of the post-mortem. But I have to
weigh in as _strongly_ opposed to a change in the point levels. At least, a
change like the one proposed.
>
> Granted, I'm probably among the long-winded reviewers, but be that as it
> may, if I rambled off a review and hit as many aspects of the story as I
> could, I only got up to about 5 points on average. On rare occasions, I
> could hit 6. But that was if I rambled, and I caught most of those when I
> went back through and edited the reviews. That being said, I know I gave
> out several 10-point reviews, quite a few 9-point reviews, and even more
> 8-pointers and 7-pointers. For all of them, I went back and put in enough
> effort to get the story that high because I felt that strongly about it. I
> think there should be a difference between a 2-point story and a 10-point
> story, and I think the margin between points should reflect that.
> Furthermore, if I go to the effort to get a 1001-character review, I want
> it to count. I want the author to get those ten points.
>
> Granted again that one of the big appeals of these awards are the reviews
> rather than the points garnered by the reviews. But if the point cap is 5
> and the difference between a 250-character review and a 1001-character
> review is 3 points, there's really not much of an incentive to go the
> extra mile and give the story you're reviewing those extra 3.
> Competition-wise, it doesn't make that much of a difference. But as far as
> the quality of the reviews is concerned, I think there is a difference.
> happen to think that the 1000+ reviews are good ego boosters. I like
> receiving them, and I like giving them. And I think there's more incentive
> to give them if it actually makes a difference in the competition.
>
> In the end, I suppose it comes down to what our priorities are. In my
> opinion, a higher point cap (eg: the current 10 points) encourages longer
> reviews and rewards stories that deserve said reviews. A lower point cap
> (eg: the proposed 5 points) might encourage more reviews, but on average,
> they would be shorter as the competitive advantage gained by long reviews
> would be lost. I think someone once mentioned reviews that were quick
> blips. With a lower cap, I think we'd see a lot more of those. So do we
> want our focus on quality or on quantity? I vote for quality. I think it
> does more for writing. Personally, I would much rather have one in-depth
> 6- or 7-point review than five quick blips of "Thanks, that was great."
> I'm grateful for both, don't get me wrong. But I learn more from the
> former than I do for the latter.
Well, as I said previously, my reviews were pretty much what I would have
said anyway. But I don't think longer necessarily means more quality. When
I did put in the extra effort to bring the point count up for some stories,
I felt that the reviews actually lost some impact. Unlike stories, which
benefit from polishing, I think reviews are more meaningful when they come
directly from the reader's first heartfelt impression.
And near the end of the competition, I did not have the time to do that, so
there were a few exceptional stories that did not get the benefit of
"padding".
Still, I find myself rethinking my original support of the idea, for I
wonder if the end result might not be a great many stories all getting the
same number of points. I noticed that at the beginning of the competition,
my reviews tended to average about 8 points, in the middle, that went down
to about 3, and then near the end, that dropped to about 2. I *still* might
have to add to some reviews.
But on the other hand, with a lower character count, I might only need to
add one or two words, as opposed to several repetitive sentences...
I don't know...
>
>
>>> 5-6 entries 0 Honourable Mentions
>>> 7-8 entries 1 Honourable Mention + 3 places = 4 awards = >50%
>>> 9-10 entries 2 Honourable Mentions + 3 places = 5 award = >50%
>>> 11-12 entries 3 Honourable Mentions + 3 places = 6 awards =>50%
>
> For what it's worth, I like this formula for Honorable Mentions.
>
>>> One more thing: the author awards. This one may be more strongly
>>> dictated by technical concerns. Would it be a good idea to have an
>>> easy way to enter the same author vote for all the categories where
>>> the author has works entered. For instance, this year I had to
>>> enter votes for Dreamflower for every one of the categories she had
>>> stories entered in, but the votes were the same. It would have been
>>> much easier to be able to go to vote for any one category, click a
>>> check-box of some sort and have this vote automatically entered in
>>> the other categories.
>
> If this is possible, I'd be okay with it. But I have to point out a few
> questions/concerns:
>
> Poetry vs Prose - There are fanfic authors out there who write primarily
> prose and some who write primarily poetry. There are even a few who do
> ONLY one or the other. And there are far more readers of prose than there
> are of poetry. Would we give the poets a disadvantage? Or is there still
> some way of dividing out the poets from the prose writers? Same thing with
> the drabbles. Can we filter them out? Or is that too complicated?
>
> Categories - Would this effectively eliminate author awards within
> categories? Essentially, would we have one giant award for authors where
> every author entered competes? Because I see a problem with that, too.
> Let's say Author A writes great Nazgul stories and has one amazing story
> in the villains' category. But not a lot of people read the villains
> category, so Author A only gets one author vote. Now let's say that very
> prolific Author B has stories entered in drama, hobbits, elves, men,
> humor, adventure, Lord of the Rings, etc. Lots of people read those and
> they like this author, so Author B gets many author votes. Now, Author B
> also has a story entered in villains, but it's not as good as the one that
> Author A entered. So Author A's story wins villains, but Author A gets no
> author award because very few reviewers will ever read Author A's story.
>
> Is this making any sense? Essentially, what I'm trying to say is that
> prolific authors who write in popular categories would have an unfair
> advantage in the author awards over less well-known authors who write in
> more obscure categories.
>
> I think *something* has to change with the author awards, but I really
> don't know what or how. That's why I can't say no to this solution. It's
> the best one I've seen yet, and I have no alternatives to offer. But I
> think there are still things we need to work out. Either that or do away
> with author awards entirely. I wouldn't be happy with that, but I can't
> say that I'm completely happy with the system as it currently stands.
>
I never even got to enter any author reviews. Part of it, of course was a
lack of time. But also there was the factor of not really understanding how
they worked.
Dreamflower
> *crawling back under her rock*
> Thundera
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
>
Msg# 6567
Re: points and various voting matters Posted by Kathy January 03, 2006 - 2:41:16 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "Laura" <thunderalaura@j...> wrote:
longer reviews and rewards stories that deserve said reviews. A lower
point cap (eg: the proposed 5 points) might encourage more reviews,
but on average, they would be shorter as the competitive advantage
gained by long reviews would be lost. I think someone once mentioned
reviews that were quick blips. With a lower cap, I think we'd see a
lot more of those. So do we want our focus on quality or on quantity?
I vote for quality. I think it does more for writing. Personally, I
would much rather have one in-depth 6- or 7-point review than five
quick blips of "Thanks, that was great." I'm grateful for both, don't
get me wrong. But I learn more from the former than I do for the
latter.
I heartily agree that review quality is more important than quantity.
But are short reviews necessarily of lesser quality than
long ones? While I'll admit that my reviews got progressively
shorter as the voting deadline approached, I tried to say
something substantive in each of them, and don't believe that my 3-
and 4-pointers were inferior to my longer ones.
Were there many "Thanks, that was great" reviews in the MEFAs? I
don't recall seeing any. In fact, the thing that impressed me the
most about the MEFAs was the quality of the reviews, whether long or
short. I received some short reviews that I was very happy
with...it's actually rather impressive to see how much can be
conveyed in 300-400 characters!
Kathy (Inkling)
> <snip>my opinion, a higher point cap (eg: the current 10 points) encourages
> In the end, I suppose it comes down to what our priorities are. In
longer reviews and rewards stories that deserve said reviews. A lower
point cap (eg: the proposed 5 points) might encourage more reviews,
but on average, they would be shorter as the competitive advantage
gained by long reviews would be lost. I think someone once mentioned
reviews that were quick blips. With a lower cap, I think we'd see a
lot more of those. So do we want our focus on quality or on quantity?
I vote for quality. I think it does more for writing. Personally, I
would much rather have one in-depth 6- or 7-point review than five
quick blips of "Thanks, that was great." I'm grateful for both, don't
get me wrong. But I learn more from the former than I do for the
latter.
>Hi Thundera,
I heartily agree that review quality is more important than quantity.
But are short reviews necessarily of lesser quality than
long ones? While I'll admit that my reviews got progressively
shorter as the voting deadline approached, I tried to say
something substantive in each of them, and don't believe that my 3-
and 4-pointers were inferior to my longer ones.
Were there many "Thanks, that was great" reviews in the MEFAs? I
don't recall seeing any. In fact, the thing that impressed me the
most about the MEFAs was the quality of the reviews, whether long or
short. I received some short reviews that I was very happy
with...it's actually rather impressive to see how much can be
conveyed in 300-400 characters!
Kathy (Inkling)
Msg# 6568
Re: points and various voting matters Posted by Laura January 03, 2006 - 3:17:25 Topic ID# 6550-- "Kathy" <inkling-tcbs@sbcglobal.net> wrote:
However...
You can fit MORE into a 10-point review. More to the point, you can fit in specifics. I think part of this might be coming from how people went about making reviews bigger. For what I felt was a good story, I would comment on overall feel, some characterization points, and things like that. For what I felt was a GREAT story, I went through and found specifics. I'd comment on the overall feel and then point to why the feel was there, how it was achieved, and why it was such an effective use of style, tone, characterization, or whatever it was the author did so well. It's the specifics that I find most valuable when getting reviews. I have no idea what other people think of them, but I can point to several reviews I received where the reviewer listed out specifics they liked, specifics they didn't like, what worked, what didn't work, etc. And to me, that was the most valuable kind of review.
Anyway, the need to get a story up to 10 points was often what drove me to find those specifics. Otherwise, pressed for time, I would leave it at an overall impression, maybe point out a few instances, and then move on. But for stories that I thought really deserved a closer look, I tried to get them up to 7, 8, 9, or 10 points by picking out the why. I'm NOT saying my reviews are examples of quality. I'm known for being long-winded and I do tend to ramble. What I'm saying, though, is that the stories that inspired me to go back through and figure out just why they impacted me the way they did deserve more recognition than what a 3-point margin can give.
At least, that's my opinion.
So were some of the 10-point reviews inflated? Artificially padded? Sure. Some of them probably were. But if the reviewer felt strongly enough to go through and pad the review, I think that story needs to receive a bit more recognition than the proposed five points.
Again, just my opinion.
*disappearing back under the rock*
Thundera
-----------------------------------------------------------
- No, don't move, mister. You stand where I can see you and
no harm will come to you.
- Yes, but if I stand where you can't see me, I don't see
how any harm could come to me there, either.
William and "Deep Bone"--Discworld: The Truth
-----------------------------------------------------------
>> I heartily agree that review quality is more important thanDreamflower made the same point, and I agree with you. You can fit a lot into 3- and 4 point reviews. Quality does not necessarily imply length.
>> quantity. But are short reviews necessarily of lesser quality than
>> long ones? While I'll admit that my reviews got progressively
>> shorter as the voting deadline approached, I tried to say
>> something substantive in each of them, and don't believe that my 3-
>> and 4-pointers were inferior to my longer ones.
However...
You can fit MORE into a 10-point review. More to the point, you can fit in specifics. I think part of this might be coming from how people went about making reviews bigger. For what I felt was a good story, I would comment on overall feel, some characterization points, and things like that. For what I felt was a GREAT story, I went through and found specifics. I'd comment on the overall feel and then point to why the feel was there, how it was achieved, and why it was such an effective use of style, tone, characterization, or whatever it was the author did so well. It's the specifics that I find most valuable when getting reviews. I have no idea what other people think of them, but I can point to several reviews I received where the reviewer listed out specifics they liked, specifics they didn't like, what worked, what didn't work, etc. And to me, that was the most valuable kind of review.
Anyway, the need to get a story up to 10 points was often what drove me to find those specifics. Otherwise, pressed for time, I would leave it at an overall impression, maybe point out a few instances, and then move on. But for stories that I thought really deserved a closer look, I tried to get them up to 7, 8, 9, or 10 points by picking out the why. I'm NOT saying my reviews are examples of quality. I'm known for being long-winded and I do tend to ramble. What I'm saying, though, is that the stories that inspired me to go back through and figure out just why they impacted me the way they did deserve more recognition than what a 3-point margin can give.
At least, that's my opinion.
So were some of the 10-point reviews inflated? Artificially padded? Sure. Some of them probably were. But if the reviewer felt strongly enough to go through and pad the review, I think that story needs to receive a bit more recognition than the proposed five points.
Again, just my opinion.
>> Were there many "Thanks, that was great" reviews in the MEFAs? INot a lot, but I was aware of some. And I'm grateful that people took the time to do even that much. Those are not bad reviews. They show interest, they offer feedback, and they can keep an author going. But I still think we need to reward stories that manage to inspire more from their reviewers, and my own feeling is that we need to do it with a larger point margin.
>> don't recall seeing any. In fact, the thing that impressed me the
>> most about the MEFAs was the quality of the reviews, whether long
>> or short. I received some short reviews that I was very happy
>> with...it's actually rather impressive to see how much can be
>> conveyed in 300-400 characters!
*disappearing back under the rock*
Thundera
-----------------------------------------------------------
- No, don't move, mister. You stand where I can see you and
no harm will come to you.
- Yes, but if I stand where you can't see me, I don't see
how any harm could come to me there, either.
William and "Deep Bone"--Discworld: The Truth
-----------------------------------------------------------
Msg# 6569
Re: points and various voting matters Posted by dwimmer\_laik January 03, 2006 - 4:08:49 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "Kathy" <inkling-tcbs@s...> wrote:
Firstly:
On the one hand, against Thundera's position, the question is raised:
on what basis do we think that longer reviews are qualitatively
superior to shorter ones, such that they merit being recognized by a
wider points spread? Valid question, but I'd point out that just
raising that as a question does not entitle us to conclude that in
fact, shorter reviews are either superior to longer ones *or* that
they are equal in value, and so it's a good idea to alter the points
scale to give them more weight.
On the other hand, against the position that we should change the
points scale to privilege shorter reviews, the underlying assumption
that seems to be at work is that a long review is likely to be padded
and so 'fake' in some sense, based on the fact that the questioner
felt like s/he was padding his/her reviews when s/he tried to do
longer ones. That may be very true sometimes and the rules in fact
encourage this, or at least I recall that when questions came up about
not having anything more to say but wanting to give more points to a
story, the advice was: Stretch it out. Find a way to say more, even if
it is fluffifying the review.
However, that isn't true of every long review, and personal experience
doesn't seem terribly helpful here. Personally, I found that taking
the time to analyze a piece and saying to myself, "I think this is a
ten-pointer and need to write about that much," made me see things
about the story I wouldn't have been able to articulate on a first
reaction. I've also found that in general, a more thought-out response
is nicer than one that seems to be an immediate outpouring of raw
reaction.
Secondly, and I think more importantly, the issue has been almost
immediately transformed from "What would be the advantages and
disadvantages of changing the points thresholds *and* lowering the
points cap by half?" into "How long does a review have to be before it
is good?" We can't answer the second question (other than that they
are as long as they need to be to say what you think you need to say
about the story's good qualities, whether that's 1 word or 2,000+
characters), but the first one strikes me as answerable without having
to go through the quality argument.
So I would suggest we avoid trying to couch the question of whether to
change the way points are awarded in terms of the inherent quality of
longer versus shorter reviews, and instead ask what good it does (and
also what bad it does) to change the thresholds while simultaneously
(or independently, which might be another option) changing the scale
by changing the points cap.
I can think of some benefits for changing these things:
Changing the thresholds:
1) If the issue is one of time management, such that given much more
limited time than we all wish we had to read and review massive
amounts of fanfic, it'd be better to make it easier to score at least
5 points by making shorter reviews worth more, then Marta's proposal
makes a lot of sense. It becomes relatively easy to give middling to
high-points reviews with the same amount of words you would've used
last year to give fewer points. Assuming the cap isn't changed, it'd
allow for higher points values to exist, but might mean you had to
make a significant leap to reach, say, an eight, nine or ten compared
to points values solidly in the mid-high range. Those who want to
write that much are encouraged to do so while acknowledgment is made
that we just don't always have the time to sit down with a story and
write a really detailed, careful analysis-cum-review.
Changing the points cap:
1) If the issue is that it feels somehow snobbish to have such a wide
points spread for stories, so that some are evaluated as a one whereas
others are evaluated as a ten, then it makes sense to restrict the
range of points possible by some degree. OR I suppose one could say
that if there's less pressure to put out a higher char count to reach
the higher scoring levels (because there are far fewer levels at which
to score) people might read and review more stories than they did in
previous years.
Changing both:
1) This would certainly address two perceived problems at once. (Ok, I
admit, I can't think of a good reason for doing both at once other
than that.)
Cons:
Changing the thresholds:
1) If a 10-point scale is retained, then the intervals between
thresholds will vary. This could be confusing to reviewers and authors.
Changing the points cap:
1) Ok, admittedly, I also don't think my pro is very strong in this
area. I'm not an egalitarian sort of person when it comes to actual
evaluations rather than opportunities available to someone's work
(obviously, I'm assuming that the problem is one of perceived unfair
bias that has its roots in what I would say is a really problematic
sense of egalitarianism, and this may just be very wrong). However,
the second possibility mentioned above is, I think, stronger. BUT
changing the points cap is not the only way to address that problem
and it is, I think, arguably less flexible and less able to recognize
problems of reviewer motivation that may crop up by reducing the
points cap.
I think there's the possibility of a sort of reverse Murphy's Law
happening here: if the points cap is lower, people will be likely
adjust their reviewing downwards, so that they just don't try to write
as much or do more complicated kinds of evaluations. Especially under
time pressure, you don't generally do anything more than you *have* to
anyway; if there is no incentive of giving significantly more points
because the scale tops out at 500 chars, I suspect we'll adjust to
that level.
Changing both:
1) The worst of both worlds, I think. The lack of more regularly
spaced thresholds due to the lower cap will reduce the spread of
actual points awarded even further, I think. Really, who wants to work
as hard to give five points as you did last year to give ten points
when the person writing up to five hundred fewer words than you did is
only giving one less point to the author? We are tired, we all have
work and lives, and we are all programmed to worship at the altar of
the Law of the Conservation of Energy.
Dwim
>Two things seem to be going on here:
> --- In MEFAwards@yahoogroups.com, "Laura" <thunderalaura@j...> wrote:
> > <snip>
> > In the end, I suppose it comes down to what our priorities are. In
> my opinion, a higher point cap (eg: the current 10 points) encourages
> longer reviews and rewards stories that deserve said reviews. A lower
> point cap (eg: the proposed 5 points) might encourage more reviews,
> but on average, they would be shorter as the competitive advantage
> gained by long reviews would be lost.
> latter.
> I heartily agree that review quality is more important than quantity.
> But are short reviews necessarily of lesser quality than
> long ones?
Firstly:
On the one hand, against Thundera's position, the question is raised:
on what basis do we think that longer reviews are qualitatively
superior to shorter ones, such that they merit being recognized by a
wider points spread? Valid question, but I'd point out that just
raising that as a question does not entitle us to conclude that in
fact, shorter reviews are either superior to longer ones *or* that
they are equal in value, and so it's a good idea to alter the points
scale to give them more weight.
On the other hand, against the position that we should change the
points scale to privilege shorter reviews, the underlying assumption
that seems to be at work is that a long review is likely to be padded
and so 'fake' in some sense, based on the fact that the questioner
felt like s/he was padding his/her reviews when s/he tried to do
longer ones. That may be very true sometimes and the rules in fact
encourage this, or at least I recall that when questions came up about
not having anything more to say but wanting to give more points to a
story, the advice was: Stretch it out. Find a way to say more, even if
it is fluffifying the review.
However, that isn't true of every long review, and personal experience
doesn't seem terribly helpful here. Personally, I found that taking
the time to analyze a piece and saying to myself, "I think this is a
ten-pointer and need to write about that much," made me see things
about the story I wouldn't have been able to articulate on a first
reaction. I've also found that in general, a more thought-out response
is nicer than one that seems to be an immediate outpouring of raw
reaction.
Secondly, and I think more importantly, the issue has been almost
immediately transformed from "What would be the advantages and
disadvantages of changing the points thresholds *and* lowering the
points cap by half?" into "How long does a review have to be before it
is good?" We can't answer the second question (other than that they
are as long as they need to be to say what you think you need to say
about the story's good qualities, whether that's 1 word or 2,000+
characters), but the first one strikes me as answerable without having
to go through the quality argument.
So I would suggest we avoid trying to couch the question of whether to
change the way points are awarded in terms of the inherent quality of
longer versus shorter reviews, and instead ask what good it does (and
also what bad it does) to change the thresholds while simultaneously
(or independently, which might be another option) changing the scale
by changing the points cap.
I can think of some benefits for changing these things:
Changing the thresholds:
1) If the issue is one of time management, such that given much more
limited time than we all wish we had to read and review massive
amounts of fanfic, it'd be better to make it easier to score at least
5 points by making shorter reviews worth more, then Marta's proposal
makes a lot of sense. It becomes relatively easy to give middling to
high-points reviews with the same amount of words you would've used
last year to give fewer points. Assuming the cap isn't changed, it'd
allow for higher points values to exist, but might mean you had to
make a significant leap to reach, say, an eight, nine or ten compared
to points values solidly in the mid-high range. Those who want to
write that much are encouraged to do so while acknowledgment is made
that we just don't always have the time to sit down with a story and
write a really detailed, careful analysis-cum-review.
Changing the points cap:
1) If the issue is that it feels somehow snobbish to have such a wide
points spread for stories, so that some are evaluated as a one whereas
others are evaluated as a ten, then it makes sense to restrict the
range of points possible by some degree. OR I suppose one could say
that if there's less pressure to put out a higher char count to reach
the higher scoring levels (because there are far fewer levels at which
to score) people might read and review more stories than they did in
previous years.
Changing both:
1) This would certainly address two perceived problems at once. (Ok, I
admit, I can't think of a good reason for doing both at once other
than that.)
Cons:
Changing the thresholds:
1) If a 10-point scale is retained, then the intervals between
thresholds will vary. This could be confusing to reviewers and authors.
Changing the points cap:
1) Ok, admittedly, I also don't think my pro is very strong in this
area. I'm not an egalitarian sort of person when it comes to actual
evaluations rather than opportunities available to someone's work
(obviously, I'm assuming that the problem is one of perceived unfair
bias that has its roots in what I would say is a really problematic
sense of egalitarianism, and this may just be very wrong). However,
the second possibility mentioned above is, I think, stronger. BUT
changing the points cap is not the only way to address that problem
and it is, I think, arguably less flexible and less able to recognize
problems of reviewer motivation that may crop up by reducing the
points cap.
I think there's the possibility of a sort of reverse Murphy's Law
happening here: if the points cap is lower, people will be likely
adjust their reviewing downwards, so that they just don't try to write
as much or do more complicated kinds of evaluations. Especially under
time pressure, you don't generally do anything more than you *have* to
anyway; if there is no incentive of giving significantly more points
because the scale tops out at 500 chars, I suspect we'll adjust to
that level.
Changing both:
1) The worst of both worlds, I think. The lack of more regularly
spaced thresholds due to the lower cap will reduce the spread of
actual points awarded even further, I think. Really, who wants to work
as hard to give five points as you did last year to give ten points
when the person writing up to five hundred fewer words than you did is
only giving one less point to the author? We are tired, we all have
work and lives, and we are all programmed to worship at the altar of
the Law of the Conservation of Energy.
Dwim
Msg# 6570
Re: points and various voting matters Posted by rabidsamfan January 03, 2006 - 7:50:37 Topic ID# 6550I like Anthony's idea of counting 100% of the first so many characters,
2/3rds of the next so many, etc. and giving 5% of the characters over 1000.
And I like the ten point spread much better than a lower spread, too.
To me, the goal is to get reviews which aren't puffed or trimmed according
to how many points awarded, but rather to get reviews which took a little
thought and effort on the part of the reviewer -- encouraging more thought
and more effort for good stories by awarding points. With a really good
story I do want to go and point out specifics, and if I can tag quotes to
keep my conscience clear, I'll be very happy to point out precisely what
made me bounce up and down in my chair going "ooh! ooh! ooh!"
If the point system is weighted a little toward short reviews, but not so
heavily that there's no reward for longer reviews, I think that most
reviewers will be less point obsessed not more. And that's not a bad thing.
[Non-text portions of this message have been removed]
2/3rds of the next so many, etc. and giving 5% of the characters over 1000.
And I like the ten point spread much better than a lower spread, too.
To me, the goal is to get reviews which aren't puffed or trimmed according
to how many points awarded, but rather to get reviews which took a little
thought and effort on the part of the reviewer -- encouraging more thought
and more effort for good stories by awarding points. With a really good
story I do want to go and point out specifics, and if I can tag quotes to
keep my conscience clear, I'll be very happy to point out precisely what
made me bounce up and down in my chair going "ooh! ooh! ooh!"
If the point system is weighted a little toward short reviews, but not so
heavily that there's no reward for longer reviews, I think that most
reviewers will be less point obsessed not more. And that's not a bad thing.
[Non-text portions of this message have been removed]
Msg# 6571
Re: points and various voting matters Posted by rhapsody\_the\_bard January 03, 2006 - 10:47:05 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "Laura" <thunderalaura@j...> wrote:
I have to weigh in as _strongly_ opposed to a change in the point
levels. At least, a change like the one proposed.
*are* long. No matter where I leave them. Story archives, MEFA's..
While for the MEFA's, I only finalised them after I checked spelling,
I really didn't care for the points, I was merely aiming at leaving a
nice review that would make the author in question smile or for an ego
boost. So if I really loved a story, wanted to pass back to the author
how good it felt to have read the story, and I left a glowing review
(since I did leave long glowing reviews to stories with just one
review for the MEFAs I guess).. it feels like being ticked on my
fingers for doing so. Weren't these the Feel good awards? So why not
leave a story a glowing review (a glowing review can be either short
or long) if my aim is to make a writer feel good about their work? Is
that so wrong?
*scratches her head* Just please, don't loose sight of the aim to make
author's feel good about their work before it boils down to a points
debate.
leaving long reviews since I didn't pay much attention to the number
of points a story got in the first place.
As for quoting from stories... isn't it an idea to add a button to the
system, review form where a reviewer can click on (telling or putting
it in the faq that you have to put the <blockquote> code around it
will not work...). Let's say you want to quote from a story, a quick
click, in which it automatically adds the quote-code (or maybe a java
script kind of thing where you can paste the part in, click on ok and
it gets inserted)...
Rhapsody
>And I think we've had some excellent ideas out of the post-mortem. But
> "Marta Layton" <melayton@g...> wrote:
> >> First, I think some people find it hard to write long reviews and
> >> so feel that even stories they really like they can't give them the
> >> points they're worth. I suggest that we have each review cap off at
> >> a lower level (say, five points instead of ten). This effectively
> >> means that those 1- and 2-point reviews have more weight. One such
> >> spread would be:
> >>
> >> 1-50 1 point
> >> 51-250 2 point
> >> 251-500 3 point
> >> 501-1000 4 point
> >> 1001+ 5 point
> >>
> >> I know that I tend to be pretty long-winded in my reviews, so I'm
> >> very interested in hearing frm people who struggled to write longer
> >> ones.
> >> Would this point spread work better?
>
> *chiming in once more as the voice of dissent*
>
> I'm honestly not trying to play devil's advocate. Really, I'm not!
I have to weigh in as _strongly_ opposed to a change in the point
levels. At least, a change like the one proposed.
>I am a rambler as well, but when I leave reviews in general, they
> Granted, I'm probably among the long-winded reviewers, but be that
> as it may, if I rambled off a review and hit as many aspects of the
> story as I could, I only got up to about 5 points on average. On
> rare occasions, I could hit 6. But that was if I rambled, and I
> caught most of those when I went back through and edited the
> reviews. That being said, I know I gave out several 10-point
> reviews, quite a few 9-point reviews, and even more 8-pointers and
> 7-pointers. For all of them, I went back and put in enough effort to
> get the story that high because I felt that strongly about it. I
> think there should be a difference between a 2-point story and a
> 10-point story, and I think the margin between points should reflect
> that. Furthermore, if I go to the effort to get a 1001-character
> review, I want it to count. I want the author to get those ten
> points.
*are* long. No matter where I leave them. Story archives, MEFA's..
While for the MEFA's, I only finalised them after I checked spelling,
I really didn't care for the points, I was merely aiming at leaving a
nice review that would make the author in question smile or for an ego
boost. So if I really loved a story, wanted to pass back to the author
how good it felt to have read the story, and I left a glowing review
(since I did leave long glowing reviews to stories with just one
review for the MEFAs I guess).. it feels like being ticked on my
fingers for doing so. Weren't these the Feel good awards? So why not
leave a story a glowing review (a glowing review can be either short
or long) if my aim is to make a writer feel good about their work? Is
that so wrong?
*scratches her head* Just please, don't loose sight of the aim to make
author's feel good about their work before it boils down to a points
debate.
> Competition-wise, it doesn't make that much of a difference. But as< there's more incentive to give them if it actually makes a
> far as the quality of the reviews is concerned, I think there is a
> difference. happen to think that the 1000+ reviews are good ego
> boosters. I like receiving them, and I like giving them. And I think
> difference in the competition.I agree completely, changing the points system won't stop me from
leaving long reviews since I didn't pay much attention to the number
of points a story got in the first place.
As for quoting from stories... isn't it an idea to add a button to the
system, review form where a reviewer can click on (telling or putting
it in the faq that you have to put the <blockquote> code around it
will not work...). Let's say you want to quote from a story, a quick
click, in which it automatically adds the quote-code (or maybe a java
script kind of thing where you can paste the part in, click on ok and
it gets inserted)...
Rhapsody
Msg# 6572
Re: points and various voting matters Posted by ainaechoiriel January 03, 2006 - 18:52:29 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "sulriel" <Sulriel@h...> wrote:
Alt.StarTrek.Creative Awards, even with their Author categories.
Though from 1196-2002, I had one Best General Story in my category
(DS9 or MIS/Combined) every other year, had been asked for my
autograph on multiple occassions and even Armin Shimmerman remembered
me two years late simply by name, I NEVER won Best DS9 Author, and
very definitely never won the Best Author award which has a fancy
name. That last one is only eligible for winning once. Once you've
won, people can vote on you again but only for comment. No points.
Anyway, I always wanted to win one of those. I got 2nd place once in
DS9, but that might have been a smaller set, the
Alt.StarTrek.Creative.All-Ages Tribble Awards, from a sister-group. I
never even go so much as a comment for the fancy one. Alas. And I
felt it. It hurt. Yeah, it's great when someone likes your story.
It's even better when they like your WRITING. A story may have a fan
but when you have a fan, that's a step up. When your name is known.....
Ah, but it feels good. And it feels sad when it's not even noticed.
Here I was a famous DS9 fanfic-writer (I'm a bit out-of-date now) and
still never won the fancy award. Or the Best DS9 Author award. Never
so much a single comment for the main one. (That I can remember.) It
is sad. And that was in the smaller pond of ASC.
How much harder will it be to win in this huge group of LOTR writers?
And not just those members here. We might grow as much next year as
we did this year.
So I don't want to see Authors all lumped into a few categories and
just a handful of awards. I want to share that wealth. I may never win
Best Tolkien Author, but I covet my Witch King Award for Horror Author
Award for 2004 and I display my banner proudly, still wishing I'd
gotten something for DS9.
(ASC does not break down further than the series and then the overall
best fancy-named award and best fancy-named New Author award. I think.)
PS. I like the idea of letting you repeat the review but being able to
edit if you want.
--Ainae
>Just a few cents from me....
> --- In MEFAwards@yahoogroups.com, rabidsamfan <rabidsamfan@v...>
> I have to say that I wouldn't be in favor of using straight characterI agree wholeheartedly.
> counts because one long glowing review could effectively keep the
> other stories out of the running. I like the point system because
> while it allows for more or less points, it also somewhat levels the
> playing field. I think that using a straight character would would
> have the effect of lessening the motivation of the readers leaving
> the shorter reviews because (I'm guessing) they'd feel that it
> wouldn't make any difference.
> I'd be fine with having a single set of authors' awards withoutI would not. Let me just give you my experience with the
> having them by category. Their strengths could be commented on in
> the text of the review/vote (great at drabbling, espcially Hobbits,
> but also shows great talent in Elves, ...etc..)
Alt.StarTrek.Creative Awards, even with their Author categories.
Though from 1196-2002, I had one Best General Story in my category
(DS9 or MIS/Combined) every other year, had been asked for my
autograph on multiple occassions and even Armin Shimmerman remembered
me two years late simply by name, I NEVER won Best DS9 Author, and
very definitely never won the Best Author award which has a fancy
name. That last one is only eligible for winning once. Once you've
won, people can vote on you again but only for comment. No points.
Anyway, I always wanted to win one of those. I got 2nd place once in
DS9, but that might have been a smaller set, the
Alt.StarTrek.Creative.All-Ages Tribble Awards, from a sister-group. I
never even go so much as a comment for the fancy one. Alas. And I
felt it. It hurt. Yeah, it's great when someone likes your story.
It's even better when they like your WRITING. A story may have a fan
but when you have a fan, that's a step up. When your name is known.....
Ah, but it feels good. And it feels sad when it's not even noticed.
Here I was a famous DS9 fanfic-writer (I'm a bit out-of-date now) and
still never won the fancy award. Or the Best DS9 Author award. Never
so much a single comment for the main one. (That I can remember.) It
is sad. And that was in the smaller pond of ASC.
How much harder will it be to win in this huge group of LOTR writers?
And not just those members here. We might grow as much next year as
we did this year.
So I don't want to see Authors all lumped into a few categories and
just a handful of awards. I want to share that wealth. I may never win
Best Tolkien Author, but I covet my Witch King Award for Horror Author
Award for 2004 and I display my banner proudly, still wishing I'd
gotten something for DS9.
(ASC does not break down further than the series and then the overall
best fancy-named award and best fancy-named New Author award. I think.)
PS. I like the idea of letting you repeat the review but being able to
edit if you want.
--Ainae
Msg# 6575
Re: points and various voting matters Posted by Marta Layton January 04, 2006 - 7:39:51 Topic ID# 6550> Message: 3I'd be against putting the cap at 500 characters because I would have a
> Date: Mon, 02 Jan 2006 15:12:08 -0000
> From: "sulriel" <Sulriel@htcomp.net>
> Subject: Re: points and various voting matters
>
>
>
>
>>>>> Anyway... the topic is points and how votes will count. There are
>>> several issues. And if I forget any on this topic, feel free to speak
>>> up.First, I think some people find it hard to write long reviews and
>>> so
>>> feel that even stories they really like they can't give them the
>>> points
>>> they're worth. I suggest that we have each review cap off at a lower
>>> level (say, five points instead of ten). This effectively means that
>>> those 1- and 2-point reviews have more weight. One such spread would
>>> be:1-50 1 point
>>> 51-250 2 point
>>> 251-500 3 point
>>> 501-1000 4 point
>>> 1001+ 5 point
>>>
>
>
> I support this change. If I remember, we talked privately and my
> suggestion was for an even more dramatic change. ... a point spread
> of 1-3 points, or a 1-5 with a maximum counted character count of 500
> instead of a 1000. (? it's been too long and I'm still on my first
> coffee this morning) But I would be happy with the suggestion above.
>
very hard time rationing that. I can't write a decent review,
especially for a longer story, in less than 300 or so characters even
if I try to.
As far as the three-point thing, I think that might be flattening it
too much. Just my opinion, of course... I'll go with whatever most
people want here, within reason.
Marta
[Non-text portions of this message have been removed]
Msg# 6576
Re: points and various voting matters Posted by Marta Layton January 04, 2006 - 8:19:47 Topic ID# 6550> Message: 4I think these are likely to overly favor a smaller subcategory if
> Date: Mon, 02 Jan 2006 15:14:30 -0000
> From: "sulriel" <Sulriel@htcomp.net>
> Subject: Re: points and various voting matters
>
>
>
>
>>>>>> Issue #2: honorable mentions. This year we awarded honorable
>>> mentions
>>> to stories who scored within three points of second place. But it
>>> occurs to me this may not be the best system because the larger
>>> categories were a lot more competitive. Think about it, in a
>>> sub-category with five stories the top 60% of stories received first,
>>> second, or third place, whereas in a sub-category with ten stories
>>> only
>>> the top 30% of stories received first, second, or third places. That
>>> means there will be more competition for the third place position in
>>> a
>>> larger category, and *that* means that the third place story will
>>> likely have a higher score than in a smaller category - which means
>>> stiffer competition for those honorable mention positions.
>
>
> I'm ok with the HMs being within a count or percent of the total
> points because I feel like it rewards the 'likability' of the story
> and correctly conveys the reader's votes. If there are 5 stories in
> a cate or 20 .... if the point spread is so close, the HMs show what
> a close race it was, and I like that.
>
> What about making them be within a three points of first place
> instead of second? or the top ? % of the point spread? or within ? %
> points of first place?
>
there's a "power-house" in a small category that drives the number of
points the first place story received way up. Let's say we want to
award within 20% of the points awarded to first place, and first place
receives 50 points. That means everything that receives 40 or more
points gets an honourable mention. Now, the larger categories are
likerly to have "tighter" races (more stories scoring within fewer
points of each other) by virtue of having more stories. So in a smaller
category where first place scores high, it's very likely that *no*
stories will get honourable mentions because third place is lower than
forty points. Whereas in a larger category, there are likely to be
enough stories that some would fall in this interval and would receive
honourable mentions.
>>>>> I can think of several possible solutions. One is to award anYou're right, this would be a problem, but I'm not sure it's any more
>>> honorable mention to all the stories that get a certain number of
>>> points and aren't awarded 1st, 2nd, or 3rd place. For example, we
>>> could
>>> set the threshold at 20 points; if your story gets 20 points but
>>> isn't
>>> awarded 1st, 2nd, or 3rd place, it gets an honorable mention.
>>>
>
> I think this is an overall good idea and would be ok if it were
> implemented, but I think it would be a difficult call to set that
> number, especially if we change the point system.
>
random than the current three-point rules. One solution might be to
wait to determine this limit until we have the actual figures from next
year. Anthony, would it be possible to see the number of points that
the top third (or half, or whatever percent of stories we want to
award) scored above? Say we decide we want to give honourable mention
to the top third of stories. I guess this would in effect be
recognising the top % of stories instead of within a certain point
range. The only problem is it wouldn't necessarily be an honourable
mention in a certain category, as which stories get an HM id etermined
by the *overall* pointspread, across all the categories.
>How is this not in keeping with the spirit of the awards? Is it that
>>>
>>>>>> Another way to address this is to assign honorable mentions based
>>> on
>>> the number of entries per category. For example, let's say we want to
>>> have the top half of stories receive a place award or an honorable
>>> mention. (Not that out-of-line when you consider 60% of the stories
>>> in
>>> a five-story category get an award.) Then we could just give
>>> honorable
>>> mentions to the top stories below the places until we reach this
>>> point.
>
>
> I know that some judged contests do this and I highly support it in
> those venues, and I would support it here, but I don't think that
> it reflects the spirit of the awards as well as the first option,
> especially if we reward those who place within a percent of points of
> first place.
>
>
>
there could be some stories that place very close to the last
honourable mentions that just don't get recognised? If so, I wonder if
some hybrid situation might be doable:
1. Give honourable mentions to enough stories so that 50% get either
1st, 2nd, 3rd place or an honourable mention.
2. Give honourable mentions to any stories with the same number of
points as the last story to win an honourable mention by (1) above.
I have to admit that this is my favourite option, provided it's
codeable. But I can see the merit of either, and so I'm flexible.
Marta
[Non-text portions of this message have been removed]
Msg# 6577
Re: points and various voting matters Posted by sulriel January 04, 2006 - 8:38:06 Topic ID# 6550--- In MEFAwards@yahoogroups.com, Marta Layton <melayton@g...> wrote:
because the larger> >>> categories were a lot more competitive. Think
about it, in a> >>> sub-category with five stories the top 60% of
stories received first,> >>> second, or third place, whereas in a sub-
category with ten stories> >>> only> >>> the top 30% of stories
received first, second, or third places. That> >>> means there will be
more competition for the third place position in
which means> >>> stiffer competition for those honorable mention
positions.
stories in> > a cate or 20 .... if the point spread is so close, the
HMs show what> > a close race it was, and I like that.
to > award within 20% of the points awarded to first place, and first
place > receives 50 points. That means everything that receives 40 or
more > points gets an honourable mention. <snipped>>
*** oops - I didn't think of it working backwards like that. You're
right. (although I think you mean *dis*favor a small subcate by your
example?) ... I withdrawn my support from this option (unless someone
else raises another point that changes my mind back :) )
Sulriel
> >>>>>> Issue #2: honorable mentions. This year we awarded honorablesecond place. But it> >>> occurs to me this may not be the best system
> >>> mentions> >>> to stories who scored within three points of
because the larger> >>> categories were a lot more competitive. Think
about it, in a> >>> sub-category with five stories the top 60% of
stories received first,> >>> second, or third place, whereas in a sub-
category with ten stories> >>> only> >>> the top 30% of stories
received first, second, or third places. That> >>> means there will be
more competition for the third place position in
> >>> a> >>> larger category, and *that* means that the third placestory will> >>> likely have a higher score than in a smaller category -
which means> >>> stiffer competition for those honorable mention
positions.
> >story> > and correctly conveys the reader's votes. If there are 5
> >
> > I'm ok with the HMs being within a count or percent of the total
> > points because I feel like it rewards the 'likability' of the
stories in> > a cate or 20 .... if the point spread is so close, the
HMs show what> > a close race it was, and I like that.
> >within ? %> > points of first place?
> > What about making them be within a three points of first place
> > instead of second? or the top ? % of the point spread? or
> >of > points the first place story received way up. Let's say we want
>
> I think these are likely to overly favor a smaller subcategory if
> there's a "power-house" in a small category that drives the number
to > award within 20% of the points awarded to first place, and first
place > receives 50 points. That means everything that receives 40 or
more > points gets an honourable mention. <snipped>>
*** oops - I didn't think of it working backwards like that. You're
right. (although I think you mean *dis*favor a small subcate by your
example?) ... I withdrawn my support from this option (unless someone
else raises another point that changes my mind back :) )
Sulriel
Msg# 6578
Re: points and various voting matters Posted by sulriel January 04, 2006 - 8:39:21 Topic ID# 6550--- In MEFAwards@yahoogroups.com, Marta Layton <melayton@g...> wrote:
we> >>> could> >>> set the threshold at 20 points; if your story gets
20 points but> >>> isn't> >>> awarded 1st, 2nd, or 3rd place, it gets
an honorable mention.> >>>
be to > wait to determine this limit until we have the actual figures
from next > year. Anthony, would it be possible to see the number of
points that > the top third (or half, or whatever percent of stories
we want to > award) scored above? Say we decide we want to give
honourable mention > to the top third of stories. I guess this would
in effect be > recognising the top % of stories instead of within a
certain point > range. The only problem is it wouldn't necessarily be
an honourable > mention in a certain category, as which stories get an
HM id etermined > by the *overall* pointspread, across all the
categories.
*** I don't support making point decisions after the fact.
I think your previous example of smaller subcate would work against
this proposal as well ... what if none of the stories received that
number of points. It's easy to say that there would be no HMs in that
subcate, but you could easily end up with 1st, 2nd, 3rd places with a
lower point count than HMs in other categories and that seems
inconsistent with the rest of the system.
>of> >>> points and aren't awarded 1st, 2nd, or 3rd place. For xample,
>
>
> >>>>> I can think of several possible solutions. One is to award an
> >>> honorable mention to all the stories that get a certain number
we> >>> could> >>> set the threshold at 20 points; if your story gets
20 points but> >>> isn't> >>> awarded 1st, 2nd, or 3rd place, it gets
an honorable mention.> >>>
> >more > random than the current three-point rules. One solution might
> > I think this is an overall good idea and would be ok if it were
> > implemented, but I think it would be a difficult call to set that
> > number, especially if we change the point system.
> >
>
> You're right, this would be a problem, but I'm not sure it's any
be to > wait to determine this limit until we have the actual figures
from next > year. Anthony, would it be possible to see the number of
points that > the top third (or half, or whatever percent of stories
we want to > award) scored above? Say we decide we want to give
honourable mention > to the top third of stories. I guess this would
in effect be > recognising the top % of stories instead of within a
certain point > range. The only problem is it wouldn't necessarily be
an honourable > mention in a certain category, as which stories get an
HM id etermined > by the *overall* pointspread, across all the
categories.
*** I don't support making point decisions after the fact.
I think your previous example of smaller subcate would work against
this proposal as well ... what if none of the stories received that
number of points. It's easy to say that there would be no HMs in that
subcate, but you could easily end up with 1st, 2nd, 3rd places with a
lower point count than HMs in other categories and that seems
inconsistent with the rest of the system.
Msg# 6579
Re: points and various voting matters Posted by Marta Layton January 04, 2006 - 8:47:43 Topic ID# 6550> Message: 5Let me be clear about this (because I think I'm being misinterpreted
> Date: Mon, 02 Jan 2006 15:17:58 -0000
> From: "sulriel" <Sulriel@htcomp.net>
> Subject: Re: points and various voting matters
>>> One more thing: the author awards. This one may be more
>>> strongly
>>> dictated by technical concerns. Would it be a good idea to have an
>>> easy way to enter the same author vote for all the categories where
>>> the
>>> author has works entered. For instance, this year I had to enter
>>> votes
>>> for Dreamflower for every one of the categories she had stories
>>> entered in, but the votes were the same. It would have been much
>>> easier to be able to go to vote for any one category, click a check-
>>> box of some sort and have this vote automatically entered in the
>>> other
>>> categories.
>
>
> I agree with entering one vote per author and having it automatically
> go to them in all the categories in which they have stories entered.
>
> I know there are arguments against this, and I agree with them in
> part, - that someone may be stronger in some genre or elements than in
> others, but I also know there has been a lot of confusion and
> questions and problems with the readers understanding and voting in
> the author review section and I think the simplification of the above
> suggestion would outweigh the lack of flexibility.
>
further down in the digest): I'm not suggesting we have one giant
category for all authors. I'm actually pretty against this.
What I *am* suggesting is that a person be able to enter a review for
an author and have it automatically generate reviews with the same text
in all other categories in which that author is entered. To give an
example... let's say someone has the following nominations:
- "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
- "Envinyatar" in "Drama : Drabble"
- "A Dwarf Among Elves" in "LOTR : Lothlorien".
This author is then entered in the following author categories.
- Hobbits : General Authors
- LOTR : General Authors
- Drama : Drabble Authors
Let's say I'm looking at the nominations for "Drama : Drabble". I see a
listing for "Envinyatar", and by that drabble I see a link to vote on
the story, and a second like to vote for the author. I click on the
second link, and it takes me to a page where I can enter that vote.
What I'm proposing is that we have a check-box that I could click, and
whatever I enter for "Drama : Drabble Authors" is also entered as a
vote for "Hobbits : General Authors" and "LOTR : General Authors".
If you do want to customise the vote to the subcategory you could just
not click that check-box and enter separate reviews when you're ready.
Going back to my example, let's say I submitted a vote for all the
categories and want to go back and change them all. I could edit the
review and click the check-box, and it would make the changes to all
the different reviews. Alternatively, if I only wanted to change the
"Hobbits : General Authors" one, I could navigate to "The Trouble With
Brandybucks", click the link to edit the existing author review, make
my changes, and save the review *without* clicking the checkbox.
I'm honestly not sure if this is practical. But that's what I'm
suggesting - *not* stripping down to a single authors' category.
Marta
Msg# 6580
Re: points and various voting matters Posted by sulriel January 04, 2006 - 8:56:04 Topic ID# 6550> >>>>>> Another way to address this is to assign honorable mentionsbased> >>> on> >>> the number of entries per category. For example,
let's say we want to> >>> have the top half of stories receive a place
award or an honorable> >>> mention. (Not that out-of-line when you
consider 60% of the stories> >>> in> >>> a five-story category get an
award.) Then we could just give> >>> honorable> >>> mentions to the
top stories below the places until we reach this> >>> point.
> >in> > those venues, and I would support it here, but I don't think
> >
> > I know that some judged contests do this and I highly support it
hat> > it reflects the spirit of the awards as well as the first
option,> > especially if we reward those who place within a percent of
points of> > first place.
> >it that > there could be some stories that place very close to the
> >> >> > How is this not in keeping with the spirit of the awards? Is
last > honourable mentions that just don't get recognised? If so, I
wonder if > some hybrid situation might be doable:
>points as the last story to win an honourable mention by (1) above.
> 1. Give honourable mentions to enough stories so that 50% get either
> 1st, 2nd, 3rd place or an honourable mention.
> 2. Give honourable mentions to any stories with the same number of >
>codeable. But I can see the merit of either, and so I'm flexible.
> I have to admit that this is my favourite option, provided it's >
>I'm not adamantly opposed to this option. My reluctance comes from -
> Marta
in a backwards kind of way - my support of how well this works in a
*judged* system.... which this isn't, not in the strictest sense. I
feel like, in a judged system, it's quite legit for a judge to pick
the 1st and top placing and put the rest in order and award the top
percent HMs.
But I feel like, these awards are more 'voters choice' and I think
that if it's a close race, it should be reflected in the awards.
JMO, but I don't think it dilutes the awards if we set the rules that
any story within some% of first (or third) place's points get HM and
the entire cate has a small point spread. A close race is a close
race. .... IMO it's *totally* difference from an 'everybody' wins
kind of mentality where you give every kid a purple ribbon for walking
around the ring regardless of skill or whatever is being judged.
If you set a certain number of HMs, you might have one cate with a
point spread of only 5 points between third place and the lowest
number of points, and those close stories not recognized and another
category with a 20 point difference where a story does get HM.
I feel like, (as opposed to the judged system mentioned above), when
the readers/voters are putting so much effort into their reviews, it
doesn't seem quite right not to reward those that are so close.
again, I would support many of the difference combinations that have
been mentioned, and I don't mean to argue strongly one way or the
other, I'm just trying to put my thoughts out.
<looks up .... blinks> ... .I'm afraid I've even confused myself by
now ...
in summary: I'm 'ok' with the 'HM within three points of third
place' - isn't that what we used in '05.? I'd prefer to use some%
of points within THIRD place (not first as I said before because of
the problem Marta pointed out) - and I think it's ok if all the
stories get HM if they earn it, or none if they don't come within the
percent.
Msg# 6584
Re: points and various voting matters Posted by rabidsamfan January 04, 2006 - 10:31:37 Topic ID# 6550On 1/4/06, Marta Layton <melayton@gmail.com> wrote:
deserved mention as authors in some of them, but not necessarily all of
them; and there were categories where I didn't feel competent to judge an
author on their feel for the material, characterization, poetical
ability, or the like. So I'm opposed to any kind of blanket distribution of
Author reviews.
If you could make the distribution more discrete, by check marks for each
pertinent category AND give me a simple way to find those reviews for
editing, rather than wandering around Robin Hood's barn trying to find each
one through the stories, I might go for it. But I still prefer to have
the option to make my author reviews subsidiary to the story reviews I do.
And if you do distribute the reviews over several categories, I think that
should force a "Tentative" status, so that the reviewer has to okay each
one. Otherwise, someone will make one "final" expecting to be able to edit
the others and find themselves out of luck.
[Non-text portions of this message have been removed]
>Yes, but there were authors who wrote in multiple categories who I felt
>
>
> Let me be clear about this (because I think I'm being misinterpreted
> further down in the digest): I'm not suggesting we have one giant
> category for all authors. I'm actually pretty against this.
>
> What I *am* suggesting is that a person be able to enter a review for
> an author and have it automatically generate reviews with the same text
> in all other categories in which that author is entered. To give an
> example... let's say someone has the following nominations:
>
> - "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
> - "Envinyatar" in "Drama : Drabble"
> - "A Dwarf Among Elves" in "LOTR : Lothlorien".
>
> This author is then entered in the following author categories.
>
> - Hobbits : General Authors
> - LOTR : General Authors
> - Drama : Drabble Authors
>
> Let's say I'm looking at the nominations for "Drama : Drabble". I see a
> listing for "Envinyatar", and by that drabble I see a link to vote on
> the story, and a second like to vote for the author. I click on the
> second link, and it takes me to a page where I can enter that vote.
> What I'm proposing is that we have a check-box that I could click, and
> whatever I enter for "Drama : Drabble Authors" is also entered as a
> vote for "Hobbits : General Authors" and "LOTR : General Authors".
>
> If you do want to customise the vote to the subcategory you could just
> not click that check-box and enter separate reviews when you're ready.
>
> Going back to my example, let's say I submitted a vote for all the
> categories and want to go back and change them all. I could edit the
> review and click the check-box, and it would make the changes to all
> the different reviews. Alternatively, if I only wanted to change the
> "Hobbits : General Authors" one, I could navigate to "The Trouble With
> Brandybucks", click the link to edit the existing author review, make
> my changes, and save the review *without* clicking the checkbox.
>
> I'm honestly not sure if this is practical. But that's what I'm
> suggesting - *not* stripping down to a single authors' category.
>
> Marta
deserved mention as authors in some of them, but not necessarily all of
them; and there were categories where I didn't feel competent to judge an
author on their feel for the material, characterization, poetical
ability, or the like. So I'm opposed to any kind of blanket distribution of
Author reviews.
If you could make the distribution more discrete, by check marks for each
pertinent category AND give me a simple way to find those reviews for
editing, rather than wandering around Robin Hood's barn trying to find each
one through the stories, I might go for it. But I still prefer to have
the option to make my author reviews subsidiary to the story reviews I do.
And if you do distribute the reviews over several categories, I think that
should force a "Tentative" status, so that the reviewer has to okay each
one. Otherwise, someone will make one "final" expecting to be able to edit
the others and find themselves out of luck.
[Non-text portions of this message have been removed]
Msg# 6585
Re: points and various voting matters Posted by Laura January 04, 2006 - 13:38:54 Topic ID# 6550-- Marta Layton <melayton@gmail.com> wrote:
However...I've got some major reservations with this idea. I still like the idea of either changing the author awards or doing away with them entirely, but I can't get behind this proposal and here's why:
Let's say we have an author. We'll name him Fred. Fred has possibly the best fanfiction ever written entered in the Silmarillion category. Fred himself is an amazing author but has only written one story. That story blows all competition out of the water, but it's still just one story. And being a Silmarillion story, it doesn't get as much attention as other stories might.
Now let's say we have another author. We'll call her Fredita. Fredita is a pretty good author. She has some pretty good stories. She's prolific. She's well-known. She has a large and faithful following. Fredita has entries in Hobbits, Elves, Men, Dwarves, Drama, Adventure, and one little vignette in Silmarillion that she did on a dare.
The voting season begins. People read Fredita's stories because they're good stories and they're familiar. A few adventurous souls try Fred's story in Silmarillion and discover it to be the best thing they ever read. They give him glowing author reviews as a result, knowing he is hands-down the best Silmarillion author out there.
In the meantime, Fredita's faithful following is reading her stories in Hobbits, Elves, Men, Drama, and Adventure. They find her to be the pretty good author they've come to expect and they give her pretty good reviews. Being faithful fans, they wish they could do more, but being faithful fans mired in reality, they're also pressed for time. So they compromise and click the box that duplicates their author reviews throughout the system.
Voting season ends. Fred's Silmarillion story clearly wins its subcategory. But Fred himself, despite being a brilliant author, gets no author award because Fredita's accumulation of pretty good reviews written elsewhere in the system were enough to beat out Fred's few glowing reviews written by those who'd actually taken the time to stroll through the Silmarillion category.
And the moral?
Difficult to say, actually. Writing is such a subjective thing that you could argue a pretty good writer who's able to get by in multiple areas is a better writer than someone who is able to completely dominate in just one. But that doesn't feel like a fair way to run awards, especially if we still intend to separate the authors into their various categories. Sure, you can still duplicate an author review throughout the system by saving and then going through by hand and pasting it in. But that takes time, and not everyone is going to do that. Plus, those who do it at least have to LOOK at the categories when they go through to give their authors a review. Giving reviewers a box to click makes it too easy and, in my mind, invites blanket reviews when blanket reviews might not be deserved.
Anyway, that's my major reservation to a box that will ease the propogation of duplicate author reviews. I hope something up there made sense. I'm actually opposed to duplicate author reviews in the first place, but given time constraints and the current system, I don't see a way past those. I would, however, like to see something in place (such as the forced copying and pasting) that would limit the number of duplicate reviews going around.
Just my two cents for whatever the current economy deems that to be worth.
Thundera
------------------------------------------------------------
- No, don't move, mister. You stand where I can see you and
no harm will come to you.
- Yes, but if I stand where you can't see me, I don't see
how any harm could come to me there, either.
William and "Deep Bone"--Discworld: The Truth
------------------------------------------------------------
>> What I *am* suggesting is that a person be able to enter a reviewOkay, that clears things up. Thanks.
>> for an author and have it automatically generate reviews with the
>> same text in all other categories in which that author is entered.
>> To give an example... let's say someone has the following
>> nominations:
>>
>> - "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
>> - "Envinyatar" in "Drama : Drabble"
>> - "A Dwarf Among Elves" in "LOTR : Lothlorien".
>>
>> This author is then entered in the following author categories.
>>
>> - Hobbits : General Authors
>> - LOTR : General Authors
>> - Drama : Drabble Authors
>>
>> Let's say I'm looking at the nominations for "Drama : Drabble". I
>> see a listing for "Envinyatar", and by that drabble I see a link to
>> vote on the story, and a second like to vote for the author. I
>> click on the second link, and it takes me to a page where I can
>> enter that vote. What I'm proposing is that we have a check-box
>> that I could click, and whatever I enter for "Drama : Drabble
>> Authors" is also entered as a vote for "Hobbits : General Authors"
>> and "LOTR : General Authors".
However...I've got some major reservations with this idea. I still like the idea of either changing the author awards or doing away with them entirely, but I can't get behind this proposal and here's why:
Let's say we have an author. We'll name him Fred. Fred has possibly the best fanfiction ever written entered in the Silmarillion category. Fred himself is an amazing author but has only written one story. That story blows all competition out of the water, but it's still just one story. And being a Silmarillion story, it doesn't get as much attention as other stories might.
Now let's say we have another author. We'll call her Fredita. Fredita is a pretty good author. She has some pretty good stories. She's prolific. She's well-known. She has a large and faithful following. Fredita has entries in Hobbits, Elves, Men, Dwarves, Drama, Adventure, and one little vignette in Silmarillion that she did on a dare.
The voting season begins. People read Fredita's stories because they're good stories and they're familiar. A few adventurous souls try Fred's story in Silmarillion and discover it to be the best thing they ever read. They give him glowing author reviews as a result, knowing he is hands-down the best Silmarillion author out there.
In the meantime, Fredita's faithful following is reading her stories in Hobbits, Elves, Men, Drama, and Adventure. They find her to be the pretty good author they've come to expect and they give her pretty good reviews. Being faithful fans, they wish they could do more, but being faithful fans mired in reality, they're also pressed for time. So they compromise and click the box that duplicates their author reviews throughout the system.
Voting season ends. Fred's Silmarillion story clearly wins its subcategory. But Fred himself, despite being a brilliant author, gets no author award because Fredita's accumulation of pretty good reviews written elsewhere in the system were enough to beat out Fred's few glowing reviews written by those who'd actually taken the time to stroll through the Silmarillion category.
And the moral?
Difficult to say, actually. Writing is such a subjective thing that you could argue a pretty good writer who's able to get by in multiple areas is a better writer than someone who is able to completely dominate in just one. But that doesn't feel like a fair way to run awards, especially if we still intend to separate the authors into their various categories. Sure, you can still duplicate an author review throughout the system by saving and then going through by hand and pasting it in. But that takes time, and not everyone is going to do that. Plus, those who do it at least have to LOOK at the categories when they go through to give their authors a review. Giving reviewers a box to click makes it too easy and, in my mind, invites blanket reviews when blanket reviews might not be deserved.
Anyway, that's my major reservation to a box that will ease the propogation of duplicate author reviews. I hope something up there made sense. I'm actually opposed to duplicate author reviews in the first place, but given time constraints and the current system, I don't see a way past those. I would, however, like to see something in place (such as the forced copying and pasting) that would limit the number of duplicate reviews going around.
Just my two cents for whatever the current economy deems that to be worth.
Thundera
------------------------------------------------------------
- No, don't move, mister. You stand where I can see you and
no harm will come to you.
- Yes, but if I stand where you can't see me, I don't see
how any harm could come to me there, either.
William and "Deep Bone"--Discworld: The Truth
------------------------------------------------------------
Msg# 6586
Re: points and various voting matters Posted by Kathy January 04, 2006 - 14:08:19 Topic ID# 6550In consideration of the Freds out there, I agree with Thundera. And I
have to question a system that permits an author review in a drabble
category to be duplicated in a general category, whether it's done
automatically or manually. The skills just seem too different to me.
Kathy (Inkling)
have to question a system that permits an author review in a drabble
category to be duplicated in a general category, whether it's done
automatically or manually. The skills just seem too different to me.
Kathy (Inkling)
--- In MEFAwards@yahoogroups.com, "Laura" <thunderalaura@j...> wrote:
>
> -- Marta Layton <melayton@g...> wrote:
> >> What I *am* suggesting is that a person be able to enter a
review
> >> for an author and have it automatically generate reviews with
the
> >> same text in all other categories in which that author is
entered.
> >> To give an example... let's say someone has the following
> >> nominations:
> >>
> >> - "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
> >> - "Envinyatar" in "Drama : Drabble"
> >> - "A Dwarf Among Elves" in "LOTR : Lothlorien".
> >>
> >> This author is then entered in the following author categories.
> >>
> >> - Hobbits : General Authors
> >> - LOTR : General Authors
> >> - Drama : Drabble Authors
> >>
> >> Let's say I'm looking at the nominations for "Drama : Drabble".
I
> >> see a listing for "Envinyatar", and by that drabble I see a link
to
> >> vote on the story, and a second like to vote for the author. I
> >> click on the second link, and it takes me to a page where I can
> >> enter that vote. What I'm proposing is that we have a check-box
> >> that I could click, and whatever I enter for "Drama : Drabble
> >> Authors" is also entered as a vote for "Hobbits : General
Authors"
> >> and "LOTR : General Authors".
>
> Okay, that clears things up. Thanks.
>
> However...I've got some major reservations with this idea. I still
like the idea of either changing the author awards or doing away with
them entirely, but I can't get behind this proposal and here's why:
>
> Let's say we have an author. We'll name him Fred. Fred has possibly
the best fanfiction ever written entered in the Silmarillion
category. Fred himself is an amazing author but has only written one
story. That story blows all competition out of the water, but it's
still just one story. And being a Silmarillion story, it doesn't get
as much attention as other stories might.
>
> Now let's say we have another author. We'll call her Fredita.
Fredita is a pretty good author. She has some pretty good stories.
She's prolific. She's well-known. She has a large and faithful
following. Fredita has entries in Hobbits, Elves, Men, Dwarves,
Drama, Adventure, and one little vignette in Silmarillion that she
did on a dare.
>
> The voting season begins. People read Fredita's stories because
they're good stories and they're familiar. A few adventurous souls
try Fred's story in Silmarillion and discover it to be the best thing
they ever read. They give him glowing author reviews as a result,
knowing he is hands-down the best Silmarillion author out there.
>
> In the meantime, Fredita's faithful following is reading her
stories in Hobbits, Elves, Men, Drama, and Adventure. They find her
to be the pretty good author they've come to expect and they give her
pretty good reviews. Being faithful fans, they wish they could do
more, but being faithful fans mired in reality, they're also pressed
for time. So they compromise and click the box that duplicates their
author reviews throughout the system.
>
> Voting season ends. Fred's Silmarillion story clearly wins its
subcategory. But Fred himself, despite being a brilliant author, gets
no author award because Fredita's accumulation of pretty good reviews
written elsewhere in the system were enough to beat out Fred's few
glowing reviews written by those who'd actually taken the time to
stroll through the Silmarillion category.
>
> And the moral?
>
> Difficult to say, actually. Writing is such a subjective thing that
you could argue a pretty good writer who's able to get by in multiple
areas is a better writer than someone who is able to completely
dominate in just one. But that doesn't feel like a fair way to run
awards, especially if we still intend to separate the authors into
their various categories. Sure, you can still duplicate an author
review throughout the system by saving and then going through by hand
and pasting it in. But that takes time, and not everyone is going to
do that. Plus, those who do it at least have to LOOK at the
categories when they go through to give their authors a review.
Giving reviewers a box to click makes it too easy and, in my mind,
invites blanket reviews when blanket reviews might not be deserved.
>
> Anyway, that's my major reservation to a box that will ease the
propogation of duplicate author reviews. I hope something up there
made sense. I'm actually opposed to duplicate author reviews in the
first place, but given time constraints and the current system, I
don't see a way past those. I would, however, like to see something
in place (such as the forced copying and pasting) that would limit
the number of duplicate reviews going around.
>
> Just my two cents for whatever the current economy deems that to be
worth.
>
> Thundera
>
>
> ------------------------------------------------------------
> - No, don't move, mister. You stand where I can see you and
> no harm will come to you.
> - Yes, but if I stand where you can't see me, I don't see
> how any harm could come to me there, either.
> William and "Deep Bone"--Discworld: The Truth
> ------------------------------------------------------------
>
Msg# 6587
Re: points and various voting matters Posted by MarigoldCotton@aol.com January 04, 2006 - 14:14:20 Topic ID# 6550<thunderalaura@juno.com> writes:
Someone who writes brilliant humour might not necessarily be very good at writing drama, so why should they get a really good author review across the board and affect the totals, possibly tipping the scales away from those that were more deserving of winning the author award in that category?
If people won't take the time to do write category specific author reviews, at least they should be willing to take the time to copy and paste their author review to each category.
Just my opinion...
Marigold
Marigold's Red Book
http://marigold.tolkienshire.com
Marigold's Recommendations Page
http://www.geocities.com/marigoldsrecommendations/
Marigold's Live Journal
http://www.livejournal.com/users/marigoldg/
Tales of The Red Book
http://www.livejournal.com/users/talesofredbook/
There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty forever beyond its reach.
>Giving reviewers a box to click makes it too easy and, in my >mind, invites blanket reviews when blanket reviews might not be >deserved.I agree with Thundera here - in a best case scenario an author review should be specific to the category, for example discussing the author's skill in writing humour, or angst, or pointing out how their choice of language enhances their poetry or drabbles or whatever. I feel that by being able to just click a button and apply that author review to every category that particular author is in, isn't fair.
Someone who writes brilliant humour might not necessarily be very good at writing drama, so why should they get a really good author review across the board and affect the totals, possibly tipping the scales away from those that were more deserving of winning the author award in that category?
If people won't take the time to do write category specific author reviews, at least they should be willing to take the time to copy and paste their author review to each category.
Just my opinion...
Marigold
>-- Marta Layton <melayton@gmail.com> wrote:--
>>> What I *am* suggesting is that a person be able to enter a review
>>> for an author and have it automatically generate reviews with the
>>> same text in all other categories in which that author is entered.
>>> To give an example... let's say someone has the following
>>> nominations:
>>>
>>> - "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
>>> - "Envinyatar" in "Drama : Drabble"
>>> - "A Dwarf Among Elves" in "LOTR : Lothlorien".
>>>
>>> This author is then entered in the following author categories.
>>>
>>> - Hobbits : General Authors
>>> - LOTR : General Authors
>>> - Drama : Drabble Authors
>>>
>>> Let's say I'm looking at the nominations for "Drama : Drabble". I
>>> see a listing for "Envinyatar", and by that drabble I see a link to
>>> vote on the story, and a second like to vote for the author. I
>>> click on the second link, and it takes me to a page where I can
>>> enter that vote. What I'm proposing is that we have a check-box
>>> that I could click, and whatever I enter for "Drama : Drabble
>>> Authors" is also entered as a vote for "Hobbits : General Authors"
>>> and "LOTR : General Authors".
>
>Okay, that clears things up. Thanks.
>
>However...I've got some major reservations with this idea. I still like the idea of either changing the author awards or doing away with them entirely, but I can't get behind this proposal and here's why:
>
>Let's say we have an author. We'll name him Fred. Fred has possibly the best fanfiction ever written entered in the Silmarillion category. Fred himself is an amazing author but has only written one story. That story blows all competition out of the water, but it's still just one story. And being a Silmarillion story, it doesn't get as much attention as other stories might.
>
>Now let's say we have another author. We'll call her Fredita. Fredita is a pretty good author. She has some pretty good stories. She's prolific. She's well-known. She has a large and faithful following. Fredita has entries in Hobbits, Elves, Men, Dwarves, Drama, Adventure, and one little vignette in Silmarillion that she did on a dare.
>
>The voting season begins. People read Fredita's stories because they're good stories and they're familiar. A few adventurous souls try Fred's story in Silmarillion and discover it to be the best thing they ever read. They give him glowing author reviews as a result, knowing he is hands-down the best Silmarillion author out there.
>
>In the meantime, Fredita's faithful following is reading her stories in Hobbits, Elves, Men, Drama, and Adventure. They find her to be the pretty good author they've come to expect and they give her pretty good reviews. Being faithful fans, they wish they could do more, but being faithful fans mired in reality, they're also pressed for time. So they compromise and click the box that duplicates their author reviews throughout the system.
>
>Voting season ends. Fred's Silmarillion story clearly wins its subcategory. But Fred himself, despite being a brilliant author, gets no author award because Fredita's accumulation of pretty good reviews written elsewhere in the system were enough to beat out Fred's few glowing reviews written by those who'd actually taken the time to stroll through the Silmarillion category.
>
>And the moral?
>
>Difficult to say, actually. Writing is such a subjective thing that you could argue a pretty good writer who's able to get by in multiple areas is a better writer than someone who is able to completely dominate in just one. But that doesn't feel like a fair way to run awards, especially if we still intend to separate the authors into their various categories. Sure, you can still duplicate an author review throughout the system by saving and then going through by hand and pasting it in. But that takes time, and not everyone is going to do that. Plus, those who do it at least have to LOOK at the categories when they go through to give their authors a review. Giving reviewers a box to click makes it too easy and, in my mind, invites blanket reviews when blanket reviews might not be deserved.
>
>Anyway, that's my major reservation to a box that will ease the propogation of duplicate author reviews. I hope something up there made sense. I'm actually opposed to duplicate author reviews in the first place, but given time constraints and the current system, I don't see a way past those. I would, however, like to see something in place (such as the forced copying and pasting) that would limit the number of duplicate reviews going around.
>
>Just my two cents for whatever the current economy deems that to be worth.
>
>Thundera
>
>
>------------------------------------------------------------
>- No, don't move, mister. You stand where I can see you and
> no harm will come to you.
>- Yes, but if I stand where you can't see me, I don't see
> how any harm could come to me there, either.
> William and "Deep Bone"--Discworld: The Truth
>------------------------------------------------------------
>
>
>
>
>Yahoo! Groups Links
>
>
>
>
>
>
>
Marigold's Red Book
http://marigold.tolkienshire.com
Marigold's Recommendations Page
http://www.geocities.com/marigoldsrecommendations/
Marigold's Live Journal
http://www.livejournal.com/users/marigoldg/
Tales of The Red Book
http://www.livejournal.com/users/talesofredbook/
There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty forever beyond its reach.
>
>Sam, in Mordor, RoTK
Msg# 6588
Re: points and various voting matters Posted by rabidsamfan January 04, 2006 - 14:15:04 Topic ID# 6550Me too. I think of drabbles as being much more closely related to poetry
than general fiction, actually but that's another question.
I'd far rather see a story review duplicated into an author review than
multiple, identical author reviews. Since the two votes are going in
different directions, why not?
than general fiction, actually but that's another question.
I'd far rather see a story review duplicated into an author review than
multiple, identical author reviews. Since the two votes are going in
different directions, why not?
On 1/4/06, Kathy <inkling-tcbs@sbcglobal.net> wrote:
>
> In consideration of the Freds out there, I agree with Thundera. And I
> have to question a system that permits an author review in a drabble
> category to be duplicated in a general category, whether it's done
> automatically or manually. The skills just seem too different to me.
>
> Kathy (Inkling)
>
[Non-text portions of this message have been removed]
Ok, so with author reviews, we've got the problem of the Freds of the
world versus the Freditas, and the sense that author awards are
artificially fragmenting an author's work, encouraging meaningless
repetition of reviews which then results in bizarre rankings, where
someone wins an author award for "The Hobbit" drabbles on the basis of
work s/he did as a novelist in the Horror category and some humor
pieces. Also, it's not always clear how to distinguish the author
review from the story review, leading to questions about why we should
allow copying author reviews and not copying of story reviews.
We need a compromise that gives us sensible author review categories that
1) do not seem artificially to fragment an author's work, resulting in
weird copy-pastes that result in even weirder rankings;
2) are distinct enough from story reviews that we don't just repeat or
extend story reviews;
3) are not so all-inclusive as to make competition absolutely cutthroat;
4) are organized in a manner that is less confusing all around,
thereby encouraging more people to actually review authors.
What if we changed things up somewhat for author awards and looked at
*forms* of writing? Poetry, non-fiction, ficlet, short story, novella,
novel, drabble, drabble cycle: these are all things that authors would
have to select when filling out their story forms. So it's not like
we'd be making any executive decisions about how to classify an
author's work--the author has done it for us. That would be a big
benefit, requiring no extra work or forms for anyone.
The other benefit would be that we consolidate groups of authors
across the story-awards genres and subgenres into logical categories
that are specific enough that we have some idea of how to compare the
authors. The form of their writing holds them together across the
divisions we'd imposed to judge stories against each other, so it
wouldn't work to just copy a review about an author's skill as a
writer of novels into the poet category, for example. It makes sense
to write a different review.
At the same time, using form instead of content as the basis of
categorizing the author awards gives us enough abstraction that we
don't need to deal with author awards in subcategories, which would
cut down on a sense of pernicious repetition. It's also just extending
an already existing trend (see below).
Now, it is true, there's a reason we split the stories into different
categories and subcategories--but we've got the story awards to deal
with recognizing merits of specific content. Author awards are (I
think) about assessing individual style and a more general sense of
substance within certain, more abstract bounds than "Silmarillion:
drabble cycle", for example. So we're not doing an injustice by
comparing incomparables here.
Would it be more competitive than the current scenario? Yes, it would
be. There would be more people competing for author awards under any
form-based category than in any individual story category since
*every* drabbler and *every* novelist would be elligible for an author
award for writing drabbles or novels, irrespective of whether they
wrote the novel about Silm characters of Ring-war characters, whether
they wrote the drabbles about hobbits or dragons.
Also, by moving away from category/subcategory combinations currently
used for author awards, we would have fewer categories to compete in.
However, there are only three subcategories within any given author
awards category anyway: general, drabble, and poetry, which already
tends in the direction of recognizing *form*, but does not go all the
way and recognize that novels are a unique form or that vignettes are
a unique form, each requiring different skills to pull off. Those
kinds of stories compete together under "general." So this would
rectify that situation in a way by recognizing different skill sets.
Against the fear that this would be too cutthroat, it's much more
competitive (and I think a fairer competition in some cases, where
maybe only two poets make up an entire category/subcategory combo
elligible for author awards, whereas a different c/s combo might pit
twenty poets against each other) than being allowed only a single
author review for any given author.
So I think (I hope) this would meet all four of what I see as the
major problems we currently have with author reviews and awards. I'm
fairly certain that we could come up with a few more categories that
wouldn't repeat the story award categories if desired (maybe an award
for characterization, for example, or splitting non-fiction into essay
and research article since those do require totally different skills).
But the basic idea hopefully would be a way out of our current
difficulties.
Taking the above sketch as a possibility for reorganizing author
reviews, and combining it with my request for a simpler user interface
when it comes to writing those author reviews, I could see a page
somewhat like this (and I hope yahoo doesn't destroy the formatting)
to try and streamline things, make them clearer, and hopefully
encourage more author reviewing because it would be less confusing:
Author Name: Dwym the Evil Twyn
Story Title Story Type Have I Reviewed?
<link>Gimli's Gift</link> Short Story <link>Yes</link>
<link>Oops, I Sued It Again!</link> Short Story No
_____________________________________
Enter Author Review for Short Story: [text box]
<link>Fear and Loathing Novel <link>Yes</link>
in the White City</link>
______________________________________
Enter Author Review for Novel:[text box]
<link>Grey</link> Drabble No
<link>Purposive</link> Drabble No
_____________________________________
Enter Author Review for Drabble: [text box]
Etc., etc., and alphabetically by review category (as I failed to do).
This I am taking as a possible modification of the author's main page
on the website. It would give us every story the author has written,
links to the story (so we can read it if we want to before writing the
author review), the category it is listed under *for the purposes of
author reviews*, and a notice whether I've reviewed the story (and if
I have, a quick way to see what I'd said and so refresh my
memory--best if opens in a new screen). It automatically breaks up the
stories into the appropriate groups and offers us an immediate
opportunity to write an author review. It'd be easy to see in what
categories we had already reviewed the author since they'd be right
there. No fuss, no bother, no reloads.
If we did revamp author pages this way, there'd have to be a more
obvious pointer towards them so that people would actually go there to
review the author as an author, of course, but that's another issue
that can be handled if something like this page revision were to go
through. I'm mainly using it as an illustration of how to simplify the
process of reviewing authors and to show how the category change I'd
proposed could be easily fitted into that revision.
What do you all think?
Dwim
world versus the Freditas, and the sense that author awards are
artificially fragmenting an author's work, encouraging meaningless
repetition of reviews which then results in bizarre rankings, where
someone wins an author award for "The Hobbit" drabbles on the basis of
work s/he did as a novelist in the Horror category and some humor
pieces. Also, it's not always clear how to distinguish the author
review from the story review, leading to questions about why we should
allow copying author reviews and not copying of story reviews.
We need a compromise that gives us sensible author review categories that
1) do not seem artificially to fragment an author's work, resulting in
weird copy-pastes that result in even weirder rankings;
2) are distinct enough from story reviews that we don't just repeat or
extend story reviews;
3) are not so all-inclusive as to make competition absolutely cutthroat;
4) are organized in a manner that is less confusing all around,
thereby encouraging more people to actually review authors.
What if we changed things up somewhat for author awards and looked at
*forms* of writing? Poetry, non-fiction, ficlet, short story, novella,
novel, drabble, drabble cycle: these are all things that authors would
have to select when filling out their story forms. So it's not like
we'd be making any executive decisions about how to classify an
author's work--the author has done it for us. That would be a big
benefit, requiring no extra work or forms for anyone.
The other benefit would be that we consolidate groups of authors
across the story-awards genres and subgenres into logical categories
that are specific enough that we have some idea of how to compare the
authors. The form of their writing holds them together across the
divisions we'd imposed to judge stories against each other, so it
wouldn't work to just copy a review about an author's skill as a
writer of novels into the poet category, for example. It makes sense
to write a different review.
At the same time, using form instead of content as the basis of
categorizing the author awards gives us enough abstraction that we
don't need to deal with author awards in subcategories, which would
cut down on a sense of pernicious repetition. It's also just extending
an already existing trend (see below).
Now, it is true, there's a reason we split the stories into different
categories and subcategories--but we've got the story awards to deal
with recognizing merits of specific content. Author awards are (I
think) about assessing individual style and a more general sense of
substance within certain, more abstract bounds than "Silmarillion:
drabble cycle", for example. So we're not doing an injustice by
comparing incomparables here.
Would it be more competitive than the current scenario? Yes, it would
be. There would be more people competing for author awards under any
form-based category than in any individual story category since
*every* drabbler and *every* novelist would be elligible for an author
award for writing drabbles or novels, irrespective of whether they
wrote the novel about Silm characters of Ring-war characters, whether
they wrote the drabbles about hobbits or dragons.
Also, by moving away from category/subcategory combinations currently
used for author awards, we would have fewer categories to compete in.
However, there are only three subcategories within any given author
awards category anyway: general, drabble, and poetry, which already
tends in the direction of recognizing *form*, but does not go all the
way and recognize that novels are a unique form or that vignettes are
a unique form, each requiring different skills to pull off. Those
kinds of stories compete together under "general." So this would
rectify that situation in a way by recognizing different skill sets.
Against the fear that this would be too cutthroat, it's much more
competitive (and I think a fairer competition in some cases, where
maybe only two poets make up an entire category/subcategory combo
elligible for author awards, whereas a different c/s combo might pit
twenty poets against each other) than being allowed only a single
author review for any given author.
So I think (I hope) this would meet all four of what I see as the
major problems we currently have with author reviews and awards. I'm
fairly certain that we could come up with a few more categories that
wouldn't repeat the story award categories if desired (maybe an award
for characterization, for example, or splitting non-fiction into essay
and research article since those do require totally different skills).
But the basic idea hopefully would be a way out of our current
difficulties.
Taking the above sketch as a possibility for reorganizing author
reviews, and combining it with my request for a simpler user interface
when it comes to writing those author reviews, I could see a page
somewhat like this (and I hope yahoo doesn't destroy the formatting)
to try and streamline things, make them clearer, and hopefully
encourage more author reviewing because it would be less confusing:
Author Name: Dwym the Evil Twyn
Story Title Story Type Have I Reviewed?
<link>Gimli's Gift</link> Short Story <link>Yes</link>
<link>Oops, I Sued It Again!</link> Short Story No
_____________________________________
Enter Author Review for Short Story: [text box]
<link>Fear and Loathing Novel <link>Yes</link>
in the White City</link>
______________________________________
Enter Author Review for Novel:[text box]
<link>Grey</link> Drabble No
<link>Purposive</link> Drabble No
_____________________________________
Enter Author Review for Drabble: [text box]
Etc., etc., and alphabetically by review category (as I failed to do).
This I am taking as a possible modification of the author's main page
on the website. It would give us every story the author has written,
links to the story (so we can read it if we want to before writing the
author review), the category it is listed under *for the purposes of
author reviews*, and a notice whether I've reviewed the story (and if
I have, a quick way to see what I'd said and so refresh my
memory--best if opens in a new screen). It automatically breaks up the
stories into the appropriate groups and offers us an immediate
opportunity to write an author review. It'd be easy to see in what
categories we had already reviewed the author since they'd be right
there. No fuss, no bother, no reloads.
If we did revamp author pages this way, there'd have to be a more
obvious pointer towards them so that people would actually go there to
review the author as an author, of course, but that's another issue
that can be handled if something like this page revision were to go
through. I'm mainly using it as an illustration of how to simplify the
process of reviewing authors and to show how the category change I'd
proposed could be easily fitted into that revision.
What do you all think?
Dwim
Msg# 6591
Re: points and various voting matters Posted by Marta Layton January 04, 2006 - 19:25:58 Topic ID# 6550> Message: 10I don't want to make this an admin judgement call because if we do
> Date: Mon, 2 Jan 2006 20:26:31 -0500
> From: rabidsamfan <rabidsamfan@verizon.net>
> Subject: Re: Re: points and various voting matters
>
> On 1/2/06, sulriel <Sulriel@htcomp.net> wrote:
>>
>>
>>>
>>> Topic we possibly have forgotten:
>>>
>>> How do we treat quotes in reviews? What about quotes from sources
>> that
>>> are not from the fanfic under review, but which are either from
>>> Tolkien's own writing or else from a different published author? Did
>>> we decide how to treat these already? I'm afraid I can't recall.
>>
>>
>> oh -yikes, yes... that's a biggie.
>
>
>
> Yes. I'd say anything and everything from within the story under
> review should be inside <blockquotes> tags, but for stuff from JRRT or
> other
> sources... hmm. That's tougher. Might be a judgment call for the
> admins.
> Is the quote filler, or pertinent to the review? I'd think it would
> be a
> situation which wouldn't often arise, but I don't know. Did it happen
> this
> year?
>
this, then it leaves the admins open to criticism. Whether a quote
counts or not affects how many points a story gets which controls who
wins -- and I don't want someone second-guessing the results. That's
why for this I want a rule we can apply objectively and can point to as
a reason for why we make a certain decision.
Marta
Msg# 6592
Re: points and various voting matters Posted by Marta Layton January 04, 2006 - 19:37:27 Topic ID# 6550> Message: 11*raises hand tentatively*
> Date: Tue, 03 Jan 2006 02:09:04 -0000
> From: "dwimmer_laik" <dwimmer_laik@yahoo.com>
> Subject: Re: points and various voting matters
>
> --- In MEFAwards@yahoogroups.com, rabidsamfan <rabidsamfan@v...> wrote:
>>
>> On 1/2/06, sulriel <Sulriel@h...> wrote:
>>>
>>>
>>>>
>>>> Topic we possibly have forgotten:
>>>>
>>>> How do we treat quotes in reviews? What about quotes from sources
>>> that
>>>> are not from the fanfic under review, but which are either from
>>>> Tolkien's own writing or else from a different published author? Did
>>>> we decide how to treat these already? I'm afraid I can't recall.
>>>
>>>
>>> oh -yikes, yes... that's a biggie.
>>
>>
>>
>> Yes. I'd say anything and everything from within the story under
>> review should be inside <blockquotes> tags, but for stuff from JRRT
> or other
>> sources... hmm. That's tougher. Might be a judgment call for the
> admins.
>> Is the quote filler, or pertinent to the review?
>
> I'm thinking of quotations that are pertinent to the review.
>> I'd think it would be a
>> situation which wouldn't often arise, but I don't know. Did it
> happen this
>> year?
>
> Yes. I did it at least twice, causing you to throw rocks in my
> general, northerly direction. ;-) I don't recall if other reviewers
> did this, but I imagine many people may think associatively and want
> to incorporate useful phrases and quotes from other works as they
> explain why story X is good reading.
>
If anything, I was worse than Dwim. I know because I had to edit loads
of my own reviews , and I would have felt guilty if I had had to ask
anyone else to do it.
It's EXTREMELY easy to do. Having an easy rule that we all know from
the beginning will help all of us know what's allowed, and IMO it's not
a bad rule to have.
Marta
-
If I understand what Dwim is saying here, I would support this.
What I think is being proposed it so have the author categories
different than the story categories.
- essentially by form only? Novel, short story, poetry, drabble...
in that case, it should be easy enough to write distinctly different
reviews regarding the author's strength in that specific form, such
as well-woven sub-plots in novels or snappy paced short story with a
complete plot arch, intensity and emotion in a drabble. (?)
Sulriel
-- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:
If I understand what Dwim is saying here, I would support this.
What I think is being proposed it so have the author categories
different than the story categories.
- essentially by form only? Novel, short story, poetry, drabble...
in that case, it should be easy enough to write distinctly different
reviews regarding the author's strength in that specific form, such
as well-woven sub-plots in novels or snappy paced short story with a
complete plot arch, intensity and emotion in a drabble. (?)
Sulriel
-- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:
>the
> Ok, so with author reviews, we've got the problem of the Freds of
> world versus the Freditas, and the sense that author awards areof
> artificially fragmenting an author's work, encouraging meaningless
> repetition of reviews which then results in bizarre rankings, where
> someone wins an author award for "The Hobbit" drabbles on the basis
> work s/he did as a novelist in the Horror category and some humorshould
> pieces. Also, it's not always clear how to distinguish the author
> review from the story review, leading to questions about why we
> allow copying author reviews and not copying of story reviews.categories that
>
> We need a compromise that gives us sensible author review
>in
> 1) do not seem artificially to fragment an author's work, resulting
> weird copy-pastes that result in even weirder rankings;or
>
> 2) are distinct enough from story reviews that we don't just repeat
> extend story reviews;cutthroat;
>
> 3) are not so all-inclusive as to make competition absolutely
>at
> 4) are organized in a manner that is less confusing all around,
> thereby encouraging more people to actually review authors.
>
> What if we changed things up somewhat for author awards and looked
> *forms* of writing? Poetry, non-fiction, ficlet, short story,novella,
> novel, drabble, drabble cycle: these are all things that authorswould
> have to select when filling out their story forms. So it's not likethe
> we'd be making any executive decisions about how to classify an
> author's work--the author has done it for us. That would be a big
> benefit, requiring no extra work or forms for anyone.
>
> The other benefit would be that we consolidate groups of authors
> across the story-awards genres and subgenres into logical categories
> that are specific enough that we have some idea of how to compare
> authors. The form of their writing holds them together across theextending
> divisions we'd imposed to judge stories against each other, so it
> wouldn't work to just copy a review about an author's skill as a
> writer of novels into the poet category, for example. It makes sense
> to write a different review.
>
> At the same time, using form instead of content as the basis of
> categorizing the author awards gives us enough abstraction that we
> don't need to deal with author awards in subcategories, which would
> cut down on a sense of pernicious repetition. It's also just
> an already existing trend (see below).different
>
> Now, it is true, there's a reason we split the stories into
> categories and subcategories--but we've got the story awards to dealwould
> with recognizing merits of specific content. Author awards are (I
> think) about assessing individual style and a more general sense of
> substance within certain, more abstract bounds than "Silmarillion:
> drabble cycle", for example. So we're not doing an injustice by
> comparing incomparables here.
>
> Would it be more competitive than the current scenario? Yes, it
> be. There would be more people competing for author awards under anyauthor
> form-based category than in any individual story category since
> *every* drabbler and *every* novelist would be elligible for an
> award for writing drabbles or novels, irrespective of whether theywhether
> wrote the novel about Silm characters of Ring-war characters,
> they wrote the drabbles about hobbits or dragons.currently
>
> Also, by moving away from category/subcategory combinations
> used for author awards, we would have fewer categories to competein.
> However, there are only three subcategories within any given authorthe
> awards category anyway: general, drabble, and poetry, which already
> tends in the direction of recognizing *form*, but does not go all
> way and recognize that novels are a unique form or that vignettesare
> a unique form, each requiring different skills to pull off. Thosesets.
> kinds of stories compete together under "general." So this would
> rectify that situation in a way by recognizing different skill
>award
> Against the fear that this would be too cutthroat, it's much more
> competitive (and I think a fairer competition in some cases, where
> maybe only two poets make up an entire category/subcategory combo
> elligible for author awards, whereas a different c/s combo might pit
> twenty poets against each other) than being allowed only a single
> author review for any given author.
>
> So I think (I hope) this would meet all four of what I see as the
> major problems we currently have with author reviews and awards. I'm
> fairly certain that we could come up with a few more categories that
> wouldn't repeat the story award categories if desired (maybe an
> for characterization, for example, or splitting non-fiction intoessay
> and research article since those do require totally differentskills).
> But the basic idea hopefully would be a way out of our currentinterface
> difficulties.
>
>
>
> Taking the above sketch as a possibility for reorganizing author
> reviews, and combining it with my request for a simpler user
> when it comes to writing those author reviews, I could see a pageReviewed?
> somewhat like this (and I hope yahoo doesn't destroy the formatting)
> to try and streamline things, make them clearer, and hopefully
> encourage more author reviewing because it would be less confusing:
>
>
> Author Name: Dwym the Evil Twyn
>
> Story Title Story Type Have I
><link>Yes</link>
> <link>Gimli's Gift</link> Short Story
><link>Yes</link>
> <link>Oops, I Sued It Again!</link> Short Story No
>
> _____________________________________
>
> Enter Author Review for Short Story: [text box]
>
>
> <link>Fear and Loathing Novel
> in the White City</link>do).
>
> ______________________________________
>
> Enter Author Review for Novel:[text box]
>
>
> <link>Grey</link> Drabble No
>
> <link>Purposive</link> Drabble No
>
> _____________________________________
>
> Enter Author Review for Drabble: [text box]
>
>
>
>
>
> Etc., etc., and alphabetically by review category (as I failed to
>page
> This I am taking as a possible modification of the author's main
> on the website. It would give us every story the author has written,the
> links to the story (so we can read it if we want to before writing
> author review), the category it is listed under *for the purposes ofif
> author reviews*, and a notice whether I've reviewed the story (and
> I have, a quick way to see what I'd said and so refresh mythe
> memory--best if opens in a new screen). It automatically breaks up
> stories into the appropriate groups and offers us an immediateto
> opportunity to write an author review. It'd be easy to see in what
> categories we had already reviewed the author since they'd be right
> there. No fuss, no bother, no reloads.
>
> If we did revamp author pages this way, there'd have to be a more
> obvious pointer towards them so that people would actually go there
> review the author as an author, of course, but that's another issuethe
> that can be handled if something like this page revision were to go
> through. I'm mainly using it as an illustration of how to simplify
> process of reviewing authors and to show how the category change I'd
> proposed could be easily fitted into that revision.
>
> What do you all think?
>
> Dwim
>
Seems like the simplest rule--and I think this has already been
suggested--is to just say that ALL quotes, not matter what the
source, have to be inside blockquote tags.
Kathy (Inkling)
suggested--is to just say that ALL quotes, not matter what the
source, have to be inside blockquote tags.
Kathy (Inkling)
--- In MEFAwards@yahoogroups.com, Marta Layton <melayton@g...> wrote:
>
> > Message: 10
> > Date: Mon, 2 Jan 2006 20:26:31 -0500
> > From: rabidsamfan <rabidsamfan@v...>
> > Subject: Re: Re: points and various voting matters
> >
> > On 1/2/06, sulriel <Sulriel@h...> wrote:
> >>
> >>
> >>>
> >>> Topic we possibly have forgotten:
> >>>
> >>> How do we treat quotes in reviews? What about quotes from
sources
> >> that
> >>> are not from the fanfic under review, but which are either from
> >>> Tolkien's own writing or else from a different published
author? Did
> >>> we decide how to treat these already? I'm afraid I can't recall.
> >>
> >>
> >> oh -yikes, yes... that's a biggie.
> >
> >
> >
> > Yes. I'd say anything and everything from within the story under
> > review should be inside <blockquotes> tags, but for stuff from
JRRT or
> > other
> > sources... hmm. That's tougher. Might be a judgment call for
the
> > admins.
> > Is the quote filler, or pertinent to the review? I'd think it
would
> > be a
> > situation which wouldn't often arise, but I don't know. Did it
happen
> > this
> > year?
> >
>
> I don't want to make this an admin judgement call because if we do
> this, then it leaves the admins open to criticism. Whether a quote
> counts or not affects how many points a story gets which controls
who
> wins -- and I don't want someone second-guessing the results.
That's
> why for this I want a rule we can apply objectively and can point
to as
> a reason for why we make a certain decision.
>
> Marta
>
--- In MEFAwards@yahoogroups.com, "Kathy" <inkling-tcbs@s...> wrote:
last year, I *highly* recommend that any and all quotes from any
source must be blockquoted.
It's a simple rule, easy to remember and allows for as much quotage as
anyone wants to use.
Sulriel
>> Seems like the simplest rule--and I think this has already beenAs the person who personally managed the quote/blockquote situation
> suggested--is to just say that ALL quotes, not matter what the
> source, have to be inside blockquote tags.
>
> Kathy (Inkling)
last year, I *highly* recommend that any and all quotes from any
source must be blockquoted.
It's a simple rule, easy to remember and allows for as much quotage as
anyone wants to use.
Sulriel
--- In MEFAwards@yahoogroups.com, "sulriel" <Sulriel@h...> wrote:
mentioned in story reviews, but in author reviews, the focus would be
on how well the author handled the form, across all his/her entries
that fall under that form. Or at least, as many of the author's works
as the reviewer has read during the awards.
Dwim
>Yes, that's essentially it. Undoubtedly, some of these things would be
> -
>
> If I understand what Dwim is saying here, I would support this.
>
> What I think is being proposed it so have the author categories
> different than the story categories.
>
> - essentially by form only? Novel, short story, poetry, drabble...
>
> in that case, it should be easy enough to write distinctly different
> reviews regarding the author's strength in that specific form, such
> as well-woven sub-plots in novels or snappy paced short story with a
> complete plot arch, intensity and emotion in a drabble. (?)
mentioned in story reviews, but in author reviews, the focus would be
on how well the author handled the form, across all his/her entries
that fall under that form. Or at least, as many of the author's works
as the reviewer has read during the awards.
Dwim
--- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:
specific form, such > > as well-woven sub-plots in novels or snappy
paced short story with a > > complete plot arch, intensity and
emotion in a drabble. (?)
entries> that fall under that form. Or at least, as many of the
author's works> as the reviewer has read during the awards.
paste between reviews" rule because the forms are (should be)
different enough to require a seperate review be written for each
one ... some things - such as "brillant characterization" - will
cross the forms, but I think that shouldn't be too much of a problem.
wrote:
>this. >
> --- In MEFAwards@yahoogroups.com, "sulriel" <Sulriel@h...> wrote:
> >> > If I understand what Dwim is saying here, I would support
> > What I think is being proposed it so have the author categoriesdrabble...
> > different than the story categories.
> >
> > - essentially by form only? Novel, short story, poetry,
> >different > > reviews regarding the author's strength in that
> > in that case, it should be easy enough to write distinctly
specific form, such > > as well-woven sub-plots in novels or snappy
paced short story with a > > complete plot arch, intensity and
emotion in a drabble. (?)
>be
> Yes, that's essentially it. Undoubtedly, some of these things would
> mentioned in story reviews, but in author reviews, the focus wouldbe> on how well the author handled the form, across all his/her
entries> that fall under that form. Or at least, as many of the
author's works> as the reviewer has read during the awards.
> > Dwimthis would also essentially negate and simplify the "No copy and
paste between reviews" rule because the forms are (should be)
different enough to require a seperate review be written for each
one ... some things - such as "brillant characterization" - will
cross the forms, but I think that shouldn't be too much of a problem.
I was disappointed to see no mention here of Dwym the Evil Twin's
story, "The Great Adventure of Bingo Baggins and Trotter." ;)
I like your idea, Dwim, though I think we would definitely want to
look at adding some categories to supplement story forms, as you
suggested...in addition to characterization, perhaps descriptive
writing, dialogue, suspense, etc. It might even be fun to have
author awards for things like "best opening line"...one of
the most important elements of a story, IMO. It's usually what
entices me to read a story--or not.
Kathy (Inkling)
--- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:
story, "The Great Adventure of Bingo Baggins and Trotter." ;)
I like your idea, Dwim, though I think we would definitely want to
look at adding some categories to supplement story forms, as you
suggested...in addition to characterization, perhaps descriptive
writing, dialogue, suspense, etc. It might even be fun to have
author awards for things like "best opening line"...one of
the most important elements of a story, IMO. It's usually what
entices me to read a story--or not.
Kathy (Inkling)
--- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
wrote:
>the
> Ok, so with author reviews, we've got the problem of the Freds of
> world versus the Freditas, and the sense that author awards areof
> artificially fragmenting an author's work, encouraging meaningless
> repetition of reviews which then results in bizarre rankings, where
> someone wins an author award for "The Hobbit" drabbles on the basis
> work s/he did as a novelist in the Horror category and some humorshould
> pieces. Also, it's not always clear how to distinguish the author
> review from the story review, leading to questions about why we
> allow copying author reviews and not copying of story reviews.categories that
>
> We need a compromise that gives us sensible author review
>in
> 1) do not seem artificially to fragment an author's work, resulting
> weird copy-pastes that result in even weirder rankings;or
>
> 2) are distinct enough from story reviews that we don't just repeat
> extend story reviews;cutthroat;
>
> 3) are not so all-inclusive as to make competition absolutely
>at
> 4) are organized in a manner that is less confusing all around,
> thereby encouraging more people to actually review authors.
>
> What if we changed things up somewhat for author awards and looked
> *forms* of writing? Poetry, non-fiction, ficlet, short story,novella,
> novel, drabble, drabble cycle: these are all things that authorswould
> have to select when filling out their story forms. So it's not likethe
> we'd be making any executive decisions about how to classify an
> author's work--the author has done it for us. That would be a big
> benefit, requiring no extra work or forms for anyone.
>
> The other benefit would be that we consolidate groups of authors
> across the story-awards genres and subgenres into logical categories
> that are specific enough that we have some idea of how to compare
> authors. The form of their writing holds them together across theextending
> divisions we'd imposed to judge stories against each other, so it
> wouldn't work to just copy a review about an author's skill as a
> writer of novels into the poet category, for example. It makes sense
> to write a different review.
>
> At the same time, using form instead of content as the basis of
> categorizing the author awards gives us enough abstraction that we
> don't need to deal with author awards in subcategories, which would
> cut down on a sense of pernicious repetition. It's also just
> an already existing trend (see below).different
>
> Now, it is true, there's a reason we split the stories into
> categories and subcategories--but we've got the story awards to dealwould
> with recognizing merits of specific content. Author awards are (I
> think) about assessing individual style and a more general sense of
> substance within certain, more abstract bounds than "Silmarillion:
> drabble cycle", for example. So we're not doing an injustice by
> comparing incomparables here.
>
> Would it be more competitive than the current scenario? Yes, it
> be. There would be more people competing for author awards under anyauthor
> form-based category than in any individual story category since
> *every* drabbler and *every* novelist would be elligible for an
> award for writing drabbles or novels, irrespective of whether theywhether
> wrote the novel about Silm characters of Ring-war characters,
> they wrote the drabbles about hobbits or dragons.currently
>
> Also, by moving away from category/subcategory combinations
> used for author awards, we would have fewer categories to competein.
> However, there are only three subcategories within any given authorthe
> awards category anyway: general, drabble, and poetry, which already
> tends in the direction of recognizing *form*, but does not go all
> way and recognize that novels are a unique form or that vignettesare
> a unique form, each requiring different skills to pull off. Thosesets.
> kinds of stories compete together under "general." So this would
> rectify that situation in a way by recognizing different skill
>award
> Against the fear that this would be too cutthroat, it's much more
> competitive (and I think a fairer competition in some cases, where
> maybe only two poets make up an entire category/subcategory combo
> elligible for author awards, whereas a different c/s combo might pit
> twenty poets against each other) than being allowed only a single
> author review for any given author.
>
> So I think (I hope) this would meet all four of what I see as the
> major problems we currently have with author reviews and awards. I'm
> fairly certain that we could come up with a few more categories that
> wouldn't repeat the story award categories if desired (maybe an
> for characterization, for example, or splitting non-fiction intoessay
> and research article since those do require totally differentskills).
> But the basic idea hopefully would be a way out of our currentinterface
> difficulties.
>
>
>
> Taking the above sketch as a possibility for reorganizing author
> reviews, and combining it with my request for a simpler user
> when it comes to writing those author reviews, I could see a pageReviewed?
> somewhat like this (and I hope yahoo doesn't destroy the formatting)
> to try and streamline things, make them clearer, and hopefully
> encourage more author reviewing because it would be less confusing:
>
>
> Author Name: Dwym the Evil Twyn
>
> Story Title Story Type Have I
><link>Yes</link>
> <link>Gimli's Gift</link> Short Story
><link>Yes</link>
> <link>Oops, I Sued It Again!</link> Short Story No
>
> _____________________________________
>
> Enter Author Review for Short Story: [text box]
>
>
> <link>Fear and Loathing Novel
> in the White City</link>do).
>
> ______________________________________
>
> Enter Author Review for Novel:[text box]
>
>
> <link>Grey</link> Drabble No
>
> <link>Purposive</link> Drabble No
>
> _____________________________________
>
> Enter Author Review for Drabble: [text box]
>
>
>
>
>
> Etc., etc., and alphabetically by review category (as I failed to
>page
> This I am taking as a possible modification of the author's main
> on the website. It would give us every story the author has written,the
> links to the story (so we can read it if we want to before writing
> author review), the category it is listed under *for the purposes ofif
> author reviews*, and a notice whether I've reviewed the story (and
> I have, a quick way to see what I'd said and so refresh mythe
> memory--best if opens in a new screen). It automatically breaks up
> stories into the appropriate groups and offers us an immediateto
> opportunity to write an author review. It'd be easy to see in what
> categories we had already reviewed the author since they'd be right
> there. No fuss, no bother, no reloads.
>
> If we did revamp author pages this way, there'd have to be a more
> obvious pointer towards them so that people would actually go there
> review the author as an author, of course, but that's another issuethe
> that can be handled if something like this page revision were to go
> through. I'm mainly using it as an illustration of how to simplify
> process of reviewing authors and to show how the category change I'd
> proposed could be easily fitted into that revision.
>
> What do you all think?
>
> Dwim
>
Msg# 6600
Re: Author Review Blues Posted by aelfwina@cableone.net January 04, 2006 - 21:53:19 Topic ID# 6550----- Original Message -----
From: "Kathy" <inkling-tcbs@sbcglobal.net>
To: <MEFAwards@yahoogroups.com>
Sent: Wednesday, January 04, 2006 8:46 PM
Subject: [MEFAwards] Re: Author Review Blues
>I was disappointed to see no mention here of Dwym the Evil Twin's
> story, "The Great Adventure of Bingo Baggins and Trotter." ;)
>
> I like your idea, Dwim, though I think we would definitely want to
> look at adding some categories to supplement story forms, as you
> suggested...in addition to characterization, perhaps descriptive
> writing, dialogue, suspense, etc. It might even be fun to have
> author awards for things like "best opening line"...one of
> the most important elements of a story, IMO. It's usually what
> entices me to read a story--or not.
Oh my! I *really* like this: speaking to an author's strengths *as an
author*, and not simply within the confines of a single story. Forms would
be one way, but adding such things as characterization, dialogue,
descriptive writing, plotting, and so forth would add a whole new element to
voting for the author awards--it would increase the number of categories of
author awards from just drabble, poem, short story, vignette, novel and so
open it up to be more author awards that could be given (One of
Anaechoiriel's concerns being that only a few author awards would be
counter-productive.) and yet have them different enough from story awards to
make them far more interesting. And I would think an analysis of one's
strengths as a writer would be not only flattering, but also provide an
author with some valuable insight that doesn't always come in a story
review. ("Why, goodness, I had no idea people thought I was good at
dialogue!" or "Gee, after all my hard work, it's nice to know that readers
appreciate my plotting!" or "If they think I am that good at drabbles,
perhaps I should write more of them.")
Yes, I do indeed like *this* idea very much!
Dreamflower
(Barbara)
>
> Kathy (Inkling)
>
> --- In MEFAwards@yahoogroups.com, "dwimmer_laik" <dwimmer_laik@y...>
> wrote:
>>
>> Ok, so with author reviews, we've got the problem of the Freds of
> the
>> world versus the Freditas, and the sense that author awards are
>> artificially fragmenting an author's work, encouraging meaningless
>> repetition of reviews which then results in bizarre rankings, where
>> someone wins an author award for "The Hobbit" drabbles on the basis
> of
>> work s/he did as a novelist in the Horror category and some humor
>> pieces. Also, it's not always clear how to distinguish the author
>> review from the story review, leading to questions about why we
> should
>> allow copying author reviews and not copying of story reviews.
>>
>> We need a compromise that gives us sensible author review
> categories that
>>
>> 1) do not seem artificially to fragment an author's work, resulting
> in
>> weird copy-pastes that result in even weirder rankings;
>>
>> 2) are distinct enough from story reviews that we don't just repeat
> or
>> extend story reviews;
>>
>> 3) are not so all-inclusive as to make competition absolutely
> cutthroat;
>>
>> 4) are organized in a manner that is less confusing all around,
>> thereby encouraging more people to actually review authors.
>>
>> What if we changed things up somewhat for author awards and looked
> at
>> *forms* of writing? Poetry, non-fiction, ficlet, short story,
> novella,
>> novel, drabble, drabble cycle: these are all things that authors
> would
>> have to select when filling out their story forms. So it's not like
>> we'd be making any executive decisions about how to classify an
>> author's work--the author has done it for us. That would be a big
>> benefit, requiring no extra work or forms for anyone.
>>
>> The other benefit would be that we consolidate groups of authors
>> across the story-awards genres and subgenres into logical categories
>> that are specific enough that we have some idea of how to compare
> the
>> authors. The form of their writing holds them together across the
>> divisions we'd imposed to judge stories against each other, so it
>> wouldn't work to just copy a review about an author's skill as a
>> writer of novels into the poet category, for example. It makes sense
>> to write a different review.
>>
>> At the same time, using form instead of content as the basis of
>> categorizing the author awards gives us enough abstraction that we
>> don't need to deal with author awards in subcategories, which would
>> cut down on a sense of pernicious repetition. It's also just
> extending
>> an already existing trend (see below).
>>
>> Now, it is true, there's a reason we split the stories into
> different
>> categories and subcategories--but we've got the story awards to deal
>> with recognizing merits of specific content. Author awards are (I
>> think) about assessing individual style and a more general sense of
>> substance within certain, more abstract bounds than "Silmarillion:
>> drabble cycle", for example. So we're not doing an injustice by
>> comparing incomparables here.
>>
>> Would it be more competitive than the current scenario? Yes, it
> would
>> be. There would be more people competing for author awards under any
>> form-based category than in any individual story category since
>> *every* drabbler and *every* novelist would be elligible for an
> author
>> award for writing drabbles or novels, irrespective of whether they
>> wrote the novel about Silm characters of Ring-war characters,
> whether
>> they wrote the drabbles about hobbits or dragons.
>>
>> Also, by moving away from category/subcategory combinations
> currently
>> used for author awards, we would have fewer categories to compete
> in.
>> However, there are only three subcategories within any given author
>> awards category anyway: general, drabble, and poetry, which already
>> tends in the direction of recognizing *form*, but does not go all
> the
>> way and recognize that novels are a unique form or that vignettes
> are
>> a unique form, each requiring different skills to pull off. Those
>> kinds of stories compete together under "general." So this would
>> rectify that situation in a way by recognizing different skill
> sets.
>>
>> Against the fear that this would be too cutthroat, it's much more
>> competitive (and I think a fairer competition in some cases, where
>> maybe only two poets make up an entire category/subcategory combo
>> elligible for author awards, whereas a different c/s combo might pit
>> twenty poets against each other) than being allowed only a single
>> author review for any given author.
>>
>> So I think (I hope) this would meet all four of what I see as the
>> major problems we currently have with author reviews and awards. I'm
>> fairly certain that we could come up with a few more categories that
>> wouldn't repeat the story award categories if desired (maybe an
> award
>> for characterization, for example, or splitting non-fiction into
> essay
>> and research article since those do require totally different
> skills).
>> But the basic idea hopefully would be a way out of our current
>> difficulties.
>>
>>
>>
>> Taking the above sketch as a possibility for reorganizing author
>> reviews, and combining it with my request for a simpler user
> interface
>> when it comes to writing those author reviews, I could see a page
>> somewhat like this (and I hope yahoo doesn't destroy the formatting)
>> to try and streamline things, make them clearer, and hopefully
>> encourage more author reviewing because it would be less confusing:
>>
>>
>> Author Name: Dwym the Evil Twyn
>>
>> Story Title Story Type Have I
> Reviewed?
>>
>> <link>Gimli's Gift</link> Short Story
> <link>Yes</link>
>>
>> <link>Oops, I Sued It Again!</link> Short Story No
>>
>> _____________________________________
>>
>> Enter Author Review for Short Story: [text box]
>>
>>
>> <link>Fear and Loathing Novel
> <link>Yes</link>
>> in the White City</link>
>>
>> ______________________________________
>>
>> Enter Author Review for Novel:[text box]
>>
>>
>> <link>Grey</link> Drabble No
>>
>> <link>Purposive</link> Drabble No
>>
>> _____________________________________
>>
>> Enter Author Review for Drabble: [text box]
>>
>>
>>
>>
>>
>> Etc., etc., and alphabetically by review category (as I failed to
> do).
>>
>> This I am taking as a possible modification of the author's main
> page
>> on the website. It would give us every story the author has written,
>> links to the story (so we can read it if we want to before writing
> the
>> author review), the category it is listed under *for the purposes of
>> author reviews*, and a notice whether I've reviewed the story (and
> if
>> I have, a quick way to see what I'd said and so refresh my
>> memory--best if opens in a new screen). It automatically breaks up
> the
>> stories into the appropriate groups and offers us an immediate
>> opportunity to write an author review. It'd be easy to see in what
>> categories we had already reviewed the author since they'd be right
>> there. No fuss, no bother, no reloads.
>>
>> If we did revamp author pages this way, there'd have to be a more
>> obvious pointer towards them so that people would actually go there
> to
>> review the author as an author, of course, but that's another issue
>> that can be handled if something like this page revision were to go
>> through. I'm mainly using it as an illustration of how to simplify
> the
>> process of reviewing authors and to show how the category change I'd
>> proposed could be easily fitted into that revision.
>>
>> What do you all think?
>>
>> Dwim
>>
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
>
--- In MEFAwards@yahoogroups.com, <aelfwina@c...> wrote:
Forms would > be one way, but adding such things as characterization,
dialogue, > descriptive writing, plotting, and so forth would add a
whole new element to > voting for the author awards--it would
increase the number of categories of > author awards from just
drabble, poem, short story, vignette, novel and so > open it up to be
more author awards that could be given <<snipped>>
Sulriel
>> > ----- Original Message -----I think we would definitely want to
> From: "Kathy" <inkling-tcbs@s...>> > I like your idea, Dwim, though
> > look at adding some categories to supplement story forms, as youan > author*, and not simply within the confines of a single story.
> > suggested...in addition to characterization, perhaps descriptive
> > writing, dialogue, suspense, etc. It might even be fun to have
> > author awards for things like "best opening line"...one of
> > the most important elements of a story, IMO. It's usually what
> > entices me to read a story--or not.
>
> Oh my! I *really like this: speaking to an author's strengths *as
Forms would > be one way, but adding such things as characterization,
dialogue, > descriptive writing, plotting, and so forth would add a
whole new element to > voting for the author awards--it would
increase the number of categories of > author awards from just
drabble, poem, short story, vignette, novel and so > open it up to be
more author awards that could be given <<snipped>>
> Yes, I do indeed like *this* idea very much!I third this - wonderful idea!
> > Dreamflower
> (Barbara)
Sulriel
><dwimmer_laik@y...>
> >
> > Kathy (Inkling)
> >
> > --- In MEFAwards@yahoogroups.com, "dwimmer_laik"
> > wrote:meaningless
> >>
> >> Ok, so with author reviews, we've got the problem of the Freds of
> > the
> >> world versus the Freditas, and the sense that author awards are
> >> artificially fragmenting an author's work, encouraging
> >> repetition of reviews which then results in bizarre rankings,where
> >> someone wins an author award for "The Hobbit" drabbles on thebasis
> > ofresulting
> >> work s/he did as a novelist in the Horror category and some humor
> >> pieces. Also, it's not always clear how to distinguish the author
> >> review from the story review, leading to questions about why we
> > should
> >> allow copying author reviews and not copying of story reviews.
> >>
> >> We need a compromise that gives us sensible author review
> > categories that
> >>
> >> 1) do not seem artificially to fragment an author's work,
> > inrepeat
> >> weird copy-pastes that result in even weirder rankings;
> >>
> >> 2) are distinct enough from story reviews that we don't just
> > orlooked
> >> extend story reviews;
> >>
> >> 3) are not so all-inclusive as to make competition absolutely
> > cutthroat;
> >>
> >> 4) are organized in a manner that is less confusing all around,
> >> thereby encouraging more people to actually review authors.
> >>
> >> What if we changed things up somewhat for author awards and
> > atlike
> >> *forms* of writing? Poetry, non-fiction, ficlet, short story,
> > novella,
> >> novel, drabble, drabble cycle: these are all things that authors
> > would
> >> have to select when filling out their story forms. So it's not
> >> we'd be making any executive decisions about how to classify ancategories
> >> author's work--the author has done it for us. That would be a big
> >> benefit, requiring no extra work or forms for anyone.
> >>
> >> The other benefit would be that we consolidate groups of authors
> >> across the story-awards genres and subgenres into logical
> >> that are specific enough that we have some idea of how to comparesense
> > the
> >> authors. The form of their writing holds them together across the
> >> divisions we'd imposed to judge stories against each other, so it
> >> wouldn't work to just copy a review about an author's skill as a
> >> writer of novels into the poet category, for example. It makes
> >> to write a different review.we
> >>
> >> At the same time, using form instead of content as the basis of
> >> categorizing the author awards gives us enough abstraction that
> >> don't need to deal with author awards in subcategories, whichwould
> >> cut down on a sense of pernicious repetition. It's also justdeal
> > extending
> >> an already existing trend (see below).
> >>
> >> Now, it is true, there's a reason we split the stories into
> > different
> >> categories and subcategories--but we've got the story awards to
> >> with recognizing merits of specific content. Author awards are (Iof
> >> think) about assessing individual style and a more general sense
> >> substance within certain, more abstract boundsthan "Silmarillion:
> >> drabble cycle", for example. So we're not doing an injustice byany
> >> comparing incomparables here.
> >>
> >> Would it be more competitive than the current scenario? Yes, it
> > would
> >> be. There would be more people competing for author awards under
> >> form-based category than in any individual story category sincethey
> >> *every* drabbler and *every* novelist would be elligible for an
> > author
> >> award for writing drabbles or novels, irrespective of whether
> >> wrote the novel about Silm characters of Ring-war characters,author
> > whether
> >> they wrote the drabbles about hobbits or dragons.
> >>
> >> Also, by moving away from category/subcategory combinations
> > currently
> >> used for author awards, we would have fewer categories to compete
> > in.
> >> However, there are only three subcategories within any given
> >> awards category anyway: general, drabble, and poetry, whichalready
> >> tends in the direction of recognizing *form*, but does not go allwhere
> > the
> >> way and recognize that novels are a unique form or that vignettes
> > are
> >> a unique form, each requiring different skills to pull off. Those
> >> kinds of stories compete together under "general." So this would
> >> rectify that situation in a way by recognizing different skill
> > sets.
> >>
> >> Against the fear that this would be too cutthroat, it's much more
> >> competitive (and I think a fairer competition in some cases,
> >> maybe only two poets make up an entire category/subcategory combopit
> >> elligible for author awards, whereas a different c/s combo might
> >> twenty poets against each other) than being allowed only a singleI'm
> >> author review for any given author.
> >>
> >> So I think (I hope) this would meet all four of what I see as the
> >> major problems we currently have with author reviews and awards.
> >> fairly certain that we could come up with a few more categoriesthat
> >> wouldn't repeat the story award categories if desired (maybe anformatting)
> > award
> >> for characterization, for example, or splitting non-fiction into
> > essay
> >> and research article since those do require totally different
> > skills).
> >> But the basic idea hopefully would be a way out of our current
> >> difficulties.
> >>
> >>
> >>
> >> Taking the above sketch as a possibility for reorganizing author
> >> reviews, and combining it with my request for a simpler user
> > interface
> >> when it comes to writing those author reviews, I could see a page
> >> somewhat like this (and I hope yahoo doesn't destroy the
> >> to try and streamline things, make them clearer, and hopefullyconfusing:
> >> encourage more author reviewing because it would be less
> >>written,
> >>
> >> Author Name: Dwym the Evil Twyn
> >>
> >> Story Title Story Type Have I
> > Reviewed?
> >>
> >> <link>Gimli's Gift</link> Short Story
> > <link>Yes</link>
> >>
> >> <link>Oops, I Sued It Again!</link> Short Story No
> >>
> >> _____________________________________
> >>
> >> Enter Author Review for Short Story: [text box]
> >>
> >>
> >> <link>Fear and Loathing Novel
> > <link>Yes</link>
> >> in the White City</link>
> >>
> >> ______________________________________
> >>
> >> Enter Author Review for Novel:[text box]
> >>
> >>
> >> <link>Grey</link> Drabble No
> >>
> >> <link>Purposive</link> Drabble No
> >>
> >> _____________________________________
> >>
> >> Enter Author Review for Drabble: [text box]
> >>
> >>
> >>
> >>
> >>
> >> Etc., etc., and alphabetically by review category (as I failed to
> > do).
> >>
> >> This I am taking as a possible modification of the author's main
> > page
> >> on the website. It would give us every story the author has
> >> links to the story (so we can read it if we want to beforewriting
> > thepurposes of
> >> author review), the category it is listed under *for the
> >> author reviews*, and a notice whether I've reviewed the story(and
> > ifup
> >> I have, a quick way to see what I'd said and so refresh my
> >> memory--best if opens in a new screen). It automatically breaks
> > thewhat
> >> stories into the appropriate groups and offers us an immediate
> >> opportunity to write an author review. It'd be easy to see in
> >> categories we had already reviewed the author since they'd beright
> >> there. No fuss, no bother, no reloads.there
> >>
> >> If we did revamp author pages this way, there'd have to be a more
> >> obvious pointer towards them so that people would actually go
> > toissue
> >> review the author as an author, of course, but that's another
> >> that can be handled if something like this page revision were togo
> >> through. I'm mainly using it as an illustration of how tosimplify
> > theI'd
> >> process of reviewing authors and to show how the category change
> >> proposed could be easily fitted into that revision.
> >>
> >> What do you all think?
> >>
> >> Dwim
> >>
> >
> >
> >
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
> >
>
Msg# 6611
Re: points and various voting matters Posted by rhapsody\_the\_bard January 05, 2006 - 5:46:46 Topic ID# 6550--- In MEFAwards@yahoogroups.com, "Laura" <thunderalaura@j...> wrote:
clearly. I am sorry not to be able to chip in more, but what I do
would like to see in the new mefa season is just nice and encouraging
reviews for every author who accepts the nomination, no matter how
long and elaborate the review is :)
Maybe.. regarding the author reviews...giving it a seperate part in
the seasons, so that those are written with the same attention as the
story reviews? I get the feeling from the current discussions that
this is preferred (more attention for it).
Rhapsody
><snip>
> -- Marta Layton <melayton@g...> wrote:
> >> What I *am* suggesting is that a person be able to enter a review
> >> for an author and have it automatically generate reviews with the
> >> same text in all other categories in which that author is
> >> entered.
> >> To give an example... let's say someone has the following
> >> nominations:
> >>
> >> - "The Trouble With Brandybucks" in "Hobbits : Fourth Age"
> >> - "Envinyatar" in "Drama : Drabble"
> >> - "A Dwarf Among Elves" in "LOTR : Lothlorien".
> >>
> >> This author is then entered in the following author categories.
> >>
> >> - Hobbits : General Authors
> >> - LOTR : General Authors
> >> - Drama : Drabble Authors
> >>
> >> Let's say I'm looking at the nominations for "Drama : Drabble". I
> >> see a listing for "Envinyatar", and by that drabble I see a link
> >> to
> >> vote on the story, and a second like to vote for the author. I
> >> click on the second link, and it takes me to a page where I can
> >> enter that vote. What I'm proposing is that we have a check-box
> >> that I could click, and whatever I enter for "Drama : Drabble
> >> Authors" is also entered as a vote for "Hobbits : General
> >> Authors" and "LOTR : General Authors".
>
> Okay, that clears things up. Thanks.
>
> Just my two cents for whatever the current economy deems that to beAdding my 2 cents to it, thanks for this Thundera, for voicing this so
> worth.
clearly. I am sorry not to be able to chip in more, but what I do
would like to see in the new mefa season is just nice and encouraging
reviews for every author who accepts the nomination, no matter how
long and elaborate the review is :)
Maybe.. regarding the author reviews...giving it a seperate part in
the seasons, so that those are written with the same attention as the
story reviews? I get the feeling from the current discussions that
this is preferred (more attention for it).
Rhapsody
Hi Kathy,
the Evil Twin. Yeah, that's it.
of these may be worth making into awards categories for authors. It'd
be a question of organization. For example, the characterization bit
obviously applies to every piece of writing in the range of
fiction--so that'd be too big, perhaps, to have as a single
category--way too cutthroat.
So maybe what we would have are the major form-based awards, and then
for additional awards, do something like this:
Best Characterization: drabble, poetry, etc.
Best Dialogue: novel, short story, etc.
Best Description: poetry, etc.
Another way to do it might be to make things like dialogue,
characterization, and descriptive writing into subcategories for
form-based awards, assuming we go with form-based awards for authors.
But to me this solution seems less intuitive, because it would break
up form-based categories when the whole point of using form to
organize the author awards is that it pulls authors together into
natural groups. I'm not sure I'm expressing this very well but
hopefully you get the gist of what I'm saying.
In any case, I'm just trying to think of ways to organize the extras
that wouldn't require still more stuff on the story-forms everyone
will have to fill out, but which would still make sense as categories.
Dwim
> I was disappointed to see no mention here of Dwym the Evil Twin'sUmm, umm... it was Dwym the Evil Tw*y*n this time, rather than Dwym
> story, "The Great Adventure of Bingo Baggins and Trotter." ;)
the Evil Twin. Yeah, that's it.
> I like your idea, Dwim, though I think we would definitely want toExactly--think of all the technical skills that go into writing. Some
> look at adding some categories to supplement story forms, as you
> suggested...in addition to characterization, perhaps descriptive
> writing, dialogue, suspense, etc. It might even be fun to have
> author awards for things like "best opening line"...one of
> the most important elements of a story, IMO. It's usually what
> entices me to read a story--or not.
of these may be worth making into awards categories for authors. It'd
be a question of organization. For example, the characterization bit
obviously applies to every piece of writing in the range of
fiction--so that'd be too big, perhaps, to have as a single
category--way too cutthroat.
So maybe what we would have are the major form-based awards, and then
for additional awards, do something like this:
Best Characterization: drabble, poetry, etc.
Best Dialogue: novel, short story, etc.
Best Description: poetry, etc.
Another way to do it might be to make things like dialogue,
characterization, and descriptive writing into subcategories for
form-based awards, assuming we go with form-based awards for authors.
But to me this solution seems less intuitive, because it would break
up form-based categories when the whole point of using form to
organize the author awards is that it pulls authors together into
natural groups. I'm not sure I'm expressing this very well but
hopefully you get the gist of what I'm saying.
In any case, I'm just trying to think of ways to organize the extras
that wouldn't require still more stuff on the story-forms everyone
will have to fill out, but which would still make sense as categories.
Dwim
Msg# 6619
Re: points and various voting matters Posted by Ainaechoiriel January 05, 2006 - 16:36:10 Topic ID# 6550> -----Original Message-----Until I divorce myself completely from the MEFAs (which could happen--Never
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of rabidsamfan
> Sent: Wednesday, January 04, 2006 2:15 PM
> To: MEFAwards@yahoogroups.com
> Subject: Re: [MEFAwards] Re: points and various voting matters
>
> Me too. I think of drabbles as being much more closely
> related to poetry than general fiction, actually but that's
> another question.
>
> I'd far rather see a story review duplicated into an author
> review than multiple, identical author reviews. Since the
> two votes are going in different directions, why not?
>
planned it that way but it's just kind of heading in that general direction,
sad to say--not because of any dissatisfaction...just other-busy-ness), that
will never happen. Saying why such a story was great is not saying why the
author is great. I am an author. I am not my stories. Oswiecim was great
for different reasons than Myth and Memory was great. Very. And they took
far different skills to write. The depths to which I can take a reader in
realistic and horrific manners (and historically accurately, at that) have
nothing to do with my ability to write Tolkienesqueity. I have a review of
Oswiecim that's 2 pages long. And only part of it talks about me, the
writer. Yes, some writerly bits come into a story review, but an author
review is just about the talent and skill of the writer. It may reference
stories for evidence supporting what is said. The detail in Oswiecim was
great. That's a story review. My ability to take from my head my memories
of being in the camp and put them on the page to share with the reader being
phenomenal (and they are, since I have no visualization capabilities really.
Just a semi-photographic memory) is about me. My ability to make readers
think I've described things I haven't is a writer review. My beautiful
descriptions in Immortal is a story review (and that's where I got the idea
that I can trick readers into thinking I describe things, but I digress.)
You can review a meal and you can review a resaurant and you can review a
chef. They are three different things. One can be terribble and the other
two still be great.
--Gabrielle
God is my strength!
http://gabrielle.sytes.net/trek The Edge of the Frontier
Blog: http://www.gabriellewrites.blogspot.com
Contrary to popular belief, I'm not totally against using form for
categorizing author awards. Story, yes. But we won't go into that.
My main contention remains one of fruit, however. Apples and Lemons. Both
Fruit. But one will turn your mouth inside out, which the other will only
do that if it's not ripe enough. My point: What about the difference
between humor and drama? Or humor and horror. Sure, they could all be put
in short story. But one makes you laugh until your sides hurt, the other
makes you cry, or makes you jumpy. They're all short stories, but they're
inherently different, and I do argue quite loudly that it takes different
skill.
Heck, if it wasn't for Dwim, I wouldn't have ever even tried my hand at a
humor story. A filk, no less! I didn't think I had it in me. Same thing
with drabbles. I could write 4-pages and 600-pages, but didn't think I had
the skill to write a 100-worder. She talked me into trying.
But still that's just it. Why would a humor write and a horror writer
compete for the same award? Would it be fair? Would you put Apples against
Lemons for Best Fruit? Well, then it would go down to the most popular of
Apples and Lemons in the end, wouldn't it? So which is more popular? Humor
or horror? What if one is widely more popular than the other? Fredita
writes humor. Fred writes horror. You STILL have the same problem.
I know I've said it here before, author reviews are hard. They're harder to
write than story reviews. I like receiving them, but they are tough. And
they are NOT easy to categorize or organize. IF we were to put it to a poll
(and if more than 15 people in this group of 100s voted in said poll) would
we be more willing to let go of them altogether or keep them?
Why were they here in the first place? Because ASC had them and I copied
ASC and tweaked from there to get these Awards up and running in less than 2
months. I'm not sure they're a non-negotiable. I think I might miss them,
but I recognize the hardship and thus the less reviews that come through for
them.
IF we do keep them, I want these things out of them:
*Not comparing Apples to Lemons (Not using "lemon" like we talk about bad
cars, but sour fruit. Good in it's context. I love lemon herb
chicken.....digressing again.)
*Not so few that getting one seems utterly unatainable and thus breaks the
hearts of 90% of the authors.
It's a tricky bit of business, I agree.
(BTW: I'm not even through reading all these e-mails, though I'll try. I may
not reply to each one and I may reply to many in one reply. I just never
know.)
--Ainae
Who needs to get back to work for a few minutes.
categorizing author awards. Story, yes. But we won't go into that.
My main contention remains one of fruit, however. Apples and Lemons. Both
Fruit. But one will turn your mouth inside out, which the other will only
do that if it's not ripe enough. My point: What about the difference
between humor and drama? Or humor and horror. Sure, they could all be put
in short story. But one makes you laugh until your sides hurt, the other
makes you cry, or makes you jumpy. They're all short stories, but they're
inherently different, and I do argue quite loudly that it takes different
skill.
Heck, if it wasn't for Dwim, I wouldn't have ever even tried my hand at a
humor story. A filk, no less! I didn't think I had it in me. Same thing
with drabbles. I could write 4-pages and 600-pages, but didn't think I had
the skill to write a 100-worder. She talked me into trying.
But still that's just it. Why would a humor write and a horror writer
compete for the same award? Would it be fair? Would you put Apples against
Lemons for Best Fruit? Well, then it would go down to the most popular of
Apples and Lemons in the end, wouldn't it? So which is more popular? Humor
or horror? What if one is widely more popular than the other? Fredita
writes humor. Fred writes horror. You STILL have the same problem.
I know I've said it here before, author reviews are hard. They're harder to
write than story reviews. I like receiving them, but they are tough. And
they are NOT easy to categorize or organize. IF we were to put it to a poll
(and if more than 15 people in this group of 100s voted in said poll) would
we be more willing to let go of them altogether or keep them?
Why were they here in the first place? Because ASC had them and I copied
ASC and tweaked from there to get these Awards up and running in less than 2
months. I'm not sure they're a non-negotiable. I think I might miss them,
but I recognize the hardship and thus the less reviews that come through for
them.
IF we do keep them, I want these things out of them:
*Not comparing Apples to Lemons (Not using "lemon" like we talk about bad
cars, but sour fruit. Good in it's context. I love lemon herb
chicken.....digressing again.)
*Not so few that getting one seems utterly unatainable and thus breaks the
hearts of 90% of the authors.
It's a tricky bit of business, I agree.
(BTW: I'm not even through reading all these e-mails, though I'll try. I may
not reply to each one and I may reply to many in one reply. I just never
know.)
--Ainae
Who needs to get back to work for a few minutes.
> -----Original Message-----(Snippage: only for space-saving)
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of dwimmer_laik
> Sent: Wednesday, January 04, 2006 5:23 PM
> To: MEFAwards@yahoogroups.com
> Subject: [MEFAwards] Author Review Blues
>
> What if we changed things up somewhat for author awards and looked at
> *forms* of writing? Poetry, non-fiction, ficlet, short story,
> novella, novel, drabble, drabble cycle: these are all things
> that authors would have to select when filling out their
> story forms. So it's not like we'd be making any executive
> decisions about how to classify an author's work--the author
> has done it for us. That would be a big benefit, requiring no
> extra work or forms for anyone.
>
> The other benefit would be that we consolidate groups of
> authors across the story-awards genres and subgenres into
> logical categories that are specific enough that we have some
> idea of how to compare the authors. The form of their writing
> holds them together across the divisions we'd imposed to
> judge stories against each other, so it wouldn't work to just
> copy a review about an author's skill as a writer of novels
> into the poet category, for example. It makes sense to write
> a different review.
>
> At the same time, using form instead of content as the basis
> of categorizing the author awards gives us enough abstraction
> that we don't need to deal with author awards in
> subcategories, which would cut down on a sense of pernicious
> repetition. It's also just extending an already existing
> trend (see below).
Msg# 6622
Re: points and various voting matters Posted by Ainaechoiriel January 05, 2006 - 17:51:26 Topic ID# 6550Perhaps answered before me, but here it is anyway:
We had decided that quotes longer than 2 lines were to be blockquoted.
Quoting the story was not saying why you liked it. A reader can read those
lines and decide for themselves in the story itself. It just amounts to
stuffing a vote. We decided on a compromise because yes, sometimes you want
to say "My favorite part was when Aragorn said, "....". So we set a length
at which block quotes would have to be used, and yes, they were not counted.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
We had decided that quotes longer than 2 lines were to be blockquoted.
Quoting the story was not saying why you liked it. A reader can read those
lines and decide for themselves in the story itself. It just amounts to
stuffing a vote. We decided on a compromise because yes, sometimes you want
to say "My favorite part was when Aragorn said, "....". So we set a length
at which block quotes would have to be used, and yes, they were not counted.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
> -----Original Message-----
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of Marta Layton
> Sent: Wednesday, January 04, 2006 7:32 PM
> To: MEFAwards@yahoogroups.com
> Subject: Re: [MEFAwards] Re: Re: points and various voting matters
>
> > Message: 10
> > Date: Mon, 2 Jan 2006 20:26:31 -0500
> > From: rabidsamfan <rabidsamfan@verizon.net>
> > Subject: Re: Re: points and various voting matters
> >
> > On 1/2/06, sulriel <Sulriel@htcomp.net> wrote:
> >>
> >>
> >>>
> >>> Topic we possibly have forgotten:
> >>>
> >>> How do we treat quotes in reviews? What about quotes from sources
> >> that
> >>> are not from the fanfic under review, but which are either from
> >>> Tolkien's own writing or else from a different published
> author? Did
> >>> we decide how to treat these already? I'm afraid I can't recall.
> >>
> >>
> >> oh -yikes, yes... that's a biggie.
> >
> >
> >
> > Yes. I'd say anything and everything from within the story under
> > review should be inside <blockquotes> tags, but for stuff
> from JRRT or
> > other sources... hmm. That's tougher. Might be a judgment
> call for
> > the admins.
> > Is the quote filler, or pertinent to the review? I'd think
> it would
> > be a situation which wouldn't often arise, but I don't
> know. Did it
> > happen this year?
> >
>
> I don't want to make this an admin judgement call because if
> we do this, then it leaves the admins open to criticism.
> Whether a quote counts or not affects how many points a story
> gets which controls who wins -- and I don't want someone
> second-guessing the results. That's why for this I want a
> rule we can apply objectively and can point to as a reason
> for why we make a certain decision.
>
> Marta
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
I'm not against that. It did come up. That's when we had to decide the rule
in the first place. Quotes were abused to the point of looking like vote
stuffing.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
in the first place. Quotes were abused to the point of looking like vote
stuffing.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
> -----Original Message-----
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of sulriel
> Sent: Wednesday, January 04, 2006 8:21 PM
> To: MEFAwards@yahoogroups.com
> Subject: [MEFAwards] Re: Quotes
>
> --- In MEFAwards@yahoogroups.com, "Kathy" <inkling-tcbs@s...> wrote:
> >> Seems like the simplest rule--and I think this has already been
> > suggested--is to just say that ALL quotes, not matter what
> the source,
> > have to be inside blockquote tags.
> >
> > Kathy (Inkling)
>
>
> As the person who personally managed the quote/blockquote
> situation last year, I *highly* recommend that any and all
> quotes from any source must be blockquoted.
>
> It's a simple rule, easy to remember and allows for as much
> quotage as
> anyone wants to use.
>
>
> Sulriel
>
>
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
>
I like the idea in theory. It's the imagining of "in practice" that scares
the daylights out of me. How would you decide which authors would be in
those "best opening line" categories? And really that's a story issue, not
an author one unless you're commening on all the opening lines an author
wrote....
But my point is, every author. Every author of every story wrote an opening
line. Thus every author would be eligible in that category. And every
other category like "characterization" or "plotting" (okay, except the PWP's
but unless I missed that in th epost-mortem--and I've missed a lot--those
aren't likely to be here anyway.)
Every author would elibigle for nearly every category. Not so for form,
true. But I still worry about the Fruit problem.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
the daylights out of me. How would you decide which authors would be in
those "best opening line" categories? And really that's a story issue, not
an author one unless you're commening on all the opening lines an author
wrote....
But my point is, every author. Every author of every story wrote an opening
line. Thus every author would be eligible in that category. And every
other category like "characterization" or "plotting" (okay, except the PWP's
but unless I missed that in th epost-mortem--and I've missed a lot--those
aren't likely to be here anyway.)
Every author would elibigle for nearly every category. Not so for form,
true. But I still worry about the Fruit problem.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
> -----Original Message-----
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of sulriel
> Sent: Wednesday, January 04, 2006 10:01 PM
> To: MEFAwards@yahoogroups.com
> Subject: [MEFAwards] Re: Author Review Blues
>
> --- In MEFAwards@yahoogroups.com, <aelfwina@c...> wrote:
> >> > ----- Original Message -----
> > From: "Kathy" <inkling-tcbs@s...>> > I like your idea, Dwim, though
> I think we would definitely want to
> > > look at adding some categories to supplement story forms, as you
> > > suggested...in addition to characterization, perhaps descriptive
> > > writing, dialogue, suspense, etc. It might even be fun to have
> > > author awards for things like "best opening line"...one
> of the most
> > > important elements of a story, IMO. It's usually what
> entices me to
> > > read a story--or not.
> >
> > Oh my! I *really like this: speaking to an author's strengths *as
> an > author*, and not simply within the confines of a single story.
> Forms would > be one way, but adding such things as
> characterization, dialogue, > descriptive writing, plotting,
> and so forth would add a whole new element to > voting for
> the author awards--it would increase the number of categories
> of > author awards from just drabble, poem, short story,
> vignette, novel and so > open it up to be more author awards
> that could be given <<snipped>>
> > Yes, I do indeed like *this* idea very much!
> > > Dreamflower
> > (Barbara)
>
>
> I third this - wonderful idea!
>
> Sulriel
> >
> > >
> > > Kathy (Inkling)
> > >
> > > --- In MEFAwards@yahoogroups.com, "dwimmer_laik"
> <dwimmer_laik@y...>
> > > wrote:
> > >>
> > >> Ok, so with author reviews, we've got the problem of the Freds of
> > > the
> > >> world versus the Freditas, and the sense that author awards are
> > >> artificially fragmenting an author's work, encouraging
> meaningless
> > >> repetition of reviews which then results in bizarre rankings,
> where
> > >> someone wins an author award for "The Hobbit" drabbles on the
> basis
> > > of
> > >> work s/he did as a novelist in the Horror category and
> some humor
> > >> pieces. Also, it's not always clear how to distinguish
> the author
> > >> review from the story review, leading to questions about why we
> > > should
> > >> allow copying author reviews and not copying of story reviews.
> > >>
> > >> We need a compromise that gives us sensible author review
> > > categories that
> > >>
> > >> 1) do not seem artificially to fragment an author's work,
> resulting
> > > in
> > >> weird copy-pastes that result in even weirder rankings;
> > >>
> > >> 2) are distinct enough from story reviews that we don't just
> repeat
> > > or
> > >> extend story reviews;
> > >>
> > >> 3) are not so all-inclusive as to make competition absolutely
> > > cutthroat;
> > >>
> > >> 4) are organized in a manner that is less confusing all around,
> > >> thereby encouraging more people to actually review authors.
> > >>
> > >> What if we changed things up somewhat for author awards and
> looked
> > > at
> > >> *forms* of writing? Poetry, non-fiction, ficlet, short story,
> > > novella,
> > >> novel, drabble, drabble cycle: these are all things that authors
> > > would
> > >> have to select when filling out their story forms. So it's not
> like
> > >> we'd be making any executive decisions about how to classify an
> > >> author's work--the author has done it for us. That would
> be a big
> > >> benefit, requiring no extra work or forms for anyone.
> > >>
> > >> The other benefit would be that we consolidate groups of authors
> > >> across the story-awards genres and subgenres into logical
> categories
> > >> that are specific enough that we have some idea of how to compare
> > > the
> > >> authors. The form of their writing holds them together
> across the
> > >> divisions we'd imposed to judge stories against each
> other, so it
> > >> wouldn't work to just copy a review about an author's skill as a
> > >> writer of novels into the poet category, for example. It makes
> sense
> > >> to write a different review.
> > >>
> > >> At the same time, using form instead of content as the basis of
> > >> categorizing the author awards gives us enough abstraction that
> we
> > >> don't need to deal with author awards in subcategories, which
> would
> > >> cut down on a sense of pernicious repetition. It's also just
> > > extending
> > >> an already existing trend (see below).
> > >>
> > >> Now, it is true, there's a reason we split the stories into
> > > different
> > >> categories and subcategories--but we've got the story awards to
> deal
> > >> with recognizing merits of specific content. Author awards are (I
> > >> think) about assessing individual style and a more general sense
> of
> > >> substance within certain, more abstract bounds
> than "Silmarillion:
> > >> drabble cycle", for example. So we're not doing an injustice by
> > >> comparing incomparables here.
> > >>
> > >> Would it be more competitive than the current scenario? Yes, it
> > > would
> > >> be. There would be more people competing for author awards under
> any
> > >> form-based category than in any individual story category since
> > >> *every* drabbler and *every* novelist would be elligible for an
> > > author
> > >> award for writing drabbles or novels, irrespective of whether
> they
> > >> wrote the novel about Silm characters of Ring-war characters,
> > > whether
> > >> they wrote the drabbles about hobbits or dragons.
> > >>
> > >> Also, by moving away from category/subcategory combinations
> > > currently
> > >> used for author awards, we would have fewer categories to compete
> > > in.
> > >> However, there are only three subcategories within any given
> author
> > >> awards category anyway: general, drabble, and poetry, which
> already
> > >> tends in the direction of recognizing *form*, but does not go all
> > > the
> > >> way and recognize that novels are a unique form or that vignettes
> > > are
> > >> a unique form, each requiring different skills to pull
> off. Those
> > >> kinds of stories compete together under "general." So this would
> > >> rectify that situation in a way by recognizing different skill
> > > sets.
> > >>
> > >> Against the fear that this would be too cutthroat, it's
> much more
> > >> competitive (and I think a fairer competition in some cases,
> where
> > >> maybe only two poets make up an entire
> category/subcategory combo
> > >> elligible for author awards, whereas a different c/s combo might
> pit
> > >> twenty poets against each other) than being allowed only
> a single
> > >> author review for any given author.
> > >>
> > >> So I think (I hope) this would meet all four of what I
> see as the
> > >> major problems we currently have with author reviews and awards.
> I'm
> > >> fairly certain that we could come up with a few more categories
> that
> > >> wouldn't repeat the story award categories if desired (maybe an
> > > award
> > >> for characterization, for example, or splitting non-fiction into
> > > essay
> > >> and research article since those do require totally different
> > > skills).
> > >> But the basic idea hopefully would be a way out of our current
> > >> difficulties.
> > >>
> > >>
> > >>
> > >> Taking the above sketch as a possibility for reorganizing author
> > >> reviews, and combining it with my request for a simpler user
> > > interface
> > >> when it comes to writing those author reviews, I could
> see a page
> > >> somewhat like this (and I hope yahoo doesn't destroy the
> formatting)
> > >> to try and streamline things, make them clearer, and hopefully
> > >> encourage more author reviewing because it would be less
> confusing:
> > >>
> > >>
> > >> Author Name: Dwym the Evil Twyn
> > >>
> > >> Story Title Story Type Have I
> > > Reviewed?
> > >>
> > >> <link>Gimli's Gift</link> Short Story
> > > <link>Yes</link>
> > >>
> > >> <link>Oops, I Sued It Again!</link> Short Story No
> > >>
> > >> _____________________________________
> > >>
> > >> Enter Author Review for Short Story: [text box]
> > >>
> > >>
> > >> <link>Fear and Loathing Novel
> > > <link>Yes</link>
> > >> in the White City</link>
> > >>
> > >> ______________________________________
> > >>
> > >> Enter Author Review for Novel:[text box]
> > >>
> > >>
> > >> <link>Grey</link> Drabble No
> > >>
> > >> <link>Purposive</link> Drabble No
> > >>
> > >> _____________________________________
> > >>
> > >> Enter Author Review for Drabble: [text box]
> > >>
> > >>
> > >>
> > >>
> > >>
> > >> Etc., etc., and alphabetically by review category (as I failed to
> > > do).
> > >>
> > >> This I am taking as a possible modification of the author's main
> > > page
> > >> on the website. It would give us every story the author has
> written,
> > >> links to the story (so we can read it if we want to before
> writing
> > > the
> > >> author review), the category it is listed under *for the
> purposes of
> > >> author reviews*, and a notice whether I've reviewed the story
> (and
> > > if
> > >> I have, a quick way to see what I'd said and so refresh my
> > >> memory--best if opens in a new screen). It automatically breaks
> up
> > > the
> > >> stories into the appropriate groups and offers us an immediate
> > >> opportunity to write an author review. It'd be easy to see in
> what
> > >> categories we had already reviewed the author since they'd be
> right
> > >> there. No fuss, no bother, no reloads.
> > >>
> > >> If we did revamp author pages this way, there'd have to
> be a more
> > >> obvious pointer towards them so that people would actually go
> there
> > > to
> > >> review the author as an author, of course, but that's another
> issue
> > >> that can be handled if something like this page revision were to
> go
> > >> through. I'm mainly using it as an illustration of how to
> simplify
> > > the
> > >> process of reviewing authors and to show how the category change
> I'd
> > >> proposed could be easily fitted into that revision.
> > >>
> > >> What do you all think?
> > >>
> > >> Dwim
> > >>
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > Yahoo! Groups Links
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> >
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
>
Msg# 6629
Re: points and various voting matters Posted by rabidsamfan January 05, 2006 - 18:27:08 Topic ID# 6550Whoops, didn't mean it like that -- I meant that if you were going to use
the computer to automatically propogate copies, I'd rather start my thinking
about the author review from the place where I'm writing the story review in
that category. Marta objected to the notion that she didn't want duplicates
of the story reviews, and while I agree with you that apples aren't oranges,
I've read and written enough reviews to know that there are times when the
descriptions can come pretty close. Anyway, let me explain...
Assuming the author categories don't go another direction entirely (the most
popular option under discussion right now, but the most complicated to
enact) due to lack of time for coding, whatever, as I understand it the
other three present suggestions are:
B. leave things as they are
C. be able to automatically distribute an author review to all (or some) of
the categories where an author has entries via checkbox.
D. to have the option to go from the story review entry process to an author
review entry box which does (but doesn't have to) duplicate the story review
to give the reviewer a chance to edit and change things around to make it
more appropriate as an author review.
Option B works, obviously, although it was a little clunky.
I think option C preserves the most annoying aspect of option B, (getting
five identical reviews even if they were in different categories) and adds
some more difficulties, some of which are solvable if you have to choose
which categories to disperse the copies to and the copies are automatically
entered as something besides "final" so they can be edited.
Option D -- and I'll be honest, it was my idea -- is technically possible
according to Anthony, and in my mind it puts the process of creating an
author review into greater prominence, which should mean more
participation.
Say I read a lovely story by Fred, and wrote a story review that went
"'Babbling Balrogs' is a delightful look at the home life of the
balrog family where they live deep under the mines of Moria. In a few deft
lines Fred creates an idyll which is waiting to be shattered when a falling
stone lands in the bowl of porridge that Mrs. Balrog is about to serve to
her rambunctious, but cute twins. Fred has a mastery of humorous situations
and characters that is worth a good deal of envy, and can write dialogue
that is outrageously forsooth without being unintelligible."
With a way to go straight to the author review -- a button right at the
"submit review" page -- I might take that same paragraph and delete
everything above "Fred has a mastery of ..." and then append a sentence or
two about characterization.
If I had written a story review which was mostly gushing about the writing,
it probably could serve as an author review as well, but I think if the
process of creating the author review is that close in time, most reviewers
will edit a bit. And since the story reviews are counted in one contest and
the author reviews are counted in a different contest, I don't think that
it's that horrible if they're very similar.
the computer to automatically propogate copies, I'd rather start my thinking
about the author review from the place where I'm writing the story review in
that category. Marta objected to the notion that she didn't want duplicates
of the story reviews, and while I agree with you that apples aren't oranges,
I've read and written enough reviews to know that there are times when the
descriptions can come pretty close. Anyway, let me explain...
Assuming the author categories don't go another direction entirely (the most
popular option under discussion right now, but the most complicated to
enact) due to lack of time for coding, whatever, as I understand it the
other three present suggestions are:
B. leave things as they are
C. be able to automatically distribute an author review to all (or some) of
the categories where an author has entries via checkbox.
D. to have the option to go from the story review entry process to an author
review entry box which does (but doesn't have to) duplicate the story review
to give the reviewer a chance to edit and change things around to make it
more appropriate as an author review.
Option B works, obviously, although it was a little clunky.
I think option C preserves the most annoying aspect of option B, (getting
five identical reviews even if they were in different categories) and adds
some more difficulties, some of which are solvable if you have to choose
which categories to disperse the copies to and the copies are automatically
entered as something besides "final" so they can be edited.
Option D -- and I'll be honest, it was my idea -- is technically possible
according to Anthony, and in my mind it puts the process of creating an
author review into greater prominence, which should mean more
participation.
Say I read a lovely story by Fred, and wrote a story review that went
"'Babbling Balrogs' is a delightful look at the home life of the
balrog family where they live deep under the mines of Moria. In a few deft
lines Fred creates an idyll which is waiting to be shattered when a falling
stone lands in the bowl of porridge that Mrs. Balrog is about to serve to
her rambunctious, but cute twins. Fred has a mastery of humorous situations
and characters that is worth a good deal of envy, and can write dialogue
that is outrageously forsooth without being unintelligible."
With a way to go straight to the author review -- a button right at the
"submit review" page -- I might take that same paragraph and delete
everything above "Fred has a mastery of ..." and then append a sentence or
two about characterization.
If I had written a story review which was mostly gushing about the writing,
it probably could serve as an author review as well, but I think if the
process of creating the author review is that close in time, most reviewers
will edit a bit. And since the story reviews are counted in one contest and
the author reviews are counted in a different contest, I don't think that
it's that horrible if they're very similar.
On 1/5/06, Ainaechoiriel <mefaadmin@earthlink.net> wrote:
>
>
>
> > -----Original Message-----
> > From: MEFAwards@yahoogroups.com
> > [mailto:MEFAwards@yahoogroups.com] On Behalf Of rabidsamfan
> > Sent: Wednesday, January 04, 2006 2:15 PM
> > To: MEFAwards@yahoogroups.com
> > Subject: Re: [MEFAwards] Re: points and various voting matters
> >
> > Me too. I think of drabbles as being much more closely
> > related to poetry than general fiction, actually but that's
> > another question.
> >
> > I'd far rather see a story review duplicated into an author
> > review than multiple, identical author reviews. Since the
> > two votes are going in different directions, why not?
> >
>
> Until I divorce myself completely from the MEFAs (which could
> happen--Never
> planned it that way but it's just kind of heading in that general
> direction,
> sad to say--not because of any dissatisfaction...just other-busy-ness),
> that
> will never happen. Saying why such a story was great is not saying why
> the
> author is great. I am an author. I am not my stories. Oswiecim was great
> for different reasons than Myth and Memory was great. Very. And they
> took
> far different skills to write. The depths to which I can take a reader
> in
> realistic and horrific manners (and historically accurately, at that) have
> nothing to do with my ability to write Tolkienesqueity. I have a review
> of
> Oswiecim that's 2 pages long. And only part of it talks about me, the
> writer. Yes, some writerly bits come into a story review, but an author
> review is just about the talent and skill of the writer. It may reference
> stories for evidence supporting what is said. The detail in Oswiecim was
> great. That's a story review. My ability to take from my head my
> memories
> of being in the camp and put them on the page to share with the reader
> being
> phenomenal (and they are, since I have no visualization capabilities
> really.
> Just a semi-photographic memory) is about me. My ability to make readers
> think I've described things I haven't is a writer review. My beautiful
> descriptions in Immortal is a story review (and that's where I got the
> idea
> that I can trick readers into thinking I describe things, but I digress.)
>
>
> You can review a meal and you can review a resaurant and you can review a
> chef. They are three different things. One can be terribble and the other
> two still be great.
>
> --Gabrielle
> God is my strength!
>
> http://gabrielle.sytes.net/trek The Edge of the Frontier
> Blog: http://www.gabriellewrites.blogspot.com
>
>
>
> SPONSORED LINKS
> Writing a book report<http://groups.yahoo.com/gads?t=ms&k=Writing+a+book+report&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=lR46b2yY3fjtLuEF-cPrOQ> Business
> writing book<http://groups.yahoo.com/gads?t=ms&k=Business+writing+book&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=bVUL2qcPvT_BxOIqgxkxVw> Creative
> writing book<http://groups.yahoo.com/gads?t=ms&k=Creative+writing+book&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=3Gtsy8qVITSIVlWyRzfNDA> Writing
> child book<http://groups.yahoo.com/gads?t=ms&k=Writing+child+book&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=EYzyBlCKCUDi_DoKgXTO4w> Book
> writing software<http://groups.yahoo.com/gads?t=ms&k=Book+writing+software&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=a4SDza6lVyW6oL7NUnwP-w> Writing
> book<http://groups.yahoo.com/gads?t=ms&k=Writing+book&w1=Writing+a+book+report&w2=Business+writing+book&w3=Creative+writing+book&w4=Writing+child+book&w5=Book+writing+software&w6=Writing+book&c=6&s=150&.sig=ZhdyzZXdVQ_Bepmw4tehkw>
> ------------------------------
> YAHOO! GROUPS LINKS
>
>
> - Visit your group "MEFAwards<http://groups.yahoo.com/group/MEFAwards>"
> on the web.
>
> - To unsubscribe from this group, send an email to:
> MEFAwards-unsubscribe@yahoogroups.com<MEFAwards-unsubscribe@yahoogroups.com?subject=Unsubscribe>
>
> - Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service <http://docs.yahoo.com/info/terms/>.
>
>
> ------------------------------
>
[Non-text portions of this message have been removed]
Msg# 6630
Re: points and various voting matters Posted by rabidsamfan January 05, 2006 - 18:28:18 Topic ID# 6550IIRC last year we had a problem because it was hard to decide what
constituted "2 lines". Blocking everything quoted with tags seems easier
for the admins and everyone else.
constituted "2 lines". Blocking everything quoted with tags seems easier
for the admins and everyone else.
On 1/5/06, Ainaechoiriel <mefaadmin@earthlink.net> wrote:
>
> Perhaps answered before me, but here it is anyway:
>
> We had decided that quotes longer than 2 lines were to be blockquoted.
> Quoting the story was not saying why you liked it. A reader can read those
> lines and decide for themselves in the story itself. It just amounts to
> stuffing a vote. We decided on a compromise because yes, sometimes you
> want
> to say "My favorite part was when Aragorn said, "....". So we set a
> length
> at which block quotes would have to be used, and yes, they were not
> counted.
>
>
> --Ainaechoiriel
> MEFA Admin and Founder
>
> "This evil cannot be concealed by the power of the Elves," Elrond said,
> "for
> it is Windows-compatible, and freeware at that." --H.F.
>
> http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
>
> Blog: http://www.ainaechoiriel.blogspot.com
>
>
>
> > -----Original Message-----
> > From: MEFAwards@yahoogroups.com
> > [mailto:MEFAwards@yahoogroups.com] On Behalf Of Marta Layton
> > Sent: Wednesday, January 04, 2006 7:32 PM
> > To: MEFAwards@yahoogroups.com
> > Subject: Re: [MEFAwards] Re: Re: points and various voting matters
> >
> > > Message: 10
> > > Date: Mon, 2 Jan 2006 20:26:31 -0500
> > > From: rabidsamfan <rabidsamfan@verizon.net>
> > > Subject: Re: Re: points and various voting matters
> > >
> > > On 1/2/06, sulriel <Sulriel@htcomp.net> wrote:
> > >>
> > >>
> > >>>
> > >>> Topic we possibly have forgotten:
> > >>>
> > >>> How do we treat quotes in reviews? What about quotes from sources
> > >> that
> > >>> are not from the fanfic under review, but which are either from
> > >>> Tolkien's own writing or else from a different published
> > author? Did
> > >>> we decide how to treat these already? I'm afraid I can't recall.
> > >>
> > >>
> > >> oh -yikes, yes... that's a biggie.
> > >
> > >
> > >
> > > Yes. I'd say anything and everything from within the story under
> > > review should be inside <blockquotes> tags, but for stuff
> > from JRRT or
> > > other sources... hmm. That's tougher. Might be a judgment
> > call for
> > > the admins.
> > > Is the quote filler, or pertinent to the review? I'd think
> > it would
> > > be a situation which wouldn't often arise, but I don't
> > know. Did it
> > > happen this year?
> > >
> >
> > I don't want to make this an admin judgement call because if
> > we do this, then it leaves the admins open to criticism.
> > Whether a quote counts or not affects how many points a story
> > gets which controls who wins -- and I don't want someone
> > second-guessing the results. That's why for this I want a
> > rule we can apply objectively and can point to as a reason
> > for why we make a certain decision.
> >
> > Marta
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
>
>
> ------------------------------
> YAHOO! GROUPS LINKS
>
>
> - Visit your group "MEFAwards<http://groups.yahoo.com/group/MEFAwards>"
> on the web.
>
> - To unsubscribe from this group, send an email to:
> MEFAwards-unsubscribe@yahoogroups.com<MEFAwards-unsubscribe@yahoogroups.com?subject=Unsubscribe>
>
> - Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service <http://docs.yahoo.com/info/terms/>.
>
>
> ------------------------------
>
[Non-text portions of this message have been removed]
Msg# 6632
Re: Author Reviews (Was: [MEFAwards] Re: points and various voting Posted by Ainaechoiriel January 05, 2006 - 18:39:42 Topic ID# 6550> -----Original Message-----Agreed.
> From: MEFAwards@yahoogroups.com
> [mailto:MEFAwards@yahoogroups.com] On Behalf Of rabidsamfan
> Sent: Thursday, January 05, 2006 6:26 PM
> To: MEFAwards@yahoogroups.com
> Subject: Re: [MEFAwards] Re: points and various voting matters
>
> Assuming the author categories don't go another direction
> entirely (the most popular option under discussion right now,
> but the most complicated to
> enact) due to lack of time for coding, whatever, as I
> understand it the other three present suggestions are:
>
> B. leave things as they are
> C. be able to automatically distribute an author review to
> all (or some) of the categories where an author has entries
> via checkbox.
> D. to have the option to go from the story review entry
> process to an author review entry box which does (but doesn't
> have to) duplicate the story review to give the reviewer a
> chance to edit and change things around to make it more
> appropriate as an author review.
>
> Option B works, obviously, although it was a little clunky.
> I think option C preserves the most annoying aspect of optionBut it also leaves it VERY likely someone will just leave their "story"
> B, (getting five identical reviews even if they were in
> different categories) and adds some more difficulties, some
> of which are solvable if you have to choose which categories
> to disperse the copies to and the copies are automatically
> entered as something besides "final" so they can be edited.
>
> Option D -- and I'll be honest, it was my idea -- is
> technically possible according to Anthony, and in my mind it
> puts the process of creating an author review into greater
> prominence, which should mean more participation.
review AS IS and submit it as an "author" review. If the story review
automatically propogates into that box, it will happen. I don't mind being
taken to a form for Author review immediately (and pulling up what you
previously put there if there is an existing review). But I do mind copying
story reviews as author reviews.
> Say I read a lovely story by Fred, and wrote a story review that went2 issues. 1 mentioned above (I think NOT editing will happen more often than
>
> "'Babbling Balrogs' is a delightful look at the home life of
> the balrog family where they live deep under the mines of
> Moria. In a few deft lines Fred creates an idyll which is
> waiting to be shattered when a falling stone lands in the
> bowl of porridge that Mrs. Balrog is about to serve to her
> rambunctious, but cute twins. Fred has a mastery of humorous
> situations and characters that is worth a good deal of envy,
> and can write dialogue that is outrageously forsooth without
> being unintelligible."
>
> With a way to go straight to the author review -- a button
> right at the "submit review" page -- I might take that same
> paragraph and delete everything above "Fred has a mastery of
> ..." and then append a sentence or two about characterization.
>
> If I had written a story review which was mostly gushing
> about the writing, it probably could serve as an author
> review as well, but I think if the process of creating the
> author review is that close in time, most reviewers will edit
> a bit. And since the story reviews are counted in one
> contest and the author reviews are counted in a different
> contest, I don't think that it's that horrible if they're
> very similar.
you think.). 2 being that an author may have 3 stories gaining them
eligibility in an author category. You read the first one, write your
review and up comes that box. Let's say you DO edit it. Then you go and
read another one. You write your review and up comes that box again and
...what?
Did it overwrite what you previously had? Did it append your second story
vote to it?
There's no cap on the number of stories an author could have to make them
eligible for one author category. They still only get one nomination in
that category. That part won't change. So that makes a technical issue.
The first issue is more an ethical one.
--Ainaechoiriel
MEFA Admin and Founder
"This evil cannot be concealed by the power of the Elves," Elrond said, "for
it is Windows-compatible, and freeware at that." --H.F.
http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
Blog: http://www.ainaechoiriel.blogspot.com
Msg# 6635
Re: Author Reviews (Was: [MEFAwards] Re: points and various voting Posted by rabidsamfan January 05, 2006 - 20:33:15 Topic ID# 6550Hmm. Hadn't thought of that... I mean, authors with more than one story in
a category. Yup, you're right, a blank or the previous author review in that
category to edit works better than my notion. I still like the idea of
having the author review get nudged when you're finishing a story review
better than the idea of propagating the same review over several categories,
but in the end I think what ever we do will have to conform more to
Anthony's time for coding than anything else.
a category. Yup, you're right, a blank or the previous author review in that
category to edit works better than my notion. I still like the idea of
having the author review get nudged when you're finishing a story review
better than the idea of propagating the same review over several categories,
but in the end I think what ever we do will have to conform more to
Anthony's time for coding than anything else.
On 1/5/06, Ainaechoiriel <mefaadmin@earthlink.net> wrote:
>
>
>
> > -----Original Message-----
> > From: MEFAwards@yahoogroups.com
> > [mailto:MEFAwards@yahoogroups.com] On Behalf Of rabidsamfan
> > Sent: Thursday, January 05, 2006 6:26 PM
> > To: MEFAwards@yahoogroups.com
> > Subject: Re: [MEFAwards] Re: points and various voting matters
>
> >
> > Assuming the author categories don't go another direction
> > entirely (the most popular option under discussion right now,
> > but the most complicated to
> > enact) due to lack of time for coding, whatever, as I
> > understand it the other three present suggestions are:
> >
> > B. leave things as they are
> > C. be able to automatically distribute an author review to
> > all (or some) of the categories where an author has entries
> > via checkbox.
> > D. to have the option to go from the story review entry
> > process to an author review entry box which does (but doesn't
> > have to) duplicate the story review to give the reviewer a
> > chance to edit and change things around to make it more
> > appropriate as an author review.
> >
> > Option B works, obviously, although it was a little clunky.
>
> Agreed.
>
> > I think option C preserves the most annoying aspect of option
> > B, (getting five identical reviews even if they were in
> > different categories) and adds some more difficulties, some
> > of which are solvable if you have to choose which categories
> > to disperse the copies to and the copies are automatically
> > entered as something besides "final" so they can be edited.
> >
> > Option D -- and I'll be honest, it was my idea -- is
> > technically possible according to Anthony, and in my mind it
> > puts the process of creating an author review into greater
> > prominence, which should mean more participation.
>
> But it also leaves it VERY likely someone will just leave their "story"
> review AS IS and submit it as an "author" review. If the story review
> automatically propogates into that box, it will happen. I don't mind
> being
> taken to a form for Author review immediately (and pulling up what you
> previously put there if there is an existing review). But I do mind
> copying
> story reviews as author reviews.
>
> > Say I read a lovely story by Fred, and wrote a story review that went
> >
> > "'Babbling Balrogs' is a delightful look at the home life of
> > the balrog family where they live deep under the mines of
> > Moria. In a few deft lines Fred creates an idyll which is
> > waiting to be shattered when a falling stone lands in the
> > bowl of porridge that Mrs. Balrog is about to serve to her
> > rambunctious, but cute twins. Fred has a mastery of humorous
> > situations and characters that is worth a good deal of envy,
> > and can write dialogue that is outrageously forsooth without
> > being unintelligible."
> >
> > With a way to go straight to the author review -- a button
> > right at the "submit review" page -- I might take that same
> > paragraph and delete everything above "Fred has a mastery of
> > ..." and then append a sentence or two about characterization.
> >
> > If I had written a story review which was mostly gushing
> > about the writing, it probably could serve as an author
> > review as well, but I think if the process of creating the
> > author review is that close in time, most reviewers will edit
> > a bit. And since the story reviews are counted in one
> > contest and the author reviews are counted in a different
> > contest, I don't think that it's that horrible if they're
> > very similar.
>
> 2 issues. 1 mentioned above (I think NOT editing will happen more often
> than
> you think.). 2 being that an author may have 3 stories gaining them
> eligibility in an author category. You read the first one, write your
> review and up comes that box. Let's say you DO edit it. Then you go and
> read another one. You write your review and up comes that box again and
> ...what?
>
> Did it overwrite what you previously had? Did it append your second story
> vote to it?
>
> There's no cap on the number of stories an author could have to make them
> eligible for one author category. They still only get one nomination in
> that category. That part won't change. So that makes a technical issue.
> The first issue is more an ethical one.
>
> --Ainaechoiriel
> MEFA Admin and Founder
>
> "This evil cannot be concealed by the power of the Elves," Elrond said,
> "for
> it is Windows-compatible, and freeware at that." --H.F.
>
> http://gabrielle.sytes.net/mefa The Middle-Earth Fanfiction Awards
>
> Blog: http://www.ainaechoiriel.blogspot.com
>
>
>
>
> SPONSORED LINKS
> Writing and publishing a book<http://groups.yahoo.com/gads?t=ms&k=Writing+and+publishing+a+book&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=oCgrISWcOEfZQFsKUP-mdQ> Writing
> book<http://groups.yahoo.com/gads?t=ms&k=Writing+book&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=fcRYNfENN4HC9sFa2nVO5A> Book
> writing software<http://groups.yahoo.com/gads?t=ms&k=Book+writing+software&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=vdzlRRqJwnY8d5tjFI0d3w> Writing
> child book<http://groups.yahoo.com/gads?t=ms&k=Writing+child+book&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=OYgCqshRxeGeuY9rIYSxPA> Writing
> a book report<http://groups.yahoo.com/gads?t=ms&k=Writing+a+book+report&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=d1okvmLcf7_ImnRdQw5ivA> Business
> writing book<http://groups.yahoo.com/gads?t=ms&k=Business+writing+book&w1=Writing+and+publishing+a+book&w2=Writing+book&w3=Book+writing+software&w4=Writing+child+book&w5=Writing+a+book+report&w6=Business+writing+book&c=6&s=158&.sig=P3jf6666hsqXF-o_OxHscw>
> ------------------------------
> YAHOO! GROUPS LINKS
>
>
> - Visit your group "MEFAwards<http://groups.yahoo.com/group/MEFAwards>"
> on the web.
>
> - To unsubscribe from this group, send an email to:
> MEFAwards-unsubscribe@yahoogroups.com<MEFAwards-unsubscribe@yahoogroups.com?subject=Unsubscribe>
>
> - Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service <http://docs.yahoo.com/info/terms/>.
>
>
> ------------------------------
>
[Non-text portions of this message have been removed]
--- In MEFAwards@yahoogroups.com, "Ainaechoiriel" <mefaadmin@e...>
wrote:
not be what Sulriel was suggesting when she said "separate
nominations" for author categories...I didn't really focus on the
implications of that. Sure, you could do it, but I kind of favor the
inclusive approach, saying everyone is eligible and having a bunch of
awards--perhaps unranked--within each category to accommodate the
number of nominees. I know this is kind of radical and may present
all sorts of conceptual and logistical problems, but it seemed worth
trying to think outside the box. And I do think there are lots of fun
categories we could come up with in this area...
I also realize it may be too close to the opening of the 06 Awards to
implement such a drastic change, but maybe it's something we can
continue to think about for 07. I would be happy to keep
brainstorming ways to do it with anyone else who was interested over
the course of the next year.
As for the current author award system, as I've said before, I just
don't understand it...or rather, I don't see it being practiced the
way it's explained. I saw way too many author reviews that read just
like story reviews, and while some may not think that's a problem, my
question is, what's the point? It just becomes nothing more than a
duplicate/parallel awards system.
So if it came down to a poll about whether to retain the author
awards in their current form, I guess I'd vote no. But since I
didn't participate in them last year and most likely won't this year
(unless they changed in some way that worked for me), as a
nonparticipant I feel kind of uncomfortable advocating their demise…
so will leave that to others to decide!
Kathy (Inkling)
wrote:
>Yeah, I guess that's how I would do it. And I now realize that may
> I like the idea in theory. It's the imagining of "in practice" that
> scares the daylights out of me. How would you decide which authors
> would be in those "best opening line" categories? And really that's
> a story issue, not an author one unless you're commening on all the
> opening lines an author wrote....
>
> But my point is, every author. Every author of every story wrote
> an opening line. Thus every author would be eligible in that
> category. And every other category like "characterization"
> or "plotting" (okay, except the PWP's but unless I missed that in
> the post-mortem--and I've missed a lot--those aren't likely to be
> here anyway.)
>
> Every author would elibigle for nearly every category.
not be what Sulriel was suggesting when she said "separate
nominations" for author categories...I didn't really focus on the
implications of that. Sure, you could do it, but I kind of favor the
inclusive approach, saying everyone is eligible and having a bunch of
awards--perhaps unranked--within each category to accommodate the
number of nominees. I know this is kind of radical and may present
all sorts of conceptual and logistical problems, but it seemed worth
trying to think outside the box. And I do think there are lots of fun
categories we could come up with in this area...
I also realize it may be too close to the opening of the 06 Awards to
implement such a drastic change, but maybe it's something we can
continue to think about for 07. I would be happy to keep
brainstorming ways to do it with anyone else who was interested over
the course of the next year.
As for the current author award system, as I've said before, I just
don't understand it...or rather, I don't see it being practiced the
way it's explained. I saw way too many author reviews that read just
like story reviews, and while some may not think that's a problem, my
question is, what's the point? It just becomes nothing more than a
duplicate/parallel awards system.
So if it came down to a poll about whether to retain the author
awards in their current form, I guess I'd vote no. But since I
didn't participate in them last year and most likely won't this year
(unless they changed in some way that worked for me), as a
nonparticipant I feel kind of uncomfortable advocating their demise…
so will leave that to others to decide!
Kathy (Inkling)
> >though
> > --- In MEFAwards@yahoogroups.com, <aelfwina@c...> wrote:
> > >> > ----- Original Message -----
> > > From: "Kathy" <inkling-tcbs@s...>> > I like your idea, Dwim,
> > I think we would definitely want toyou
> > > > look at adding some categories to supplement story forms, as
> > > > suggested...in addition to characterization, perhapsdescriptive
> > > > writing, dialogue, suspense, etc. It might even be fun tohave
> > > > author awards for things like "best opening line"...one*as
> > of the most
> > > > important elements of a story, IMO. It's usually what
> > entices me to
> > > > read a story--or not.
> > >
> > > Oh my! I *really like this: speaking to an author's strengths
> > an > author*, and not simply within the confines of a singlestory.
> > Forms would > be one way, but adding such things asFreds of
> > characterization, dialogue, > descriptive writing, plotting,
> > and so forth would add a whole new element to > voting for
> > the author awards--it would increase the number of categories
> > of > author awards from just drabble, poem, short story,
> > vignette, novel and so > open it up to be more author awards
> > that could be given <<snipped>>
> > > Yes, I do indeed like *this* idea very much!
> > > > Dreamflower
> > > (Barbara)
> >
> >
> > I third this - wonderful idea!
> >
> > Sulriel
> > >
> > > >
> > > > Kathy (Inkling)
> > > >
> > > > --- In MEFAwards@yahoogroups.com, "dwimmer_laik"
> > <dwimmer_laik@y...>
> > > > wrote:
> > > >>
> > > >> Ok, so with author reviews, we've got the problem of the
> > > > theare
> > > >> world versus the Freditas, and the sense that author awards
> > > >> artificially fragmenting an author's work, encouragingwe
> > meaningless
> > > >> repetition of reviews which then results in bizarre rankings,
> > where
> > > >> someone wins an author award for "The Hobbit" drabbles on the
> > basis
> > > > of
> > > >> work s/he did as a novelist in the Horror category and
> > some humor
> > > >> pieces. Also, it's not always clear how to distinguish
> > the author
> > > >> review from the story review, leading to questions about why
> > > > shouldreviews.
> > > >> allow copying author reviews and not copying of story
> > > >>around,
> > > >> We need a compromise that gives us sensible author review
> > > > categories that
> > > >>
> > > >> 1) do not seem artificially to fragment an author's work,
> > resulting
> > > > in
> > > >> weird copy-pastes that result in even weirder rankings;
> > > >>
> > > >> 2) are distinct enough from story reviews that we don't just
> > repeat
> > > > or
> > > >> extend story reviews;
> > > >>
> > > >> 3) are not so all-inclusive as to make competition absolutely
> > > > cutthroat;
> > > >>
> > > >> 4) are organized in a manner that is less confusing all
> > > >> thereby encouraging more people to actually review authors.authors
> > > >>
> > > >> What if we changed things up somewhat for author awards and
> > looked
> > > > at
> > > >> *forms* of writing? Poetry, non-fiction, ficlet, short story,
> > > > novella,
> > > >> novel, drabble, drabble cycle: these are all things that
> > > > wouldnot
> > > >> have to select when filling out their story forms. So it's
> > likean
> > > >> we'd be making any executive decisions about how to classify
> > > >> author's work--the author has done it for us. That wouldauthors
> > be a big
> > > >> benefit, requiring no extra work or forms for anyone.
> > > >>
> > > >> The other benefit would be that we consolidate groups of
> > > >> across the story-awards genres and subgenres into logicalcompare
> > categories
> > > >> that are specific enough that we have some idea of how to
> > > > theas a
> > > >> authors. The form of their writing holds them together
> > across the
> > > >> divisions we'd imposed to judge stories against each
> > other, so it
> > > >> wouldn't work to just copy a review about an author's skill
> > > >> writer of novels into the poet category, for example. Itmakes
> > senseof
> > > >> to write a different review.
> > > >>
> > > >> At the same time, using form instead of content as the basis
> > > >> categorizing the author awards gives us enough abstractionthat
> > weto
> > > >> don't need to deal with author awards in subcategories, which
> > would
> > > >> cut down on a sense of pernicious repetition. It's also just
> > > > extending
> > > >> an already existing trend (see below).
> > > >>
> > > >> Now, it is true, there's a reason we split the stories into
> > > > different
> > > >> categories and subcategories--but we've got the story awards
> > dealare (I
> > > >> with recognizing merits of specific content. Author awards
> > > >> think) about assessing individual style and a more generalsense
> > ofby
> > > >> substance within certain, more abstract bounds
> > than "Silmarillion:
> > > >> drabble cycle", for example. So we're not doing an injustice
> > > >> comparing incomparables here.it
> > > >>
> > > >> Would it be more competitive than the current scenario? Yes,
> > > > wouldunder
> > > >> be. There would be more people competing for author awards
> > anysince
> > > >> form-based category than in any individual story category
> > > >> *every* drabbler and *every* novelist would be elligible foran
> > > > authorcompete
> > > >> award for writing drabbles or novels, irrespective of whether
> > they
> > > >> wrote the novel about Silm characters of Ring-war characters,
> > > > whether
> > > >> they wrote the drabbles about hobbits or dragons.
> > > >>
> > > >> Also, by moving away from category/subcategory combinations
> > > > currently
> > > >> used for author awards, we would have fewer categories to
> > > > in.go all
> > > >> However, there are only three subcategories within any given
> > author
> > > >> awards category anyway: general, drabble, and poetry, which
> > already
> > > >> tends in the direction of recognizing *form*, but does not
> > > > thevignettes
> > > >> way and recognize that novels are a unique form or that
> > > > arewould
> > > >> a unique form, each requiring different skills to pull
> > off. Those
> > > >> kinds of stories compete together under "general." So this
> > > >> rectify that situation in a way by recognizing differentskill
> > > > sets.might
> > > >>
> > > >> Against the fear that this would be too cutthroat, it's
> > much more
> > > >> competitive (and I think a fairer competition in some cases,
> > where
> > > >> maybe only two poets make up an entire
> > category/subcategory combo
> > > >> elligible for author awards, whereas a different c/s combo
> > pitawards.
> > > >> twenty poets against each other) than being allowed only
> > a single
> > > >> author review for any given author.
> > > >>
> > > >> So I think (I hope) this would meet all four of what I
> > see as the
> > > >> major problems we currently have with author reviews and
> > I'mcategories
> > > >> fairly certain that we could come up with a few more
> > thatan
> > > >> wouldn't repeat the story award categories if desired (maybe
> > > > awardinto
> > > >> for characterization, for example, or splitting non-fiction
> > > > essaycurrent
> > > >> and research article since those do require totally different
> > > > skills).
> > > >> But the basic idea hopefully would be a way out of our
> > > >> difficulties.author
> > > >>
> > > >>
> > > >>
> > > >> Taking the above sketch as a possibility for reorganizing
> > > >> reviews, and combining it with my request for a simpler userhopefully
> > > > interface
> > > >> when it comes to writing those author reviews, I could
> > see a page
> > > >> somewhat like this (and I hope yahoo doesn't destroy the
> > formatting)
> > > >> to try and streamline things, make them clearer, and
> > > >> encourage more author reviewing because it would be lessfailed to
> > confusing:
> > > >>
> > > >>
> > > >
> Author Name: Dwym the Evil Twyn
> > > >>
> > > >> Story Title Story Type Have I
> > > > Reviewed?
> > > >>
> > > >> <link>Gimli's Gift</link> Short Story
> > > > <link>Yes</link>
> > > >>
> > > >> <link>Oops, I Sued It Again!</link> Short Story No
> > > >>
> > > >> _____________________________________
> > > >>
> > > >> Enter Author Review for Short Story: [text box]
> > > >>
> > > >>
> > > >> <link>Fear and Loathing Novel
> > > > <link>Yes</link>
> > > >> in the White City</link>
> > > >>
> > > >> ______________________________________
> > > >>
> > > >> Enter Author Review for Novel:[text box]
> > > >>
> > > >>
> > > >> <link>Grey</link> Drabble No
> > > >>
> > > >> <link>Purposive</link> Drabble No
> > > >>
> > > >> _____________________________________
> > > >>
> > > >> Enter Author Review for Drabble: [text box]
> > > >>
> > > >>
> > > >>
> > > >>
> > > >>
> > > >> Etc., etc., and alphabetically by review category (as I
> > > > do).main
> > > >>
> > > >> This I am taking as a possible modification of the author's
> > > > pagebreaks
> > > >> on the website. It would give us every story the author has
> > written,
> > > >> links to the story (so we can read it if we want to before
> > writing
> > > > the
> > > >> author review), the category it is listed under *for the
> > purposes of
> > > >> author reviews*, and a notice whether I've reviewed the story
> > (and
> > > > if
> > > >> I have, a quick way to see what I'd said and so refresh my
> > > >> memory--best if opens in a new screen). It automatically
> > upimmediate
> > > > the
> > > >> stories into the appropriate groups and offers us an
> > > >> opportunity to write an author review. It'd be easy to see inwere to
> > what
> > > >> categories we had already reviewed the author since they'd be
> > right
> > > >> there. No fuss, no bother, no reloads.
> > > >>
> > > >> If we did revamp author pages this way, there'd have to
> > be a more
> > > >> obvious pointer towards them so that people would actually go
> > there
> > > > to
> > > >> review the author as an author, of course, but that's another
> > issue
> > > >> that can be handled if something like this page revision
> > gochange
> > > >> through. I'm mainly using it as an illustration of how to
> > simplify
> > > > the
> > > >> process of reviewing authors and to show how the category
> > I'd
> > > >> proposed could be easily fitted into that revision.
> > > >>
> > > >> What do you all think?
> > > >>
> > > >> Dwim
> > > >>
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > Yahoo! Groups Links
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > >
> >
> >
> >
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
> >
>
--- In MEFAwards@yahoogroups.com, "Kathy" <inkling-tcbs@s...> wrote:
authors > > would be in those "best opening line" categories? And
really that's > > a story issue, not an author one unless you're
commening on all the > opening lines an author wrote....
bunch of > awards--perhaps unranked--within each category to
accommodate the > number of nominees. I
Sorry I wasn't clearer, I was more about tossing out ideas than
making firm proposals.
What I had in mind was that every author would automatically go in
the form categories as their story nominations were confirmed. - #2
was an 'and/or', and meant for readers to nominate authors in the
technical, creative and fun categories.
I would be ok for every author to be automatically entered in the fun
cates, but it's not what I had in mind when I suggested it. What I
had in mind was that readers would have to nominate authors for these
categories. - I suspect that this, if wanted and possible, will need
to be put off until 2007, but I do like the idea.
Some of what was suggested, gripping opening line, satisfying ending,
would necessarily be associated with a particular story -
probably ... but I still think belongs as the author cate because
it's more about the writing than the individual story. As has been
pointed out, characterization, plotting, etc crosses all forms which
is why I see these as their own main cates.
... Inkling ... LOL re: "plot act" ... I have no idea! probably has
something to do with declination! :) ... I'm sure I must have
meant "plot arc" (a problem/conflict/resolution cycle)
- as an aside, I would be ok with either keeping the author awards
the same for this year or scrapping them entirely and maybe bringing
back a revamped system next year. I do think they're valid because
even though there is a lot of parallel, - if I remember - there were
some authors who did ok in the story awards, but earned more
recognition in the author awards, and I think that's saying good
things about the overall quality of the writing.
Sulriel
>> --- In MEFAwards@yahoogroups.com, "Ainaechoiriel" <mefaadmin@e...>that > > scares the daylights out of me. How would you decide which
> wrote:
> >> > I like the idea in theory. It's the imagining of "in practice"
authors > > would be in those "best opening line" categories? And
really that's > > a story issue, not an author one unless you're
commening on all the > opening lines an author wrote....
> >the > inclusive approach, saying everyone is eligible and having a
> > But my point is, every author. Every author of every story wrote
> > an opening line. Thus every author would be eligible in that
> > category. And every other category like "characterization"
> > or "plotting" (okay, except the PWP's but unless I missed that in
> > the post-mortem--and I've missed a lot--those aren't likely to be
> > here anyway.)
> >
> > Every author would elibigle for nearly every category.
>
> Yeah, I guess that's how I would do it. And I now realize that may
> not be what Sulriel was suggesting when she said "separate
> nominations" for author categories...I didn't really focus on the
> implications of that. Sure, you could do it, but I kind of favor
bunch of > awards--perhaps unranked--within each category to
accommodate the > number of nominees. I
Sorry I wasn't clearer, I was more about tossing out ideas than
making firm proposals.
What I had in mind was that every author would automatically go in
the form categories as their story nominations were confirmed. - #2
was an 'and/or', and meant for readers to nominate authors in the
technical, creative and fun categories.
I would be ok for every author to be automatically entered in the fun
cates, but it's not what I had in mind when I suggested it. What I
had in mind was that readers would have to nominate authors for these
categories. - I suspect that this, if wanted and possible, will need
to be put off until 2007, but I do like the idea.
Some of what was suggested, gripping opening line, satisfying ending,
would necessarily be associated with a particular story -
probably ... but I still think belongs as the author cate because
it's more about the writing than the individual story. As has been
pointed out, characterization, plotting, etc crosses all forms which
is why I see these as their own main cates.
... Inkling ... LOL re: "plot act" ... I have no idea! probably has
something to do with declination! :) ... I'm sure I must have
meant "plot arc" (a problem/conflict/resolution cycle)
- as an aside, I would be ok with either keeping the author awards
the same for this year or scrapping them entirely and maybe bringing
back a revamped system next year. I do think they're valid because
even though there is a lot of parallel, - if I remember - there were
some authors who did ok in the story awards, but earned more
recognition in the author awards, and I think that's saying good
things about the overall quality of the writing.
Sulriel
On 1/6/06, sulriel <Sulriel@htcomp.net> wrote:
awards? How often did the top author award go to someone who hadn't won the
top story award, etc?
Data is a good thing. If no one has these numbers easily, I might be able
to hand count them if people ask for it, but I'm hoping that someone knows.
[Non-text portions of this message have been removed]
>Now I want statistics. How many story awards were there? How many author
>
> - as an aside, I would be ok with either keeping the author awards
> the same for this year or scrapping them entirely and maybe bringing
> back a revamped system next year. I do think they're valid because
> even though there is a lot of parallel, - if I remember - there were
> some authors who did ok in the story awards, but earned more
> recognition in the author awards, and I think that's saying good
> things about the overall quality of the writing.
>
>
> Sulriel
awards? How often did the top author award go to someone who hadn't won the
top story award, etc?
Data is a good thing. If no one has these numbers easily, I might be able
to hand count them if people ask for it, but I'm hoping that someone knows.
[Non-text portions of this message have been removed]
--- In MEFAwards@yahoogroups.com, rabidsamfan <rabidsamfan@v...> wrote:
bringing> > back a revamped system next year. I do think they're
valid because> > even though there is a lot of parallel, - if I
remember - there were> > some authors who did ok in the story awards,
but earned more> > recognition in the author awards, and I think
that's saying good> > things about the overall quality of the writing.
adn't won the> top story award, etc?> > Data is a good thing. If no
one has these numbers easily, I might be able> to hand count them if
people ask for it, but I'm hoping that someone knows.
agreed, it might be a good idea to look at the numbers, but I'm not
sure exactly what to look at or what they would show.
If the author of the first place story also got the first place author
award ... ? ... I do think that's *good* because the author awards
were only recongized for the main categories, that's like getting
first in your division (sub-cate) and first in your region (main
cate). and I think that's a good kind of icing for the authors who
can do it. :)
OTOH, I can understand the arguement that the author has already been
recognized through the story award and so why give them a second award
for the same work? ((which would be an arguement for the seperate
nominations in basically unrelated categories))
Sulriel
>> On 1/6/06, sulriel <Sulriel@h...> wrote:awards> > the same for this year or scrapping them entirely and maybe
> >> >> > - as an aside, I would be ok with either keeping the author
bringing> > back a revamped system next year. I do think they're
valid because> > even though there is a lot of parallel, - if I
remember - there were> > some authors who did ok in the story awards,
but earned more> > recognition in the author awards, and I think
that's saying good> > things about the overall quality of the writing.
> >> >> > Sulrielauthor> awards? How often did the top author award go to someone who
>
>
> Now I want statistics. How many story awards were there? How many
adn't won the> top story award, etc?> > Data is a good thing. If no
one has these numbers easily, I might be able> to hand count them if
people ask for it, but I'm hoping that someone knows.
agreed, it might be a good idea to look at the numbers, but I'm not
sure exactly what to look at or what they would show.
If the author of the first place story also got the first place author
award ... ? ... I do think that's *good* because the author awards
were only recongized for the main categories, that's like getting
first in your division (sub-cate) and first in your region (main
cate). and I think that's a good kind of icing for the authors who
can do it. :)
OTOH, I can understand the arguement that the author has already been
recognized through the story award and so why give them a second award
for the same work? ((which would be an arguement for the seperate
nominations in basically unrelated categories))
Sulriel
>author
> Now I want statistics. How many story awards were there? How many
> awards?A lot. I've just moved everything to a spreadsheet. Story awards, both
ranked and with honorable mentions, are over 550 (haven't allowed for
skipped lines or the column titles). Author awards are far fewer. At
best, you would have 207 ranked author awards (23 categories x a
maximum of three subcategories x 3 ranked places), but (1) not every
category has 3 subcategories for author awards, (2) not every main
category had thee ranked placements (some only had first place or the
first two places), and (3) I haven't counted honorable mentions in the
figure of 207.
How often did the top author award go to someone who hadn't won the
> top story award, etc?I've started the process of marking author awards that...
1) went to someone who didn't win a story award at all within the
entire category
2) went to someone who won a ranked award but in a different
subcategory (a little weird since 'general' covers any category that
isn't a drabble or poetry, so technically, there are more of these
than I can actually think of counting)
3) went to someone who had won an honorable mention but not a ranked
award in the story awards.
There are a fair number in each of the three categories, though I
haven't finished counting yet, and I'm getting tired already.
It is also the case that the top author award did go a few times to
someone who didn't place first in the story awards categories, but
that's a different statistic.
It's a giant spreadsheet. I'll post it when I'm done with it for the
list's perusal.
Dwim
Msg# 6659
Re: points and various voting matters Posted by Marta Layton January 07, 2006 - 14:29:22 Topic ID# 6550>Hi Sulriel,
> Message: 6Good point, I hadn't thought of that. You're right, it doesn't seem
> Date: Wed, 04 Jan 2006 14:38:48 -0000
> From: "sulriel" <Sulriel@htcomp.net>
> Subject: Re: points and various voting matters
>
>>>> I can think of several possible solutions. One is to award an
>>>> honorable mention to all the stories that get a certain number of
>>>> points and aren't awarded 1st, 2nd, or 3rd place. For xample, we
>>>> could set the threshold at 20 points; if your story gets 20 points
>>>> but isn't awarded 1st, 2nd, or 3rd place, it gets an honorable
>>>> mention.
>>>>
>>> I think this is an overall good idea and would be ok if it were
>>> implemented, but I think it would be a difficult call to set that
>>> number, especially if we change the point system.
>>>
>> You're right, this would be a problem, but I'm not sure it's any more
>> random than the current three-point rules. One solution might be to
>> wait to determine this limit until we have the actual figures from
>> next year. Anthony, would it be possible to see the number of points
>> that the top third (or half, or whatever percent of stories we want
>> to award) scored above? Say we decide we want to give honourable
>> mention to the top third of stories. I guess this would in effect be
>> recognising the top % of stories instead of within a certain point
>> range. The only problem is it wouldn't necessarily be an honourable
>> mention in a certain category, as which stories get an HM id
>> etermined by the *overall* pointspread, across all the categories.
>
> *** I don't support making point decisions after the fact.
>
> I think your previous example of smaller subcate would work against
> this proposal as well ... what if none of the stories received that
> number of points. It's easy to say that there would be no HMs in that
> subcate, but you could easily end up with 1st, 2nd, 3rd places with a
> lower point count than HMs in other categories and that seems
> inconsistent with the rest of the system.
>
>
like the best system for that reason. I don't want to encourage people
to try to get their stories into less competitive category because the
whole categorisation issue could become a whole lot more political
("all of X's stories are ending up in small category and so have a
better chance of winning, you guys must like X more than you like m.")
I don't seriously think this would havppen, and I really hope it
wouldn't, but I don't want to put a system in place that makes it more
likely.
Cheers,
Marta
>Hi RSF,
> Message: 2Hi Rabidsamfan,
> Date: Fri, 6 Jan 2006 08:16:13 -0500
> From: rabidsamfan <rabidsamfan@verizon.net>
> Subject: Re: Re: Author Review Blues
>
> On 1/6/06, sulriel <Sulriel@htcomp.net> wrote:
>>
>>
>> - as an aside, I would be ok with either keeping the author awards
>> the same for this year or scrapping them entirely and maybe bringing
>> back a revamped system next year. I do think they're valid because
>> even though there is a lot of parallel, - if I remember - there were
>> some authors who did ok in the story awards, but earned more
>> recognition in the author awards, and I think that's saying good
>> things about the overall quality of the writing.
>>
>>
>> Sulriel
>
>
> Now I want statistics. How many story awards were there? How many
> author
> awards? How often did the top author award go to someone who hadn't
> won the
> top story award, etc?
> Data is a good thing. If no one has these numbers easily, I might be
> able
> to hand count them if people ask for it, but I'm hoping that someone
> knows.
>
I don't have those numbers available easily, unfortunately. If you're
interested in investigating it yourself you might look at
http://home.earthlink.net/~ainae/mefa/2005swin.html
http://home.earthlink.net/~ainae/mefa/2005awin.html
My gut feeling is that there are a lot of stories that placed whose
authors didn't get author awards simply because there's more
competition for those spots. Maybe not so much for drabbles and poetry
but definitely for stories -- just because there are a lot more of
story categories all competing for the same awards. I also think it
really depends on the category (not sub-category). Something like
Mystery where there's only one subcategory or even Movie-verse where
there were I think three subcategories will have about the same
competition for the author awards, but a large category like Post-Ring
War would be very competitive.
Not stats, I know. Sorry I don't have more concrete numbers to offer.
Marta
Actually, someone did come up with numbers, which, IIRC, showed that
sometimes authors won as authors even when stories didn't. It sounded like
this years system worked fairly well, to tell the truth, as far as how
author awards are grouped and all.
I'd still like to go from the story review to the author review via a link
if I could, though. *grin*
sometimes authors won as authors even when stories didn't. It sounded like
this years system worked fairly well, to tell the truth, as far as how
author awards are grouped and all.
I'd still like to go from the story review to the author review via a link
if I could, though. *grin*
On 1/10/06, Marta Layton <melayton@gmail.com> wrote:
>
> >
>
> Hi RSF,
>
> > Message: 2
> > Date: Fri, 6 Jan 2006 08:16:13 -0500
> > From: rabidsamfan <rabidsamfan@verizon.net>
> > Subject: Re: Re: Author Review Blues
> >
> > On 1/6/06, sulriel <Sulriel@htcomp.net> wrote:
> >>
> >>
> >> - as an aside, I would be ok with either keeping the author awards
> >> the same for this year or scrapping them entirely and maybe bringing
> >> back a revamped system next year. I do think they're valid because
> >> even though there is a lot of parallel, - if I remember - there were
> >> some authors who did ok in the story awards, but earned more
> >> recognition in the author awards, and I think that's saying good
> >> things about the overall quality of the writing.
> >>
> >>
> >> Sulriel
> >
> >
> > Now I want statistics. How many story awards were there? How many
> > author
> > awards? How often did the top author award go to someone who hadn't
> > won the
> > top story award, etc?
>
> > Data is a good thing. If no one has these numbers easily, I might be
> > able
> > to hand count them if people ask for it, but I'm hoping that someone
> > knows.
> >
>
> Hi Rabidsamfan,
>
> I don't have those numbers available easily, unfortunately. If you're
> interested in investigating it yourself you might look at
>
> http://home.earthlink.net/~ainae/mefa/2005swin.html
> http://home.earthlink.net/~ainae/mefa/2005awin.html
>
> My gut feeling is that there are a lot of stories that placed whose
> authors didn't get author awards simply because there's more
> competition for those spots. Maybe not so much for drabbles and poetry
> but definitely for stories -- just because there are a lot more of
> story categories all competing for the same awards. I also think it
> really depends on the category (not sub-category). Something like
> Mystery where there's only one subcategory or even Movie-verse where
> there were I think three subcategories will have about the same
> competition for the author awards, but a large category like Post-Ring
> War would be very competitive.
>
> Not stats, I know. Sorry I don't have more concrete numbers to offer.
>
> Marta
>
>
> ------------------------------
> YAHOO! GROUPS LINKS
>
>
> - Visit your group "MEFAwards<http://groups.yahoo.com/group/MEFAwards>"
> on the web.
>
> - To unsubscribe from this group, send an email to:
> MEFAwards-unsubscribe@yahoogroups.com<MEFAwards-unsubscribe@yahoogroups.com?subject=Unsubscribe>
>
> - Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service <http://docs.yahoo.com/info/terms/>.
>
>
> ------------------------------
>
[Non-text portions of this message have been removed]
> Message: 7<snip>
> Date: Fri, 06 Jan 2006 20:46:20 -0000
> From: "dwimmer_laik" <dwimmer_laik@yahoo.com>
> Subject: Re: Author Review Blues
>
>
>>
>> Now I want statistics. How many story awards were there? How many
> author
>> awards?
>
> A lot. I've just moved everything to a spreadsheet.
> It's a giant spreadsheet. I'll post it when I'm done with it for theI think I spoke too soon. Thanks, Dwim, for doing this. Things are
> list's perusal.
>
fairly busy around here right now, but I look forward to finding the
time to really sink my teeth into this.
Marta
Msg# 6697
Re: points and various voting matters Posted by Marta Layton January 10, 2006 - 23:23:31 Topic ID# 6550> Message: 10I think this would be a good idea if we end up having enough time, but
> Date: Fri, 6 Jan 2006 17:33:55 -0600
> From: Anthony Holder <aaholder@swbell.net>
> Subject: Re: Re: Re: points and various voting matters (Anthony)
>
>
> On Jan 5, 2006, at 8:47 PM, rabidsamfan wrote:
>
>> If it wouldn't be such a pain in the arse to figure out how to do it,
>> I'd
>> say don't tell reviewers how many points they've given out when
>> they're composing or editing reviews -- just show them the list of
>> stories
>> from that subcategory ranked in order with "unreviewed" at the bottom
>> of the
>> list. That way you could adjust your reviews to get the stories in
>> the
>> preferred order if you really wanted to, and ignore the whole "number
>> of
>> points" question if you felt like it too. You'd only be comparing
>> your own
>> efforts to your own efforts as a reviewer.
>
> RSF, this'll be at the bottom of the list, but it might be possible.
> Sorting is fairly easy, as is linking the review character count to the
> story so it can be sorted.
>
I do think we should display the points somewhere. Nothing fancy, just
what we already have this year. I just don't want to get rid of that
altogether. I don't think we're considering that, but I wanted to be
clear on that point.
> About the story review showing up in the Author review box, I wasI wouldn't have a problem with doing this. It's not something I feel
> thinking that I could put it on the page, but not in the box. I might
> be able to show all your reviews in that category, as well.
that strongly about one way or the other, but if the story review is on
the page instead of actually in the field to submit the author review,
I think it sends the message that the story review is there to refresh
your memory, not to copy wholesale.
> If you wantMy understanding is that we're proposing author categories based on
> (and I have time to) to change the Author Reviews around so they aren't
> category-based, then which Author review should you be taken to?
> There'd have to be a page with links to all the possible author reviews
> for that author.
story form or length -- vignette, poem, drabble, short story, novel,
etc. In which case you should be taken to the review for the category
that story fits in. For example, if you review a drabble series of
mine, you would be taken to a form that would submit a review for me in
the Drabble Authors category. Alternately, if it's possible, we could
maybe have one page that had a field to enter a vote for all the
applicable author categories. For example, let's say I have a drabble,
a poem, and a vignette entered in the awards. You vote for the drabble
and then the website directs you to a form something like:
*****
Author Review: Drabbles
[list of titles of drabbles I have entered]
[field to enter drabble review]
-----
Author Review: Poems
[list of titles of poemsI have entered]
-----
[...]
Author Review: Novels
This author has no novels entered in the awards.
[button to submit all reviews]
*****
You'd see this same page if you voted for a poem or anything else I
have entered. SThat's one option, if you'd like to go this way.
Marta
> Message: 10Having read the stats, I agree withb you -- they were complicated and
> Date: Tue, 10 Jan 2006 23:42:44 -0500
> From: rabidsamfan <rabidsamfan@verizon.net>
> Subject: Re: Re: Re: Author Review Blues
>
> Actually, someone did come up with numbers, which, IIRC, showed that
> sometimes authors won as authors even when stories didn't. It sounded
> like
> this years system worked fairly well, to tell the truth, as far as how
> author awards are grouped and all.
>
> I'd still like to go from the story review to the author review via a
> link
> if I could, though. *grin*
>
probably have some room for improvement, but they're not in as critical
of condition as I thought at first.
On the going from story review to author review -- I wouldn't have a
problem with this, if Anthony has time. It would be nice to go to a
form that allowed you to enter all the author reveiws at once like I
described a few days ago, but if that's not possible I sstill wouldn't
have any problem with what you're suggesting. Just so long as the
actual story review isn't entered in the box where you would type the
author review. :-)
Cheers,
Marta
If you have any questions about the archive, or would like to report a technical problem, please contact Aranel (former MEFA Tech Support and current Keeper of the Archive) at araneltook@mefawards.org or at the MEFA Archive group..